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The story of Australia's post-war immigration program is well known, but little has been written about migration to Australia between the wars. This 1995 book is a systematic study of assisted emigration from Britain to Australia during the inter-war years. It looks at the British and Australian politicians and bureaucrats involved in the program and the half-million migrants who uprooted themselves. While their imperial ties were significant, the book shows that British and Australian governments acted in their own interests, using migration to meet their different needs, with little regard for the migrants themselves. Michael Roe shows that the Anglo-Australian relationship was rife with contradictions and these often came to a head in the debates over migration. Not only is the book an important study of imperial relations in the 1920s and 1930s, it describes an important and overlooked aspect of Australian political and social history.

This book relates the development of Anglo-Australian-New Zealand relations during and immediately after the second world war to the role of the United States in the South-west Pacific. Based on the results of comprehensive multi-archival research, the book highlights the extent of American-Commonwealth rivalry in the region and following the crisis of late 1941 and early 1942 demonstrates how the reforging of imperial links was shaped by the expansion of American power in Pacific areas south of the equator. It provides an important and timely reassessment of the economic, political and strategic factors that led Britain, Australia and New Zealand to conclude that the postwar affairs of the South-west Pacific should be dominated by the British Empire.

In a strategy deliberately counter to many earlier texts which focus on social aspects of death and dying this book will not examine death through the social prism of US or British culture alone. Drawing only on material from a single society gives readers the misleading impression of a universal experience. As a text in the sociology of death and dying this volume examines culture-specific images and experiences of death in three major western societies - Australia, Britain and the USA.

‘Commonwealth, curry and cricket’ has become the belaboured phrase by which Australia seeks to emphasise its shared colonial heritage with India and improve bilateral relations in the process. Yet it is misleading because the legacy of empire differs in profound ways in both countries. British India, White Australia explores connections between Australia and India through the lens of the British Empire by tracing the lives of people of Indian descent in Australia, from Australian Federation to Indian independence. The White Australia Policy was firmly in place while both countries were part of the British Empire. Australia was nominally self-governing but still attached very strongly to Britain; India was driven by the desire for independence. The racist immigration policies of dominions like Australia, and Britain’s inability to reform them, further animated nationalist sentiments in India. In this original, landmark work Kama Maclean calls for more meaningful dialogue about and acknowledgment of the constraints placed upon Indians in Australia and those attempting to immigrate. Indians are now the fastest-growing group of migrants in Australia, yet their presence has a long history, as told in this book. ‘An inspiring and necessary revelation offering new definitions of what it means to be Australian — and humane — in our post-colonial, globalised world.’ – Sunil Badami ‘At last a history of the triangular relations between the United Kingdom, India and Australia. As this brilliant book shows, only by escaping empire can Australians and Indians forge independent relations based on reciprocity and mutual respect.’ — Professor Marilyn Lake ‘Original and pioneering, this connected history looks at Indian—Australian relations through Empire, race, and postcolonial belonging...told with deep scholarship, irony and style.’ — Professor Dilip Menon ‘Australians know little about their shared history with India. In this groundbreaking book, Kama Maclean, Australia’s leading scholar of South Asia, fills the gap.’ — Professor Lyndall Ryan

In the early postwar era, Britain enjoyed a very close economic relationship with Australia and New Zealand through their common membership of the Sterling Area and the Commonwealth Preference Area. This book examines the breakdown of this relationship in the 1950 and 1960s. Britain and Australasia were driven apart by disputes over industrial protection, agriculture, capital supplies, and relations with other countries. Special emphasis is given to the implications for Australia and New Zealand of Britain's growing interest in European integration.

This edited collection explores how migrants played a major role in the creation and settlement of the British Empire, by focusing on a series of Australian case studies. Despite their shared experiences of migration and settlement, migrants nonetheless often exhibited distinctive cultural identities, which could be deployed for advantage. Migration established global mobility as a defining feature of the Empire. Ethnicity, class and gender were often powerful determinants of migrant attitudes and behaviour. This volume addresses these considerations, illuminating the complexity and diversity of the British Empire’s global immigration story. Since 1788, the propensity of the populations of Britain and Ireland to immigrate to Australia varied widely, but what this volume highlights is their remarkable diversity in character and impact. The book also presents the opportunities that existed for other immigrant groups to demonstrate their loyalty as members of the (white) Australian community, along with notable exceptions which demonstrated the limits of this inclusivity.

Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.