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Art, History, and the Historiography of Judaism in Roman Antiquity explores the complex interplay between visual culture, texts, and their interpretations, arguing for an open-ended and self-aware approach to understanding Jewish culture from the first century CE through the rise of Islam. The essays assembled here range from the “thick description” of Josephus’s portrayal of Bezalel son of Uri as a Roman architect through the inscriptions of the Dura Europos synagogue, Jewish reflections on Caligula in color, the polychromy of the Jerusalem temple, new-old approaches to the zodiac, and to the Christian destruction of ancient synagogues. Taken together, these essays suggest a humane approach to the history of the Jews in an age of deep and long-lasting transitions—both in antiquity, and in our own time. "Taken as a whole, Fine’s book exhibits the value of bridging disciplines. The historiographical segments integrated throughout this volume offer essential insights that will inform any student of Roman and late antiquity." Yael Wilfand, Hebrew University, Review of Biblical Literature, 2014.

Essays that broaden the historical scope and sharpen the parameters of competitive discourses Scholars in the fields of late antique Christianity, neoplatonism, New Testament, art history, and rabbinics examine issues related to authority, identity, and change in religious and philosophical traditions of late antiquity. The specific focus of the volume is the examination of cultural producers and their particular viewpoints and agendas in an attempt to shed new light on the religious thinkers, texts, and material remains of late antiquity. The essays explore the major creative movements of the era, examining the strategies used to develop and designate orthodoxies and orthopraxies. This collection of essays reinterprets dialogues between individuals and groups, illuminating the mutual competition and influence among these ancient thinkers and communities. Features: Essays feature competitive discourse as the central organizing theme Articles present unique theoretical models that are adaptable to different contexts and highly applicable to religious discourses before and after the Late Antique Period Scholars cover a much wider range of traditions including Judaism, Christianity, paganism, and philosophy in order to provide the most complete portrait of the religious landscape

This survey of ancient Jewish art traces Tabernacle implements and their iconographic development from the Second Temple period until late sixth century CE. It examines appearances of seven-branch menorah, Torah ark, and other motifs found in archeological discoveries of burial art synagogue decorations.

Generations of scholars have debated the influence of Greco-Roman culture on Jewish society and the degree of its impact on Jewish material culture and religious practice in Palestine and the Diaspora of antiquity. Judaism and Hellenism in Antiquity examines this phenomenon from the aftermath of Alexander’s conquest to the Byzantine era, offering a balanced view of the literary, epigraphical, and archeological evidence attesting to the process of Hellenization in Jewish life and its impact on several aspects of Judaism as we know it today. Lee Levine approaches this broad subject in three essays, each focusing on diverse issues in Jewish culture: Jerusalem at the end of the Second Temple period, rabbinic tradition, and the ancient synagogue. With his comprehensive and thorough knowledge of the intricate dynamics of the Jewish and Greco-Roman societies, the author demonstrates the complexities of Hellenization and its role in shaping many aspects of Jewish life—economic, social, political, cultural, and religious. He argues against oversimplification and encourages a more nuanced view, whereby the Jews of antiquity survived and prospered, despite the social and political upheavals of this era, emerging as perpetuators of their own Jewish traditions while open to change from the outside world.

Leading scholars in early Christianity, Judaic studies, classics, history and archaeology explore the ways that memories were retrieved, reconstituted and put to use by Jews, Christians and their pagan neighbours in late antiquity, from the third century B.C.E. to the seventh century C.E.

This book explores the manner in which architectural settings and action contexts influenced the perception of decoration in the Roman world. Crucial to the relationship between ancient viewers and media was the concept of decor, a term employed by Vitruvius and other Roman authors to describe the appropriateness of particular decorative elements to the environment in which they were located. The papers in this volume examine a diverse range of decorated spaces, from press rooms to synagogues, through the lens of decor. In doing so, they shed new light on the decorative principles employed across Roman Italy and beyond.