Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888–1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit’s life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists’ and queer circles in Weimar Berlin and in 1930s Paris. Szalit’s fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner’s The Renaissance of Jewish Culture in Weimar Germany, this book brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art.

Ballots, Babies, and Banners of Peace explores the social and political activism of American Jewish women from approximately 1890 to the beginnings of World War II. Written in an engaging style, the book demonstrates that no history of the birth control, suffrage, or peace movements in the United States is complete without analyzing the impact of Jewish women's presence. The volume is based on years of extensive primary source research in more than a dozen archives and among hundreds of primary sources, many of which have previously never been seen. Voluminous personal papers and institutional records paint a vivid picture of a world in which both middle-class and working-class American Jewish women were consistently and publicly engaged in all the major issues of their day and worked closely with their non-Jewish counterparts on behalf of activist causes. This extraordinarily well researched volume makes a unique contribution to the study of modern women's history, modern Jewish history, and the history of American social movements.

One of Publishers Weekly’s Best Nonfiction Books of 2022 | A New York Times Book Review Editors' Choice The riveting true story of America’s first homegrown Muslim terror attack, the 1977 Hanafi siege of Washington, DC. On March 9, 1977, Washington, DC, came under attack. Seven men stormed the headquarters of B’nai B’rith International, quickly taking control of the venerable Jewish organization’s building and holding more than a hundred employees hostage inside. A little over an hour later, three more men entered the Islamic Center of Washington, the country’s biggest and most important mosque, and took hostages there. Two others subsequently penetrated the municipal government’s District Building, a few hundred yards from the White House. When the gunmen there opened fire, a reporter was killed, and city councilor Marion Barry, later to become the mayor of Washington, DC, was shot in the chest. The deadly standoff brought downtown Washington to a standstill. The attackers belonged to the Hanafi movement, an African American Muslim group based in DC. Their leader was a former jazz drummer named Hamaas Abdul Khaalis, who had risen through the ranks of the Nation of Islam before feuding with the organization’s mercurial chief, Elijah Muhammad, and becoming Kareem Abdul-Jabbar’s spiritual authority. Like Malcolm X, Khaalis paid a price for his apostasy: in 1973, seven of his family members and followers were killed by Nation supporters in one of the District’s most notorious murders. As Khaalis and the hostage takers took control of their DC targets four years later, they vowed to begin killing their hostages unless their demands were met: the federal government must turn over the killers of Khaalis’s family, the boxer Muhammad Ali, and Elijah’s son Wallace so that they could face true justice. They also demanded that the American premiere of Mohammad: Messenger of God—a Hollywood epic about the life of the prophet Muhammad financed and supported by the Libyan leader Muammar Gaddhafi—be canceled and the film destroyed. Shahan Mufti’s American Caliph gives the first full account of the largest-ever hostage taking on American soil and of the tormented man who masterminded it. Informed by extensive archival research and hundreds of declassified FBI files, American Caliph tracks the battle for control of American Islam, the international politics of religion and oil, and the hour-to-hour drama of a city facing a homegrown terror assault. The result is a riveting true-crime story that sheds new light on the disarray of the 1970s and its ongoing reverberations.

Upheavals of the modern period have dramatically changed the traditional pattern of the rescue of Jews by Jews. Whereas until the mid-nineteenth century rescue was carried out by community leaders in accordance with the religiously rooted injunction for the redemption of captives, in the modern period largely secular international Jewish organizations and the State of Israel have emerged as the primary instruments of expressing Jewish national solidarity. The campaigns to restore the exodus from the Soviet Union and to rescue Ethiopian Jews through Operation Moses are the most recent expressions of the imperative to save threatened Jewish communities and reconstitute them elsewhere. The dynamics and achievements of organized rescue in the modern period are critically assessed in this volume, which includes 18 interpretive essays and case studies by leading European, American and Israeli scholars. Organizing Rescue is divided into four sections. The introductory essays examine the roots of Jewish solidarity in Jewish law, and trace the transformation of rescue activity from a religious to a largely secular undertaking. The three sections that follow group selected case studies chronologically. Part I, from the Damascus Affair to the First World War (1840-1914), deals with new patterns of response to the persecution of Jews in Europe, Asia and Africa under the impact of emancipation, nationalism and antisemitism. Part II, World Wars and the Shadow of the Holocaust (1914-1948), deals with the transitional period that brought hope and bitter disillusion to Jews in Europe and the Middle East. Part III, The Contemporary Period (1948 to the present), examines the different manifestations of Jewish national solidarity that developed in response to the Holocaust and the creation of the State of Israel. These studies illuminate and evaluate the efforts of Jews to defend and preserve communities separated by vast distances and diverse cultural and political systems. By placing these studies in an integrated historical and comparative framework, Organizing Rescue provides a timely and unique perspective for understanding national Jewish solidarity in the modern period.

Daniel Greene traces the emergence of the idea of cultural pluralism to the lived experiences of a group of Jewish college students and public intellectuals, including the philosopher Horace M. Kallen. These young Jews faced particular challenges as they sought to integrate themselves into the American academy and literary world of the early 20th century. At Harvard University, they founded an influential student organization known as the Menorah Association in 1906 and later the Menorah Journal, which became a leading voice of Jewish public opinion in the 1920s. In response to the idea that the American melting pot would erase all cultural differences, the Menorah Association advocated a pluralist America that would accommodate a thriving Jewish culture while bringing Jewishness into mainstream American life.