How much do you know about Greek architecture? Roman? Gothic? The Renaissance? Modernism? Perhaps more importantly, do you know how these are connected or how one style evolved to become another? Or what happened historically during each of these periods? Architectural History Retold is your roadmap for your journey through architectural history. Offering a fresh take on what the author calls the ‘Great Enlightenment project’, it traces the grand narrative of western architecture in one concise, accessible volume. Starting in Ancient Greece and leading up to the present day, Paul Davies' unconventional, engaging style brings the past back to life, helping you to think beyond separate components and styles to recognise ‘the bigger picture’. The author is an academic and journalist with three decades of experience in introducing students to architectural history. The book is based on his successful entry-level course which has used the same unstuffy approach to break down barriers to understanding and engagement and inspire generations of students.

How much do you know about Greek architecture? Roman? Gothic? The Renaissance? Modernism? Perhaps more importantly, do you know how these are connected or how one style evolved to become another? Or what happened historically during each of these periods? Architectural History Retold is your roadmap for your journey through architectural history. Offering a fresh take on what the author calls the ‘Great Enlightenment project’, it traces the grand narrative of western architecture in one concise, accessible volume. Starting in Ancient Greece and leading up to the present day, Paul Davies' unconventional, engaging style brings the past back to life, helping you to think beyond separate components and styles to recognise ‘the bigger picture’. The author is an academic and journalist with three decades of experience in introducing students to architectural history. The book is based on his successful entry-level course which has used the same unstuffy approach to break down barriers to understanding and engagement and inspire generations of students.

The issue of gender inequality in architecture has been part of the profession’s discourse for many years, yet the continuing gender imbalance in architectural education and practice remains a difficult subject. This book seeks to change that. It provides the first ever attempt to move the debate about gender in architecture beyond the tradition of gender-segregated diagnostic or critical discourse on the debate towards something more propositional, actionable and transformative. To do this, A Gendered Profession brings together a comprehensive array of essays from a wide variety of experts in architectural education and practice, touching on issues such as LGBT, age, family status, and gender biased awards.

Definitions of architecture and other disciplines from ancient Greece to the eighteenth century.

In this book, prominent architectural historians, who happen to be women, reflect on their practice and the intervention this has made in the discipline. Of particular concern are the ways in which feminine subjectivities have been embodied in the discourses of architectural history. Each of the chapters examines the author’s own position and the disruptive presence of women as both subject and object in the historiography of a specific field of enquiry. The aim is not to replace male lives with female lives, or to write women into the masculinist narratives of architectural history. Instead, this book aims to broaden the discourses of architectural history to explore how the potentially ‘unnatural rule’ of women subverts canonical norms through the empowerment of otherness rather than a process of perceived emasculation. The essays examine the historiographic and socio/cultural implications of the role of women in the narratives and writing of architectural history with particular reference to Western traditions of scholarship on the period 1600–1950. Rather than subscribing to a single position, individual voices critically engage with past and present canonical histories disclosing assumptions, biases, and absences in the architectural historiography of the West. This book is a crucial reflection upon historiographical practice, exploring potential openings that may contribute further transformation of the theory and methods of architectural history. Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-NonCommercial-NoDerivatives (CC-BY-NC-ND) 4.0 International license.

Architecture and the urban are connected to challenges around violence, security, race and ideology, spectacle and data. The first volume of this handbook extensively explored these oppressive roles. This second volume illustrates that escaping the corporatized and bureaucratized orders of power, techno-managerial and consumer-oriented capitalist economic models is more urgent and necessary than ever before. Herein lies the political role of architecture and urban space, including the ways through which they can be transformed and alternative political realities constituted. The volume explores the methods and spatial practices required to activate the political dimension and the possibility for alternative practices to operate in the existing oppressive systems while not being swallowed by these structures. Fostering new political consciousness is explored in terms of the following themes: Events and Dissidence; Biopolitics, Ethics and Desire; Climate and Ecology; Urban Commons and Social Participation; Marginalities and Postcolonialism. Volume II embraces engagement across disciplines and offers a wide range of projects and critical analyses across the so-called Global North and South. This multidisciplinary collection of 36 chapters provides the reader with an extensive resource of case studies and ways of thinking for architecture and urban space to become more emancipatory. Chapter 1 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution (CC-BY) 4.0 license.

Probes the development of information management after World War II and its consequences for public memory and human agency We are now living in the richest age of public memory. From museums and memorials to the vast digital infrastructure of the internet, access to the past is only a click away. Even so, the methods and technologies created by scientists, espionage agencies, and information management coders and programmers have drastically delimited the ways that communities across the globe remember and forget our wealth of retrievable knowledge. In Architects of Memory: Information and Rhetoric in a Networked Archival Age, Nathan R. Johnson charts turning points where concepts of memory became durable in new computational technologies and modern memory infrastructures took hold. He works through both familiar and esoteric memory technologies—from the card catalog to the book cart to Zatocoding and keyword indexing—as he delineates histories of librarianship and information science and provides a working vocabulary for understanding rhetoric’s role in contemporary memory practices. This volume draws upon the twin concepts of memory infrastructure and mnemonic technê to illuminate the seemingly opaque wall of mundane algorithmic techniques that determine what is worth remembering and what should be forgotten. Each chapter highlights a conflict in the development of twentieth-century librarianship and its rapidly evolving competitor, the discipline of information science. As these two disciplines progressed, they contributed practical techniques and technologies for making sense of explosive scientific advancement in the wake of World War II. Taming postwar science became part and parcel of practices and information technologies that undergird uncountable modern communication systems, including search engines, algorithms, and databases for nearly every national clearinghouse of the twenty-first century.

The life and thought of one of the founders of twentieth-century American design

This volume provides a vital new reading of documentary and realist fiction film of the French 1930s that focuses on how these genres interlock their representations of urban spaces and places.