Fear is the primary reason we fail to share the gospel with our friends, family, and coworkers. We're afraid of looking weird or out of touch. We're afraid we won't have the right answers to their questions. We're afraid that if they reject the gospel, they're really rejecting us. We don't want to make things awkward or strain our relationships. So we say nothing because our discomfort feels bigger than our loved ones' ultimate destination if they remain outside of the body of Christ. We know it's not, but it's just so hard to get over our fear. Apologist Ray Comfort can help. In Anyone but Me, he shows you how to overcome your fears by developing ten critical, biblical characteristics so that you can confidently share the message of salvation with those you care about most. If you've been longing to see a dear friend, family member, or coworker come to Christ, now is the time to begin becoming the faithful witness they need. Because we never know how much more time we will have to proclaim God's good news.

Katie Carew, nicknamed Katie Kazoo by the class bully, had no idea what would happen when she wished that she could be anyone but herself. But now her wish has come true, and-switcheroo!-she keeps turning into other people and even animals! What is one ordinary third-grade girl with a really extraordinary problem to do? It's a good thing Katie is resourceful and smart enough to find a solution for every problem . . . no matter how much of a disaster she causes! Katie can't stand George, the class bully. He constantly picks on everyone, but he really torments Katie. One day, she can't stand it anymore, and she wishes she could be anyone but herself. What she doesn't see is the shooting star that flashes through the sky at that moment . . . catapulting Katie into a crazy series of adventures, starting the next day when she turns into the class hamster! Will she be trapped in a glass cage forever? Will she ever be a girl again?

"Can you keep a secret? Will you be loyal? How old is your Granny? If you can answer these questions positively, you may be ready for the Lanarkshire Referees Association. Don't worry about things like ability, athleticism or experience, they are already in your report..." Why have the Lanarkshire Referees Association been allowed to act however they like in Scottish football, with impunity, since at least 1960? What sort of culture allows institutional bias to go on for decades? Probably the sort that allows the Lanarkshire Referees Association to have a policy of recruitment designed to ensure anyone but Celtic win football matches. Welcome to Scotland...

These violent delights have violent ends... Gigi Caputo is fed up. A vicious act of vandalism has dealt another blow to her family's proud pizza heritage, and the Montes--owners of a rival Italian restaurant--are clearly to blame. The hostility goes far beyond bragging rights for best pizza in Chicago. The Montes have been bent on destroying Cap's for four generations. Even if it means putting herself in harm's way, Gigi's determined to get to the bottom of the feud. Instead, in a secret encounter with Roman Monte, the very boy whose relatives have brought her family such grief, she finds both danger and love at first sight. If the daughter and son of these two warring families fall for each other, can it be anything but a recipe for disaster? Slowly, Gigi and Roman learn that their story is fatefully linked to the summer of 1933, when two twelve-year-olds, Benny and Nick, hop the turnstile at the Chicago World's Fair. The most stunning wonder of the fair is Stella, who innocently causes a lasting rift between the two boyhood. Wending its way through past and present day, this modern take on Shakespeare's Romeo and Juliet is bittersweet, funny, and intensely exciting. It's classic romance--a tale of hate and the only force that can ever defeat it: love.

Introduction: independents change the channel -- Developing open tv: innovation for the open network, 1995-2005 -- Open tv production: revaluing creative labor -- Open tv representation: reforming cultural politics -- Open tv distribution: struggling for an independent market -- Scaling open tv: the challenges of big data television -- Epilogue: open tv and the future of the networked era

Named a Best Book of the Year by The Guardian, The Observer, PopMatters, and Sydney Morning Herald. The true story of a love affair between two extraordinary women becomes a literary tour deforce in this novel that recreates the surrealist movement in Paris and the horrors of the two world wars with a singular incandescence and intimacy. In the years preceding World War I, two young women meet, by chance, in a provincial town in France. Suzanne Malherbe, a shy seventeen-year-old with a talent for drawing, is completely entranced by the brilliant but troubled Lucie Schwob, who comes from a family of wealthy Jewish intellectuals. They embark on a clandestine love affair, terrified they will be discovered, but then, in an astonishing twist of fate, the mother of one marries the father of the other. As “sisters” they are finally free of suspicion, and, hungry for a more stimulating milieu, they move to Paris at a moment when art, literature, and politics blend in an explosive cocktail. Having reinvented themselves as Claude Cahun and Marcel Moore, they move in the most glamorous social circles, meeting everyone from Hemingway and Dalí to André Breton, and produce provocative photographs that still seem avant-garde today. In the 1930s, with the rise of anti-Semitism and threat of fascism, they leave Paris for Jersey, and it is on this idyllic island that they confront their destiny, creating a campaign of propaganda against Hitler’s occupying forces that will put their lives in jeopardy. Brilliantly imagined, profoundly thought-provoking, and ultimately heartbreaking, Never Anyone But You infuses life into a forgotten history as only great literature can.

A chaste lady. An impulsive marquess. Will a chance ballroom meeting spark spite or light the way toward forever? Lady Elizabeth Clearly loathes idle chatter. Yet her reputation is in tatters after a drunken lie convinces the Ton she’s a woman of loose morals. Worse, she’s stunned when the gossipers begin whispering that she’s a witch as well. When her guardian reveals she’s due to marry the gentleman behind her problems, she vows she’ll never forgive her future husband. Felix Hamilton, the Marquess of Roland, is swimming in regret. His alcohol-fueled lie started a rumor that wrecked an innocent lady’s world. He is bound by honor to do whatever he can to make things right. But he worries he’s permanently ruined both of their lives when Elizabeth promptly locks herself in her chamber after the wedding. Lord Roland isn’t afraid to make personal sacrifices in his quest for atonement, but how can he turn their rocky relationship into a love match when all the odds are stacked against him? *** Anyone But the Marquess is Book 5 in the Marriage by Obligation Series. This romance features a virgin hero and virgin heroine, an enemies-to-lovers angle, and a steamy scene. Its tone is tender and sweet with a dash of humor. Don't miss the other books in the Marriage by Obligation Series: Book 1: Secret Admirer Book 2: Midnight Wedding Book 3: The Earl's Jilted Bride Book 4: Worth the Risk and coming 2025... Book 6: The Earl's Bluestocking Bride

Ivy Pocket is a twelve-year-old maid of no importance, with a very lofty opinion of herself. Dumped in Paris by the Countess Carbunkle, who would rather run away to South America than continue in Ivy's companionship, our young heroine (of sorts) finds herself with no money and no home to go to ... until she is summoned to the bedside of the dying Duchess of Trinity. For the princely sum of £500 (enough to buy a carriage, and possibly a monkey), Ivy agrees to courier the Duchess's most precious possession – the Clock Diamond – to England, and to put it around the neck of the revolting Matilda Butterfield on her twelfth birthday. It's not long before Ivy finds herself at the heart of a conspiracy involving mischief, mayhem and murder. Illustrated in humorous gothic detail by John Kelly, Anyone But Ivy Pocket is just the beginning of one girl's deadly comic journey to discover who she really is ...