Augustine's Problem provides a new approach to St. Augustine's life and doctrine, hypothesizing that his problem was not sexual addiction but sexual impotence. For Augustine, the problem with sex was not the seductive nature of women, but the unpredictability of desire, which can induce an unwanted erection or fail to provide one when even the mind would choose to have sex. He extends his personal incapacity to a general impotence of the will--we can never, without grace, choose any good. Just as the impotent man cannot work on his impotence, we cannot work on our salvation; only God can make a difference and predestines a tiny elect. The disobedience of the Garden is transferred to the disobedience of the male member, guaranteeing that the sin of Eden is transferred, in conception, as original sin. The most controversial elements of Augustine's theology are all linked to the theme of impotence, as expressed in his writings, from the Confessions to the anti-Pelagian works written at the end of his life.

Traill examines the issue of why God put Adam and Eve out of the Garden. He asks whether it because of the eating of the fruit of disobedience or if there is more to the picture.

This book examines Augustine's intellectual conversion from Platonism to Christianity, as described at Confessions 7.9.13–21.27. It is widely assumed that this occurred in the summer of 386, shortly before Augustine's volitional conversion in the garden at Milan. Brian Dobell argues, however, that Augustine's intellectual conversion did not occur until the mid-390s, and develops this claim by comparing Confessions 7.9.13–21.27 with a number of important passages and themes from Augustine's early writings. He thus invites the reader to consider anew the problem of Augustine's conversion in 386: was it to Platonism or Christianity? His original and important study will be of interest to a wide range of readers in the history of philosophy and the history of theology.

Among the most important, but frequently neglected, figures in the history of debates over skepticism is Augustine of Hippo (354–430 CE). His early dialogue, Against the Academics, together with substantial material from his other writings, constitutes a sustained attempt to respond to the tradition of skepticism with which he was familiar. This was the tradition of Academic skepticism, which had its home in Plato's Academy and was transmitted to the Roman world through the writings of Cicero (106–43 BCE). Augustine and Academic Skepticism is the first comprehensive treatment of Augustine’s critique of Academic skepticism. In clear and accessible prose, Blake D. Dutton presents that critique as a serious work of philosophy and engages with it precisely as such.While Dutton provides an extensive review of Academic skepticism and Augustine’s encounter with it, his primary concern is to articulate and evaluate Augustine’s strategy to discredit Academic skepticism as a philosophical practice and vindicate the possibility of knowledge against the Academic denial of that possibility. In doing so, he sheds considerable light on Augustine’s views on philosophical inquiry and the acquisition of knowledge.

This classic biography was first published forty-five years ago and has since established itself as the standard account of Saint Augustine's life and teaching. The remarkable discovery of a considerable number of letters and sermons by Augustine cast fresh light on the first and last decades of his experience as a bishop. These circumstantial texts have led Peter Brown to reconsider some of his judgments on Augustine, both as the author of the Confessions and as the elderly bishop preaching and writing in the last years of Roman rule in north Africa. Brown's reflections on the significance of these exciting new documents are contained in two chapters of a substantial Epilogue to his biography (the text of which is unaltered). He also reviews the changes in scholarship about Augustine since the 1960s. A personal as well as a scholarly fascination infuse the book-length epilogue and notes that Brown has added to his acclaimed portrait of the bishop of Hippo.