In Biblical Women and Jewish Daily Life in the Middle Ages, Elisheva Baumgarten examines how medieval Jewish engagement with the Bible--especially in the tellings, retellings, and illustrations of stories of women--offers a window onto aspects of the daily lives and cultural mentalités of Ashkenazic Jews in the High Middle Ages.

This classic work of scholarship illustrates the richness, complexity, and fullness of medieval Jewish life. Readers will discover how much was hidden from the inquisitive and often hostile gaze of Christian Europe. Israel Abrahams vividly details the customs, manners, and mores, and delves into the social culture of Jewish life at this time.

For many, the Middle Ages in general evokes a sense of the sinister and brings to mind a world of fear, superstition, and religious fanaticism. For Jews it was a period marked by persecutions, pogroms, and expulsions. Yet at the same time, the Middle Ages was also a time of lively cultural exchange and heightened creativity for Jews. In The Jewish Middle Ages, contributors explore the ways in which the stories of biblical women, including, Eve, Sarah, Hagar, Rebekah, Zipporah, Ruth, Esther, and Judith, make their way into the rich tapestry of medieval Jewish literature, mystical texts, and art, particularly in works emanating from Ashkenazic circles. Contributors include Carol Bakhos, Judith R. Baskin, Elisheva Baumgarten, Dagmar Börner-Klein, Constanza Cordoni, Rachel Elior, Meret Gutmann-Grün, Robert A. Harris, Yuval Katz-Wilfing, Sheila Tuller Keiter, Katrin Kogman-Appel, Gerhard Langer, Aurora Salvatierra Ossorio, and Felicia Waldman. These essays give us a glimpse into the role women played and the authority they assumed in medieval Jewish culture beyond the rabbinic centers of Palestine and Babylonia.

This interdisciplinary handbook provides extensive information about research in medieval studies and its most important results over the last decades. The handbook is a reference work which enables the readers to quickly and purposely gain insight into the important research discussions and to inform themselves about the current status of research in the field. The handbook consists of four parts. The first, large section offers articles on all of the main disciplines and discussions of the field. The second section presents articles on the key concepts of modern medieval studies and the debates therein. The third section is a lexicon of the most important text genres of the Middle Ages. The fourth section provides an international bio-bibliographical lexicon of the most prominent medievalists in all disciplines. A comprehensive bibliography rounds off the compendium. The result is a reference work which exhaustively documents the current status of research in medieval studies and brings the disciplines and experts of the field together.

First published in 2003, this is the first encyclopedic work to focus exclusively on medieval Jewish civilization, from the fall of the Roman Empire to about 1492. Based on the research of an international, multidisciplinary team of specialist contributors, the more than 150 alphabetically organized entries, written by scholars from around the world, include biographies, countries, events, social history, and religious concepts. The coverage is international, presenting people, culture, and events from various countries in Europe, Africa, and the Middle East.

The Oxford Handbook of Jewish Studies reflects the current state of scholarship in the field as analyzed by an international team of experts in the different and varied areas represented within contemporary Jewish Studies. Unlike recent attempts to encapsulate the current state of Jewish Studies, the Oxford Handbook is more than a mere compendium of agreed facts; rather, it is an exhaustive survey of current interests and directions in the field.

Exile and Restoration in Jewish Thought presents the history of an idea originating at the intersection of Judaic piety and the social history of the Jews: faith in a protective sovereign deity amid contrary conditions. Exiled primordially (Eden), during the Patriarchal era, in the sixth century bce, and from the first century to the twentieth, the Jewish experience of alienation has been the historical backdrop against which affirmations of divine benevolence have been constructed. While histories of Jewish thought have tended to accentuate the speculative creativity of medieval and modern Jewish philosophers, the intellectual tradition can come into focus only with attention to these thinkers' understanding of diaspora and persecution. Ralph Keen describes the distinguishing feature of Jewish thought as a religious hermeneutic in which the primitive promise made to Abraham is preserved not just as a pious memory but as a certain hope for eventual restoration. Intended for readers with some familiarity with the history of philosophy, this book offers the historical context necessary for understanding the distinctively Judaic character of this tradition of thought, and elucidates the role of religious experience in the long process of negotiating between adversity and expectation.

The Encyclopedia of Modern Jewish Culture is an extensively updated revision of the very successful Companion to Jewish Culture published in 1989 and has now been updated throughout. Experts from all over the world contribute entries ranging from 200 to 1000 words broadly, covering the humanities, arts, social sciences, sport and popular culture, and 5000-word essays contextualize the shorter entries, and provide overviews to aspects of culture in the Jewish world. Ideal for student and general readers, the articles and biographies have been written by scholars and academics, musicians, artists and writers, and the book now contains up-to-date bibliographies, suggestions for further reading, comprehensive cross referencing, and a full index. This is a resource, no student of Jewish history will want to go without.

Musical culture in Jewish communities in early modern Italy was much more diverse than researchers originally thought. An interdisciplinary reassessment, Music and Jewish Culture in Early Modern Italy evaluates the social, cultural, political, economic, and religious circumstances that shaped this community, especially in light of the need to recognize individual experiences within minority populations. Contributors draw from rich materials, topics, and approaches as they explore the inherently diverse understandings of music in daily life, the many ways that Jewish communities conceived of music, and the reception of and responses to Jewish musical culture. Highlighting the multifaceted experience of music within Jewish communities, Music and Jewish Culture in Early Modern Italy sheds new light on the place of music in complex, previously misunderstood environments.