"Aula Lucis" (The House of Light) by the welsh alchemist T.Vaughan is a text about natural magic and a classic of Hermetic literature.

The classic book on William Blake as prophet of the New Age William Blake (1757–1827) inhabited a remarkable inner world, one that he brought vividly to life in his poetry, painting, and printmaking. Blake and Antiquity situates this brilliant and enigmatic artist within the Western esoteric canon, revealing his indebtedness to Neoplatonism, the Gnostics, alchemy, and astrology. In this book, Kathleen Raine demonstrates how Blake rejected conventional orthodoxy and went in search among the occult traditions of antiquity for symbols that might expand the mind’s awareness into a spiritual state where space, time, and even death are transcended.

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Contemporaries of English polymath Sir Francis Bacon (1561–1626) eulogized him as “a muse more choice than the nine muses” who “showered the age with frequent volumes” and “filled the world with works”; “the very nerve of genius, the marrow of persuasion, the golden stream of eloquence, the precious gem of hidden literature.” Orthodox scholars credit Bacon with a substantial body of anonymous writing; more controversially, everything from Shakespeare to Don Quixote to The Anatomy of Melancholy has been ascribed to him. Here we explore parallel lines of thought and expression between Bacon’s acknowledged works and others of the period; whether these correspondences are sufficient to indicate common authorship or merely mutual influences, they constitute a cross section of a uniquely fruitful period in world literature.

Thomas Vaughan’s challenging books on alchemy, magic, and other esoterica make better sense in the context of the Rosicrucian ideas he introduced to English readers in the seventeenth century. This is the first scholarly book on his life, sources, writings, and subsequent influence.

Ebenezer Sibly was a quack doctor, plagiarist, and masonic ritualist in late eighteenth-century London; his brother Manoah was a respectable accountant and a pastor who ministered to his congregation without pay for fifty years. The inventor of Dr. Sibly's Reanimating Solar Tincture, which claimed to restore the newly dead to life, Ebenezer himself died before he turned fifty and stayed that way despite being surrounded by bottles of the stuff. Asked to execute his will, which urged the continued manufacture of Solar Tincture, and left legacies for multiple and concurrent wives as well as an illegitimate son whose name the deceased could not recall, Manoah found his brother's record of financial and moral indiscretions so upsetting that he immediately resigned his executorship. Ebenezer's death brought a premature conclusion to a colorfully chaotic life, lived on the fringes of various interwoven esoteric subcultures. Drawing on such sources as ratebooks and pollbooks, personal letters and published sermons, burial registers and horoscopes, Susan Mitchell Sommers has woven together an engaging microhistory that offers useful revisions to scholarly accounts of Ebenezer and Manoah, while placing the entire Sibly family firmly in the esoteric byways of the eighteenth and early nineteenth centuries. The Siblys of London provides fascinating insight into the lives of a family who lived just outside our usual historical range of vision.