When her wedding to John “Basil” Henderson didn’t come off as planned, Yancey Harrington Braxton flew off to L.A. and remade herself as mega-diva Yancey B. And Basil started concentrating on his career as a high-powered sports agent. But then Yancey’s first single, “Any Way the Wind Blows,” hit the charts, and now it threatens to blow Basil’s cover--if anyone learns who it’s really about. And it looks like the gorgeous (and ambitious) hunk Bart Dunbar might just have it all figured out.

New York Times bestselling author Rainbow Rowell's epic fantasy, the Simon Snow trilogy, concludes with Any Way the Wind Blows. In Carry On, Simon Snow and his friends realized that everything they thought they understood about the world might be wrong. And in Wayward Son, they wondered whether everything they understood about themselves might be wrong. Now, Simon and Baz and Penelope and Agatha must decide how to move forward. For Simon, that means choosing whether he still wants to be part of the World of Mages — and if he doesn't, what does that mean for his relationship with Baz? Meanwhile Baz is bouncing between two family crises and not finding any time to talk to anyone about his newfound vampire knowledge. Penelope would love to help, but she's smuggled an American Normal into London, and now she isn't sure what to do with him. And Agatha? Well, Agatha Wellbelove has had enough. Any Way the Wind Blows takes the gang back to England, back to Watford, and back to their families for their longest and most emotionally wrenching adventure yet. This book is a finale. It tells secrets and answers questions and lays ghosts to rest. The Simon Snow Trilogy was conceived as a book about Chosen One stories; Any Way the Wind Blows is an ending about endings—about catharsis and closure, and how we choose to move on from the traumas and triumphs that try to define us.

Mrs Charlotte De Granville wanted a quiet, unobtrusive, not too clever private detective for a very discreet little job. The nature of the assignment dictated a certain economy of truth when it came to briefing said detective. He would detect and she would take care of the rest -- with extreme prejudice. Anthony M Moretti, failed golf pro, onetime Miami nightclub hustler and more recently PI specializing in divorce work, fitted the bill rather nicely. So Tony got the job and the kind of trip that would take him from the glitter of Cape Town's jet set to the rotten underbelly of pulsating Durban to the tropical paradise of the Comoros Islands. Somewhere along the way things become complicated. Things like a black eyed beauty with a voice like Nina Simone or a woman who could stomach a revolution but not a man's betrayal. A young mercenary with hope in his heart and technicolor illusions of an Africa long faded to dusty decay. And an ageing soldier of fortune who really should have known better...

The seventh volume in Knopf’s critically acclaimed Complete Lyrics series, published in Johnny Mercer’s centennial year, contains the texts to more than 1,200 of his lyrics, several hundred of them published here for the first time. Johnny Mercer’s early songs became staples of the big band era and were regularly featured in the musicals of early Hollywood. With his collaborators, who included Richard A. Whiting, Harry Warren, Hoagy Carmichael, Jerome Kern, and Harold Arlen, he wrote the lyrics to some of the most famous standards, among them, “Too Marvelous for Words,” “Jeepers Creepers,” “Skylark,” “I’m Old-Fashioned,” and “That Old Black Magic.” During a career of more than four decades, Mercer was nominated for the Academy Award for Best Song an astonishing eighteen times, and won four: for his lyrics to “On the Atchison, Topeka, and the Santa Fe” (music by Warren), “In the Cool, Cool, Cool of the Evening” (music by Carmichael), and “Moon River” and “Days of Wine and Roses” (music for both by Henry Mancini). You’ve probably fallen in love with more than a few of Mercer’s songs–his words have never gone out of fashion–and with this superb collection, it’s easy to see that his lyrics elevated popular song into art.