Abe Sapien's past has caught up with him, sending the B.P.R.D. to the South China Sea and into the jungles of Indonesia in this five-part series from _Hellboy_ creator Mike Mignola, with cowriter John Arcudi and artist Guy Davis. Abe finally comes face to face with figures from his past as Langdon Everett Caul.

As events in Indonesia rise to a climax, Abe and Daimio race to stop the apocalyptic plans of the bizarre figures from Abe's past. Mike Mignola provides a stunning cover illustration!

In the wake of the Second World War, Professor Trevor Bruttenholm—occult investigator and guardian of the infant Hellboy—founded the Bureau for Paranormal Research and Defense to investigate and defuse the remains of the Axis's sophisticated occult-warfare projects and potential Soviet threats. Now, with the help of a handful of war-weary American soldiers and their erstwhile Soviet allies, Bruttenholm unravels the mystery of the Nazi Occult Bureau's greatest and most threatening initiative: Project Vampir Sturm. • Collects B.P.R.D.: 1946 #1-#5.

Abe Sapien's investigation brings him closer to a jungle compound housing a group of cyborgs with a strange connection to his own past. Meanwhile, in the basement of the new B.P.R.D. headquarters, Johann makes a startling discovery about a member of the team, and Liz has a vision of the end of the world. Abe finally comes face to face with figures from his past as Langdon Everett Caul.

During his desperate search for Abe, Ben Daimio discovers a plot that could shake the foundations of the earth. Meanwhile, Abe's reunion with figures from his past turns sour when he reveals that he remembers almost nothing of his previous life as Langdon Caul. Back at B.P.R.D. headquarters, Johann, Kate, and Liz discuss the implications of Daimio's own hidden history.

Following the Bureau's catastrophic encounter with the monster-god Katha-Hem, Kate heads to France with hopes of bringing Roger back to life, and Daimio reveals the truth about his death in the jungles of Bolivia. The coming frog apocalypse heats up as Abe meets a secret society of Victorian cyborgs with ties to his origins, and Liz's visions grow increasingly dire! From Hollow Earth to King of Fear--the entire war on frogs in four volumes!

In 1956, somewhere in the mountains of West Virginia, Hellboy encounters Tom, a man who in his youth sold his soul to a backwoods demon known as the Crooked Man. Together they travel back into the dark heart of the Appalachian mountains to confront that demon and see if Tom's soul can't be saved. This three-issue series reunites Mignola and legendary horror artist Richard Corben (_Hellboy in Mexico, Hellboy: Makoma, Hellboy: Being Human_) in a tale of witchcraft rooted in Appalachian folklore. Mignola and Corben team up for the first time since _Makoma_! **Award-winning artist Richard Corben returns to _Hellboy_!**

With the support of the world's witches, Baba Yaga has lured Hellboy to the haunted forests of Russia, where a deathless warrior lies in wait. The long-awaited follow-up to 2005's _The Island_, the six-issue _Darkness Calls_ sees Mike Mignola pushing his greatest creation, Hellboy, toward the next major turning point in his life, with haunting art by Duncan Fegredo (_Enigma_, _Ultimate Adventures_). **The long-awaited follow-up to 2005's _The Island_!**

•Locations of every hidden Artifact revealed •Send all monsters back to the underworld with our strategies •Master Hellboy's combat moves so you can thump evil •Learn finishing moves that smash creatures with a single blow •Tips and tricks for keeping Hellboy's energy up Free Preview includes: comic pages from Dark Horse!

Steampunk Film: A Critical Introduction is a concise and accessible overview of steampunk's indelible impact within film, and acts as a case study for examining the ways with which genres hybridize and coalesce into new forms. Since the beginning of the 21st century, a series of high-profile and big-budget films have adopted steampunk identities to re-imagine periods of industrial development into fantastical histories where future meets past. By calling this growing mass-cultural fetishism for anachronistic machines into question, this book examines how a retro-futuristic romanticism for technology powered by cogs, pistons and steam-engines has taken center stage in blockbuster cinema. As the first monograph to consider cinema's unique relationship with steampunk, it places this burgeoning genre in the context of ongoing debates within film theory: each of which reflecting the movement's remarkable interest in reengineering historical technologies. Rather than acting as a niche subculture, Robbie McAllister argues that steampunk's proliferation in mainstream filmmaking reflects a desire to reassess contemporary relationships with technology and navigate the intense changes that the medium itself is experiencing in the 21st century.