Applied Crowd Science outlines the theory and applications of the crowd safety course that Prof. Keith Still has developed and taught worldwide for over thirty years. It includes the background and applications of the crowd risk assessment tools, as well as essays and case studies from international users (UK, Ireland, Canada, Australia, Holland, Belgium and Japan). Keith’s courses are mandatory training for all UK Police Public Event Commanders. The text covers legislation and guidance for crowd safety in places of public assembly, and outlines the requirements of a crowd risk assessment for mass gatherings. It draws on Prof. Still’s expert witness experience, highlighting both the problems you need to understand for your event planning.

Includes Case Studies from a Range of Event SitesIntroduction to Crowd Science examines the growing rate of crowd-related accidents and incidents around the world. Using tools, methods, and worked examples gleaned from over 20 years of experience, this text provides an understanding of crowd safety. It establishes how crowd accidents and incidents

Computer graphics, multimedia and communications technology are now so much a part of life for most people in the developed world, that doing without them has become almost unthinkable. This book presents 10 papers selected from the 42 papers delivered at the ICCSCT 2023, the 5th International Conference on Computer Systems and Communication Technology, held on 24 and 25 November 2023 in Kuala Lumpur, Malaysia. The conference provides a premier interdisciplinary platform for researchers, practitioners, and educators from around the world to showcase and discuss the latest innovations, trends, challenges, and solutions in the fields of computer systems and engineering, computer graphics and multimedia, and communication technology. Topics are varied, and those covered include: improving mass-gathering management using process-mining techniques; research into monocular-vision target detection and localization under non-orthographic conditions; the use of Python, Owlready and Sparql in processing the words in an ontological model of public political discourse; and the development of a 3D visualization-training system for switch-room safety procedures. Offering a varied overview of some of the recent developments and innovations in computer systems and engineering, computer graphics and multimedia, and communication technology, the book will be of interest to all those working in the field.

Bringing together scholars from art history, visual studies, and related disciplines, this edited volume asks why Trumpism looks the way it does and what that look means for American—and global—society. Grouped into six categories, the essays in this volume tackle some of the most perplexing—and urgent—aspects of the Trumpist visual project. Two of the most striking aspects of that project are its use of novel commodity forms, including the iconic red baseball caps, as well as its embrace of social media. Trump’s outlandish persona and striking physicality have lent themselves to caricature both from his critics and, perhaps more surprisingly, his supporters. That physicality—as well as his movement’s hearkening back to a (mostly imagined) era of mid-twentieth-century prosperity—has also brought gender and the body into sharp focus. Perhaps second only to the aforementioned red hat is Trumpism’s vigorous use of interventions into public space, including traditional campaign signs as well as flags and other ad hoc visual and architectural materials. Finally, there were the events of January 6, 2021, when many of Trumpism’s most outré visual and cultural preoccupations exploded from the shadows onto television screens across the country. Taken as a whole, the essays in this book examine Trumpist visuality from the seemingly trivial to the starkly horrifying, as well as offering a measured sense of the various resistances and responses that have characterized artistic responses to Trump from the beginning of his prominence. The book will be of interest to scholars working in art history, visual culture, American studies, and cultural and media studies.

Security and Risk Assessment for Facility and Event Managers introduces a risk assessment framework that helps readers identify and plan for potential security threats, develop countermeasures and emergency response strategies, and implement training programs to prepare staff.

List of members in v. 2-