In the preceding pages I have given a short record of the first twenty-six years of my life, --years of suffering, disgrace, and inward remorse. I fear that my mode of telling will have left an idea simply of their absurdities; but, in truth, I was wretched, --sometimes almost unto death, and have often cursed the hour in which I was born. There had clung to me a feeling that I had been looked upon always as an evil, an encumbrance, a useless thing, --as a creature of whom those connected with him had to be asham

This study focuses on Anthony Trollope's stylistic innovations in relation to Victorian liberalismIn his biography of William Makepeace Thackeray, Anthony Trollope posits the ideal of a man without style: 'I hold that gentleman to be the best dressed whose dress no one observes. I am not sure but that the same may be said of an author's written language'. Trollope's own appearance, unlike his written language, did not pass without observation, however. A contemporary poet recollects that he was 'hirsute and taurine of aspect'. This study unravels this paradox. It disentangles the many threads in Trollope's ostensibly transparent writing and reassembles the political and intellectual fabric that they weave, thus showing how Trollope's language exceeds and questions the concepts provided by contemporary ideologies.Key Features:Shows how Trollope's stylistic peculiarities perform his inflection of Victorian liberalismReads Victorian literature through the lens of German (post-)Romantic thinkers such as Goethe and Walter BenjaminPresents a panorama of Victorian liberalism in its literary, intellectual, and political contextExamines the writings from the last decade of Trollope's life that have received only scant critical attention, such as his novellas and his biographies

Bringing together leading and newly emerging scholars, The Routledge Research Companion to Anthony Trollope offers a comprehensive overview of Trollope scholarship and suggests new directions in Trollope studies. The first volume designed especially for advanced graduate students and scholars, the collection features essays on virtually every topic relevant to Trollope research, including the law, gender, politics, evolution, race, anti-Semitism, biography, philosophy, illustration, aging, sport, emigration, and the global and regional worlds.

Anthony Trollope's novels and stories entertain while vividly bringing the Victorian era to life. His deep empathy for the underdog led him to subvert conventions, exploring the lives of women, as well as men, and choosing as heroes and heroines outsiders who would be viewed with suspicion by his readers. Trollope's profound insight to human nature made him the first novelist in English to develop three dimensional characters and to create the novel sequence. This literary companion introduces readers to his life and work. A-to-Z entries explore Trollope's short story collections, and nonfiction contributions, as well as important themes in the works. This companion also includes fresh voices of contributors that bring in their contemporary insights to bear on Trollope's achievements, facilitating the understanding of Trollope's perspectives in relation to feminism, queer studies, and transnationalism.

Anthony Trollope was a Post Office surveyor, writer, editor and world traveller. This chronology combines factual details with comment and anecdote from his wide contacts and includes brief accounts of his published works and reactions to them.

This classic study of the working life of a professional writer is one of the best -- and also one of the strangest -- autobiographies ever written. After a miserable childhood and misspent youth, Trollope turned his life around at the age of twenty-six. By 1860 the 'hobbledehoy' had become both a senior civil servant and a best-selling novelist. He worked for the Post Office for many years and stood unsuccessfully for Parliament. Best-known for the two series of novels grouped loosely around the clerical and political professions, the Barsetshire and Palliser series, in his Autobiography Trollope frankly describes his writing habits. His apparent preoccupation with contracts, deadlines, and earnings, and his account of the remorseless regularity with which he produced his daily quota of words, has divided opinion ever since. As the Introduction to this edition shows, Trollope selected and exaggerated to create his compelling narrative of initial failure and eventual success, and the inspiration that fuelled his creative imagination has too easily been overlooked. The only autobiography by a major Victorian novelist, Trollope's record offers a fascinating insight into his literary life and opinions. This edition also includes a selection of his critical writings to show how subtle and complex his approach to literature really was.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

This book takes up two topics. The first is the British novelist Anthony Trollope (1815-1882), author of 47 novels and five volumes of short stories. The second is the Internet, specifically the creation of virtual communities through email and discussion lists, focusing, naturally enough, on discussion of the works of Trollope. The first chapter tells how the group began and focuses on the conversation that ensued on Trollopes first novel: The Macdermots of Ballycloran. The second chapter widens the discussion to take in all of Trollope's Irish novels. The third records the conversation of the group on Trollope's novel of jealousy: He Knew He Was Right. The fourth chapter discusses Trollope's shorter novels. The fifth returns to the group conversations; this time the discussion of The Claverings. The sixth chapter discusses the illustrations of Trollope's novels. The seventh chapter records the group conversation on Trollope's most class-ridden novel, Lady Anna. The eighth chapter discusses trollope's life, through his An Autobiography. The last chapter sets the group conversation on Can You Forgive Her? into the context of the Palliser (or Parliamentary) novel sequence. The Preface is by John Letts, Chairman of the (British) Trollope Society. The book contains twenty-four illustrations from the original editions of Trollope's novels.

First published in 1972, the second edition of this highly respected classic of Trollope criticism will be welcomed by Trollope scholars everywhere. David Skilton examines the literary background against which Trollope wrote, and drawing on the vast evidence of mid-Victorian periodical criticism, he shows how this criticism controlled the novelist's creativity. He then goes on to examine Trollope's particular type of realism in the context of the theories of literary imagination current in the 1860s. 'A book I admire. It has been of great value to me.' - J. Hillis Miller 'The first and still the best study of Trollope's relationships, connections and interactions with the literary world of his own time. Skilton's is the necessary introduction to any serious investigation of Trollope's fiction.' - John Sutherland