An international and multidisciplinary team addresses significant ethical questions about the rights to access, manage and interpret the material remains of the past.

Appropriating Shakespeare: A Cultural History of Pyramus and Thisbe argues that the vibrant, transformative history of Shakespeare’s play-within-a-play from A Midsummer Night’s Dream across four centuries allows us to see the way in which Shakespeare is used to both create and critique emergent cultural trends. Because of its careful distinction between “good” and “bad” art, Pyramus and Thisbe’s playful meditation on the foolishness of over-reaching theatrical ambition is repeatedly appropriated by artists seeking to parody contemporary aesthetics, resulting in an ongoing assessment of Shakespeare’s value to the time. Beginning with the play’s own creation as an appropriation of Ovid, designed to keep the rowdy clown in check, Appropriating Shakespeare is a wide-ranging study that charts Pyramus and Thisbe’s own metamorphosis through opera, novel, television, and, of course, theatre. This unique history illustrates Pyramus and Thisbe’s ability to attract like-minded, experimental, genre-bending artists who use the text as a means of exploring the value of their own individual craft. Ultimately, what this history reveals is that, in excerpt, Pyramus and Thisbe affirms the place of artist as both consumer and producer of Shakespeare.

Presents the first comprehensive study of the 'Byzantine Google' and how it reshaped Byzantine court culture in the tenth century.

Antiquity has often been perceived as the source of Greece's modern achievements, as well as its frustrations, with the continuity between ancient and modern Greek culture and the legacy of classical Greece in Europe dominating and shaping current perceptions of the classical past. By moving beyond the dominant perspectives on the Greek past, this edited volume shifts attention to the ways this past has been constructed, performed, (ab)used, Hellenized, canonized, and ultimately decolonized and re-imagined. For the contributors, re-imagining the past is an opportunity to critically examine and engage imaginatively with various approaches. Chapters explore both the role of antiquity in texts and established cultural practices and its popular, material and everyday uses, charting the transition in the study of the reception of antiquity in modern Greek culture from an emphasis on the continuity of the past to the recognition of its diversity. Incorporating a number of chapters which adopt a comparative perspective, the volume re-imagines Greek antiquity and invites the reader to look at the different uses and articulations of the past both in and outside Greece, ranging from literature to education, and from politics to photography.

This book invites archaeologists to approach the significant process of recycling within the archaeological record at two different levels: of artefacts and of landscape.

Arne Grøn’s reading of Søren Kierkegaard’s authorship revolves around existential challenges of human identity. The 35 essays that constitute this book are written over three decades and are characterized by combining careful attention to the augmentative detail of Kierkegaard’s text with a constant focus on issues in contemporary philosophy. Contrary to many approaches to Kierkegaard’s authorship, Grøn does not read Kierkegaard in opposition to Hegel. The work of the Danish thinker is read as a critical development of Hegelian phenomenology with particular attention to existential aspects of human experience. Anxiety and despair are the primary existential phenomena that Kierkegaard examines throughout his authorship, and Grøn uses these negative phenomena to argue for the basically ethical aim of Kierkegaard’s work. In Grøn’s reading, Kierkegaard conceives human selfhood not merely as relational, but also a process of becoming the self that one is through the otherness of self-experience, that is, the body, the world, other people, and God. This book should be of interest to philosophers, theologians, literary studies scholars, and anyone with an interest not only in Kierkegaard, but also in human identity.

New insights into inscribed and stone monuments from across Europe in the early middle ages.

In This Volume, Papers By Scholars Representing Various Disciplines Especially Archaeology, Art History And History, From The United States, India, Pakistan, Europe And Australia, Discuss How Attitudes Toward The Subcontinents Visual Past Shaped A Distinctive Aesthetic, Together With A Distinctive Historical Consciousness.

Self-consciousness is a topic of considerable importance to a variety of empirical and theoretical disciplines such as developmental and social psychology, cognitive neuroscience, psychiatry, and philosophy. This volume presents essays on self-consciousness by prominent psychologists, cognitive neurologists, and philosophers. Some of the topics included are the infants’ sense of self and others, theory of mind, phenomenology of embodiment, neural mechanisms of action attribution, and hermeneutics of the self. A number of these essays argue in turn that empirical findings in developmental psychology, phenomenological analyses of embodiment, or studies of pathological self-experiences point to the existence of a type of self-consciousness that does not require any explicit I —thought or self-observation, but is more adequately described as a pre-reflective, embodied form of self-familiarity. The different contributions in the volume amply demonstrate that self-consciousness is a complex multifaceted phenomenon that calls for an integration of different complementary interdisciplinary perspectives. (Series B)