A scholarly review of the prominent designers and designs from 1910-1960 covering the Organic Design Movement, methods and materials of construction and in-depth measurements with hundreds of archival photographs.

This innovative history argues that we can understand important facets of the Mexican Revolution by analyzing the architecture designed and built in Mexico City during the formative years from 1920 to 1940. These artifacts allow us to trace and understand the path of the consolidation of the Mexican Revolution. Each individual building or development, by providing indelible evidence of the process by which the revolution evolved into a government, offers important insights into Mexican history. Seen in aggregate, they reveal an ongoing urban process at work; seen as a "composition," they reveal changes over time in societal values and aspirations and in the direction of the revolution. This book focuses on structure, change, and process for this remarkable city "in the true image of the gigantic heaven." The changes described in Fuentes' narrative are man-made, not wrought by impersonal or natural forces except on the rare occasions of earthquake and flood. Patrice Elizabeth Olsen views Mexico City as an artifact of those who created it—representing their ardor, humanity, and religion, as well as their politics. Individual chapters detail the expression of revolutionary values and aims in the physical form of Mexico City's built environment between 1920 and 1940, examining direction and meaning in terms of who is given license to design and build structures in the capital city, and equally important, who is excluded. Through the reshaping of the capital the revolution was extended and institutionalized; physical traces of the process of negotiation that enabled the revolution to be "fixed" in the Mexican polity appear in the city's skyline, parks, housing developments, and other new construction, as well as in modifications to existing colonial-era buildings. In this manner, the author argues, Mexico City's urban form crystallized as a product of the revolution as well as a part of the revolutionary process, as it has been of other conquests throughout its history.

John McGreal's three new books – It’s Reproduction, Contently, It’s Revolution, Actively and It’s Transformation, Contently – continue the ‘It’ Series published by Matador since 2010.

A History of Interior Design tells the story of 6,000 years of domestic and public space. It’s an essential resource for students, professionals, and anyone interested in interior design, the decorative arts, architecture, and art history. It explores a broad range of styles and movements, weaving together a fascinating narrative from cave dwellings and temple architecture, through Gothic cathedrals and Islamic palaces, to modern skyscrapers and the retail spaces of the 21st-century. This fully updated fifth edition includes: More on the contributions of women designers and architects Additional coverage of furniture, product design, and decoration Numerous new examples of diverse modern styles from around the world Over 700 images, more than 300 of which are new or color replacements for black and white photos An extra final chapter focusing on the influence of the latest technology and current thinking on the importance of conservation and ethical sourcing

The last half of the twentieth century saw the emergence, evolution and consolidation of a distinct interior design practice and profession. This book is invaluable for students and practitioners, providing a detailed specialist, contemporary historical analysis of their profession and is beautifully illustrated, with over 200 photos and images from the 1950s through to the present day.

When it comes to both the technical and aesthetic considerations of using textiles in interior design, this book gives working professionals what they need to know. You'll receive expert guidance to the process of textile specifications, selection, installation and maintenance, as well as an understanding of the properties of fabric types and a historical context of styles. Sustainable design and code issues are also considered. More than 500 illustrations and photographs elucidate key ideas. This survey of textiles for interior design is divided into three main parts: Fabrics: The interior design textile industry and marketplace. A study of fibers, yarns, constructions, and finishes. Codes and "green" design. Applications: Textile specifications and coordination of upholstery and wall coverings, window treatments, linens and accessories, and rugs and carpeting. Period Style: Oriental styles, Renaissance and Formal styles, Medieval, Colonial, Country and Provence styles, Regional and Ethnic styles, and Modern styles. Order your copy today!

From ancient Greece to Frank Lloyd Wright, studiola to smoking rooms, chimney boards to cocktail cabinets, and papier-mâché to tubular steel, the Encyclopedia of Interior Design provides a history of interior decoration and design from ancient times to the present day. It includes more than 500 illustrated entries covering a variety of subjects ranging from the work of the foremost designers, to the origins and function of principal rooms and furnishing types, as well as surveys of interior design by period and nationality all prepared by an international team of experts in the field. Entries on individuals include a biography, a chronological list of principal works or career summary, a primary and secondary bibliography, and a signed critical essay of 800 to 1500 words on the individual's work in interior design. The style and topic entries contain an identifying headnote, a guide to main collections, a list of secondary sources, and a signed critical essay.

Delivers the inside story on 6,000 years of personal and public space. John Pile acknowledges that interior design is a field with unclear boundaries, in which construction, architecture, the arts and crafts, technology and product design all overlap.