Sinclair Ross (1908-1996), best known for his canonical novel As for Me and My House (1941), and for such familiar short stories as "The Lamp at Noon" and "The Painted Door," is an elusive figure in Canadian literature. A master at portraying the hardships and harsh beauty of the Prairies during the Great Depression, Ross nevertheless received only modest attention from the public during his lifetime. His reluctance to give readings or interviews further contributed to this faint public perception of the man. In As for Sinclair Ross, David Stouck tells the story of a lonely childhood in rural Saskatchewan, of a long and unrewarding career in a bank, and of many failed attempts to be published and to find an audience. The book also tells the story of a man who fell in love with both men and women and who wrote from a position outside any single definition of gender and sexuality. Stouck's biography draws on archival records and on insights gathered during an acquaintance late in Ross's life to illuminate this difficult author, describing in detail the struggles of a gifted artist living in an inhospitable time and place. Stouck argues that when Ross was writing about prairie farmers and small towns, he wanted his readers to see the kind of society they were creating, to feel uncomfortable with religion as coercive rhetoric, prejudices based on race and ethnicity, and rigid notions of gender. As for Sinclair Ross is the story of a remarkable writer whose works continue to challenge us and are rightly considered classics of Canadian literature.

In the past twenty years, as the structures of Canadian culture have begun to change, so has the fate of As For Me and My House.

Heralded as a prairie writer and best known for As For Me and My House and for his stories of the bleak dust bowl Prairies of the Great Depression, Sinclair Ross has also written of urban life and, briefly, of army life, as the stories in this collection demonstrate. The Race and Other Stories includes previously uncollected short stories and a chapter from Whir of Gold, here title "The Race," which stands on its own as a short story. Furthermore, "Spike," published in French in Liberté in 1969, appears here for the first time in English. Ross's taut, economical, rhythmic prose reflects the bleak, spare landscape of the prairie. The concerns of his novels are equally evident in his stories: loneliness and alienation, the sense of entrapment, the imaginative and artistic struggle. This collection of stories will be of interest to those who wish to better understand one of Canada's most respected writers and the diversity that can be found in his writings.

Covers criticism of American novels found in journals and books published between the years 1991 and 1995.