Tim LaHaye, creator of the Left Behind® series, blends suspense and Biblical prophecy in a new series of thrillers with a chilling relevance to the events of our time. Here are ancient secrets never before revealed, dire warnings, and a man who must rise to face the greatest evil of all.… Michael Murphy is a hero for our troubled times. He’s an archaeologist and a scholar of Biblical prophecy. He’s also a man of action hunting ancient artifacts at the risk of his life. And this time he’s onto a find that will send him toward a confrontation with an evil of unimaginable power. For Murphy has unlocked secrets that were never meant to be revealed–secrets challenging everything Murphy’s ever believed…and jeopardizing everyone he’s ever loved. But that’s not all that’s at stake. For what Murphy has discovered is that the countdown to the end-time of all humankind has already begun. It’s later than anyone thinks. And if Murphy fails–we all fail.

Babylon Riding book 3.

For the past twenty years, evangelical prophecy novels have been a powerful presence on American bestseller lists. Emerging from a growing conservative culture industry, the genre dramatizes events that many believers expect to occur at the end of the age - the rapture of the saved, the rise of the Antichrist, and the fearful tribulation faced by those who are "left behind." Seeking the forces that drove the unexpected success of the Left Behind novels, Crawford Gribben traces the gradual development of the prophecy fiction genre from its eclectic roots among early twentieth-century fundamentalists. The first rapture novels came onto the scene at the high water mark of Protestant America. From there, the genre would both witness the defeat of conservative Protestantism and participate in its eventual reconstruction and return, providing for the renaissance of the evangelical imagination that would culminate in the Left Behind novels. Yet, as Gribben shows, the rapture genre, while vividly expressing some prototypically American themes, also serves to greatly complicate the idea of American modernity-assaulting some of its most cherished tenets. Gribben concludes with a look at "post-Left Behind" rapture fiction, noting some works that were written specifically to counter the claims of the best-selling series. Along the way, he gives attention not just to literary fictions, but to rapture films and apocalyptic themes in Christian music. Writing the Rapture is an indispensable guide to this flourishing yet little understood body of literature.

Babylon under Western Eyes examines the mythic legacy of ancient Babylon, the Near Eastern city which has served western culture as a metaphor for power, luxury, and exotic magnificence for more than two thousand years. Sifting through the many references to Babylon in biblical, classical, medieval, and modern texts, Andrew Scheil uses Babylon's remarkable literary ubiquity as the foundation for a thorough analysis of the dynamics of adaptation and allusion in western literature. Touching on everything from Old English poetry to the contemporary apocalyptic fiction of the "Left Behind" series, Scheil outlines how medieval Christian society and its cultural successors have adopted Babylon as a political metaphor, a degenerate archetype, and a place associated with the sublime. Combining remarkable erudition with a clear and accessible style, Babylon under Western Eyes is the first comprehensive examination of Babylon's significance within the pantheon of western literature and a testimonial to the continuing influence of biblical, classical, and medieval paradigms in modern culture.

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