The Art of Theatrical Design: Elements of Visual Composition, Methods, and Practice, Second Edition, contains an in-depth discussion of design elements and principles for costume, set, lighting, sound, projection, properties, and makeup designs. This textbook details the skills necessary to create effective, evocative, and engaging theatrical designs that support a play contextually, thematically, and visually. It covers key concepts such as content, context, genre, style, play structure, and format and the demands and limitations of various theatrical spaces. The book also discusses essential principles, including collaboration, inspiration, conceptualization, script analysis, conducting effective research, building a visual library, developing an individual design process, and the role of the critique in collaboration. This second edition includes A new chapter on properties management and design. A new chapter on makeup design. A new chapter on digital rendering, with evaluations of multiple programs, overviews of file types and uses, and basic tutorials in Adobe® Photoshop® and Procreate. An expanded and revised chapter on traditional rendering, with the inclusion of new media, including watercolor, gouache, and mixed media, and updated exercises and tutorials. Revised and expanded chapters on individual design areas, including additional practices for conceptualization and collaboration, with new exercises for skill development. Additional exercises in all elements and principles of design chapters for investigation of each design principle and skill development. Revised and updated content throughout the text, reflecting current pedagogy and practices. This book gives students in theatrical design, introduction to design, and stagecraft courses the grounding in core design principles they need to approach design challenges and make design decisions in both assigned class projects and realized productions. The Art of Theatrical Design provides access to additional online resources, including step-by-step video tutorials of the exercises featured in the book.

Buku untuk kalangan akademisi setingkat universitas dan para profesional yang berguna untuk memperdalam Elements dan Principles of Design, yang berguna sebagai dasar logika dalam dunia seni dan desain pada umumnya, dibahas rahasia Principles of Design yang tidak ada dalam buku lainnya, sehingga memperkuat dan mempertajam logika dalam memutuskan suatu desain dan memperkuat pula Sense of arts (^_^)

This text summarises and contextualises the ideas that formed visual arts practices this century. Art, design and architecture are located in their social and political contexts, and the ideas of modernism are traced from the development of industrialised Europe at the turn of the century to the post-industrial, post-colonial present. The complex relationship between modernism and postmodernism in the visual arts is examined and the book concludes with a review of the global impact of the new technologies on art and design production.

This comprehensive how-to book explores all the concepts and techniques involved in creating art quilts, including composition and design; making whole-cloth, pieced, and appliquéd art quilts; fabric manipulation and surface design; quilting/stitching; embellishing; and working in a series. Readers will find easy access to information with step-by-step directions and hundreds of full-color photos for clear understanding. Easy projects provide opportunities for the reader to try the techniques, and galleries of art quilts by various fabric artists offer beautiful examples and enticing inspiration.

This is an open access book. Creativity is a difficult concept, how can it best be defined, understood, applied, and practiced? This book provides important answers to these questions. Technology can enable artists to be more creative. Scientific and artistic thinking give us two complementary tools to understand the complexity of the world, with science reducing subjective experience to essential principles and art intensifying and expanding our experiences. These examples also show how artists can push the boundaries of technology into exciting new realms that have not been explored before. The impact that art and art practice can have on culture, society, and social responsibility is explored in detail through examples and case studies. In addition, the book presents how artists are creating and reflecting cultural and societal resonance in their work. Can other disciplines help artists to be more creative? All are part of an interrelated wider society and enables artists to develop artwork fit for highly interfaced and conceptually broad contemporary contexts. This is illustrated with examples which show exciting and challenging results. Creativity in Art, Design and Technology is relevant for artists, designers, scientists and technologists. All can benefit in a major way from a greater understanding of creativity, and the ways in which mutual interaction and collaboration enables all areas to develop. The potential for the future is immense and this book signposts the way forward.

How do you navigate a career as an entertainment designer while maintaining a sense of self-worth and value in the various off-ramps and sidestreets you may choose to take on the journey? The Art of Scenic Design provides an in-depth look at the scenic design process for young designers as well as creative entrepreneurs seeking to nurture a collaborative environment that leads to rediscovery and innovation in their work. Based on his 30 years of experience in stage design, exhibit design, art direction for film, and theme park and industrial design, Robert Mark Morgan demonstrates that while a design process for creating these types of works can seem like niche professions, the lessons learned in collaboration, testing and re-testing ideas, prototyping concepts, overcoming fears, venturing guesses, divergent thinking, and the creative process in general are applicable – and valuable – in nearly all disciplines and professions both inside and outside of the entertainment industry. In The Art of Scenic Design: A Practical Guide to the Creative Process you will follow an accomplished designer on a narrative of the theatrical design process from early phases of a design with a creative team encompassing visual research, idea-making, and collaborative relationships, to sketching, prototyping, and testing ideas, through to the execution and manifestation of the design with a team of artists and collaborators. The design journey is contextualized with backstage stories of "what if?" moments, provocative discussions, and lessons that are indispensable to your professional development.

This book is ambitiously inter-disciplinary and may be divided into four main sections, defined in terms of the authors themselves. Firstly, there are two contributions by biologists. Secondly, the largest section is by practising artists. Thirdly, there are two engineering-based contributions. Finally, two contributions address some of the historical proponents of colour theory and art. These eleven works, in full colour, form a striking contribution to the commonwealth of colour studies and to a possible unification of Snow's two cultures.Colour and inter-disciplinarity go hand in hand. This so often involves the authors leaving the comfort zone of their original speciality and striving for excellence in another. The personal story of Franziska Schenk is but one good example.It seems that our perceptions of aesthetics and beauty must be very flexible indeed as to find absolute opposites equally fascinating. If so, it goes to show how wonderful are the construction and operation of the human brain. Does psychology win in the end? Does colour lead to a single culture?

Follow Your Interests to Find the Right College is a different sort of college guide -- one that helps students and their families better understand the vast amount of options available for college based on a student's interests. Topics in this comprehensive, easy-to-understand guide include, but are not limited to: • the argument for liberal arts • college degrees programs in Canada, UK, Australia, and beyond • art and architecture programs • business • equine-related opportunities • engineering • health care majors • Ivy League • benefits of public liberal arts colleges and university honors programs • armed service academies • environmentally-oriented colleges and programs • faith-based colleges And much more…. Students, parents, and college advisers will appreciate the vast amount of information presented and synthesized in this user-friendly format. Even the most college-savvy reader can turn to the well-researched, thoughtful chapters on almost every academic or social area as well as advice on broader college-related topics, such as financing college and advice for home-schooled students. By providing and interpreting vast amounts of data not collectively available online or in other guidebooks, each chapter provides both an overview and fine detail for a wide variety of subjects. Using this book as a starting point, parents and advisers can quickly increase their knowledge in a given area and be ready to help students explore options with confidence, while also making the best use of their time. Once you know what you want in a college, you can evaluate the best way, from an admissions strategy, to get there. Until you know what you want, however, it doesn't make sense to jump into the application game. Your admissions plan could be very different from your friends' based on what you actually want to get out of your college experience. Knowing the options and figuring out the best ones for you will make you, your child, or your student a smarter, more strategic, and more confident college applicant.

In the Moroccan French Protectorate (1912-1956), the French established vocational and fine art schools, imposed modern systems of industrial production and pedagogy and reinvented old traditions. Hamid Irbouh argues that the French used this systematic modernisation of local arts and crafts regulation to impose their control. He looks in particular at the role and place of women in the structures of art production and education created by the French- that transformed and dominated Moroccan society during the colonial period. French women infiltrated the Moroccan milieu, to buttress colonial ideology, yet at critical moments, Moroccan women rejected traditional roles and sabotaged colonial plans. Meanwhile, the contradictions between reformist goals and the old order added to social dislocations and led to rebellion against French hegemony. Irbouh examines and analyses these processes and demonstrates how Moroccan artists have struggled to exorcise French influences and rediscover an authentic visual culture since decolonisation. This book reveals that the weight of colonial history continues to weigh heavily on artistic practice and production.