In Archaism and Actuality eminent Marxist historian Harry Harootunian explores the formation of capitalism and fascism in Japan as a prime example of the uneven development of capitalism. He applies his theorization of subsumption to examine how capitalism integrates and redirects preexisting social, cultural, and economic practices to guide the present. This subsumption leads to a global condition in which states and societies all exist within different stages and manifestations of capitalism. Drawing on Japanese philosophers Miki Kiyoshi and Tosaka Jun, Marxist theory, and Gramsci’s notion of passive revolution, Harootunian shows how the Meiji Restoration of 1868 and its program dedicated to transforming the country into a modern society exemplified a unique path to capitalism. Japan’s capitalist expansion in the nineteenth and twentieth centuries, rise as an imperial power, and subsequent transition to fascism signal a wholly distinct trajectory into modernity that forecloses any notion of a pure or universal development of capitalism. With Archaism and Actuality, Harootunian offers both a retheorization of capitalist development and a reinterpretation of epochal moments in modern Japanese history.

Harry Harootunian explores the formation of capitalism and fascism in Japan as a prime example of the uneven development of capitalism.

Gerald Moore shows how the problematic of the gift drives and illuminates the last century of French philosophy. By tracing the creation of the gift as a concept, from its origins in philosophy and the social sciences, right up to the present, Moore shows

The Eastern Archaic, Historicized offers an alternative perspective on the genesis and transformation of cultural diversity over eight millennia of hunter-gatherer dwelling in eastern North America. For many decades, archaeological understanding of Archaic diversity has been dominated by perspectives that emphasize localized relationships between humans and environment. The evidence, shows, however that Archaic people routinely associated with other groups throughout eastern North America and expressed themselves materially in ways that reveal historical links to other places and times. Starting with the colonization of eastern North America by two distinct ancestral lines, the Eastern Archaic was an era of migrations, ethnogenesis, and coalescence—an 8,200-year era of making histories through interactions and expressing them culturally in ritual and performance.

This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.

The work is concerned with the contradiction between the gift and the commodity and the essentials of the corresponding modes of human being. An answer is sought to how and why the gift is constituted as the essence of archaic mode of being and production. A paradigm focusing on internal causes of underdevelopment is also presented. According to that perspective the gift becomes a ghost in the modern machinery of the commodity in the present-day Third World, disturbing economy and administration from within. In this alien context, the gift effects a displacement of essence of economic relationships and appears, now as corruption, theft, nepotism, bribe. deals shortly with basic archaic gift-structures as expressed in various terms, ranging from relations of sexes to those of ritual natures. A key issue is the difference between archaic and modern mind and labour. It is argued that the different modalities of archaic organization possess a different potency for development of the materially based relations. The course of development runs towards relative independency of the economic from mentally based relations as erected on communication of social meaning and norms or petrified rules. The gift society finally gives rise to its negation, the commodity, which through the dynamism and accomplishments of capital will, hopefully, give way to its own negation in human ethics, ownness and reason as the principles of socio-economic organization and planning. and history, and is concerned with basic rather than applied research. The illustration of theoretical points often derives from the authors' fieldwork among the Sinhalese and their experience of Bangladeshian society. Besides, some major normative-communicative relationships of the Sinhalese, including the marriage system, the traditional property system and the caste system, are dealt with separately in selected fieldnotes towards the end of the work.

In this book, Nicholson examines how aristocrats responded to the changes in athletics as they affected social structure.

Lyric Poetry and Social Identity in Archaic Greece examines how Greek men presented themselves and their social groups to one another. The author examines identity rhetoric in sympotic lyric: how Greek poets constructed images of self for their groups, focusing in turn on the construction of identity in martial-themed poetry, the protection of group identities in the face of political exile, and the negotiation between individual and group as seen in political lyric. By conducting a close reading of six poems and then a broad survey of martial lyric, exile poetry, political lyric, and sympotic lyric as a whole, Jessica Romney demonstrates that sympotic lyric focuses on the same basic behaviors and values to construct social identities regardless of the content or subgenre of the poems in question. The volume also argues that the performance of identity depends on the context as well as the material of performance. Furthermore, the book demonstrates that sympotic lyric overwhelmingly prefers to use identity rhetoric that insists on the inherent sameness of group members. All non-English text and quotes are translated, with the original languages given alongside the translation or in the endnotes.

This is a new history of Greece in the seventh and sixth centuries BC written for the twenty-first century. It brings together archaeological data from over 100 years of 'Big Dig' excavation in Greece, employing experimental data analysis techniques from the digital humanities to identify new patterns about Archaic Greece. By modelling trade routes, political alliances, and the formation of personal- and state-networks, the book sheds new light on how exactly the early communities of the Aegean basin were plugged into one another. Returning to the long-debated question of 'what is a polis?', this study also challenges Classical Archaeology more generally: that the discipline has at its fingertips significant datasets that can contribute to substantive historical debate -and that what can be done for the next generation of scholarship is to re-engage with old material in a new way.