Of all the American divisions in World War I, the 4th Brigade of Marines, Second Division (Regular Army), A.E.F., suffered the most casualties, captured the second most territory, captured the most enemy prisoners and equipment, and won the most decorations for valor. Louis Linn, a young Marine in this illustrious division, carried a sketchbook and pencil stub, drawing whenever he could to maintain his sanity in the madness of war. Several years after the Armistice, he used these sketches to write the stories of events that haunted him, that gave him nightmares, that kept him awake at night. Never before published, Linn's memoir recalls his training in Norfolk and Quantico, life in the trenches at Verdun, fighting at the Battle of Belleau Wood, his wounding at Soissons and again at St. Mihiel, and his subsequent hospitalization. Throughout, his sketches and woodcuts portray the action, providing a vivid account of the war from the trenches.

More than 8,000 men served in the Fifth Marine Regiment during World War I and the occupation of Germany. Marine units were among the first to arrive in war-torn Europe in 1917, and they sustained greater casualties than other American units. This book tells the story of the "Devil Dogs" in World War I and the years after through the recollections of veterans recorded over the past century. The influenza epidemic that raged during the war is discussed. An annotated roster of the regiment lists each Marine, with service details provided where known.

“Follows the changes in the Marine Corps from its role as colonial infantry to amphibious assault force . . . us[ing] the career of Maj. Gen. Logan Feland.” —Allan R. Millett, author of Semper Fidelis Winner of the Marine Corps Heritage Foundation’s Colonel Joseph Alexander Award A native of Hopkinsville, Kentucky, Major General Logan Feland (1869-1936) played a major role in the development of the modern Marine Corps. Highly decorated for his heroic actions during the battle of Belleau Wood in World War I, Feland led the hunt for rebel leader Augusto César Sandino during the Nicaraguan revolution from 1927 to 1929—an operation that helped to establish the Marines’ reputation in guerrilla warfare and search-and-capture missions. Yet, despite rising to become one of the USMC’s most highly ranked and regarded officers, Feland has been largely ignored in the historical record. In Kentucky Marine, David J. Bettez uncovers the forgotten story of this influential soldier of the sea. During Feland’s tenure as an officer, the Corps expanded exponentially in power and prestige. Not only did his command in Nicaragua set the stage for similar twenty-first-century operations in Iraq and Afghanistan, but Feland was one of the first instructors in the USMC’s Advanced Base Force, which served as the forerunner of the amphibious assault force mission the Marines adopted in World War II. Kentucky Marine also illuminates Feland’s private life, including his marriage to successful soprano singer and socialite Katherine Cordner Feland, and details his disappointment at being twice passed over for the position of commandant. Drawing from personal letters, contemporary news articles, official communications, and confidential correspondence, this long-overdue biography fills a significant gap in twentieth-century American military history.

Portrait of War tells the gripping true story of eight graphic artists recruited by the government and sent into combat to create a visual historical record of World War I. Featuring both their stunning illustrations and deep personal reflections, Portrait of War is a moving testament to the bravery of these artist-soldiers and the remarkable record of war they left behind.

How is it that some established artists but not others come to be considered worth remembering? For answers, Etched in Memory looks at how history interacts with personal biography. The authors dig deeply into the archives for material on the careers and posthumous fates of nearly 300 British and American printmakers, half of them women, active during the Etching Revival of the late nineteenth and early twentieth centuries. The authors examine the effects of changing taste on artistic productivity, on building a reputation, and on the selective survival of artists within the collective memory. They document the influence on careers of family milieu, of acces to art education, of sponsorship and networks, of having (or lacking) money, and of being in the right place at the right time. Being remembered requires, at minimum, that the artist's work be preserved and deposited in the cultural archives. It is here that demographics and other circumstances put women at a cumulative disadvantage.