Roger Vadim's life with Brigitte Bardot, Catherine Deneuve, and Jane Fonda.

“The definitive portrait of a woman conflicted, torn between ferocious ambition, family, and feminist causes” (Gail Sheehy, author of Passages). Jane Fonda emerged from a heartbreaking Hollywood family drama to become a ’60s onscreen ingénue and then an Oscar-winning actress. At the top of her game she risked it all, speaking out against the Vietnam War and shocking the world with a trip to Hanoi. One of Hollywood’s most committed feminists, she financed her husband Tom Hayden’s political career in the ’80s with a series of exercise videos that sparked a nationwide fitness craze. Even more surprising was Fonda’s next turn, as a Stepford Wife of the Gulfstream set, marrying Ted Turner and seemingly walking away from her ideals and her career. Patricia Bosworth goes behind the image of an American superwoman, revealing the real Jane Fonda—more powerful and vulnerable than we ever expected—whose struggles for high achievement, love, and motherhood mirror the conflicts of an entire generation of women. In the hands of this seasoned, tenacious biographer, the evolution of one of the world’s most controversial and successful women becomes nothing less than a great, enthralling American life. “A book that gets unusually close to its subject. It sees what Ms. Fonda cannot see about herself.” —The New York Times “Bosworth’s thorough account of this wild, uniquely twentieth-century Hollywood life makes Jane Fonda the actress even more intriguing.” —San Francisco Chronicle

Actress and sex symbol Brigitte Bardot had a stunning career in France and America in the mid-20th century. Since the 1970s, she has dedicated her life to the welfare and protection of animals, with much personal involvement. In this book the author makes the case that far from being a pretty face or a spotlight grabber, Bardot was an accomplished actress and has always been an intelligent, sensitive individual. Chapters acquaint readers with her Paris childhood and her rebellious coming of age in a Catholic bourgeois family, who disapproved when she appeared on the cover of Elle magazine and was offered a screen test. The book examines her years in film (with careful analysis of her films) and also covers her tumultuous personal life, including suicide attempts, and the beginnings of her interest in animal protection. Final chapters detail her efforts in worldwide animal welfare activism, including the work of her own international foundation.

Jane Fonda's visit to Hanoi in July 1972 and her pro-North Vietnamese, anti-American conduct, especially her pose with an anti-aircraft gun used to shoot down American planes and her propaganda broadcasts directed toward American troops, angered many Americans. In their eyes, she was guilty of treason, but she was never charged by the American legal system. Instead, she has made millions, been the recipient of countless awards, and remained an honored American icon. This work investigates Fonda's activities in North Vietnam and argues that she could have been indicted for treason, that there would have been enough evidence to take the case to a jury, that she could have been convicted, and that a conviction probably would have been upheld on appeal. It also considers Fonda's early life and the effect it had on her behavior and beliefs in her later years, her audience of American POWs who were forced by the Vietnamese to listen to her broadcasts condemning them as war criminals, her arrival in Vietnam and how it was viewed by American servicemen and civilians, the crime of treason throughout history, and the only Congressional inquiry into her actions, which resulted in the government's decision to take no legal action against her. Texts of Fonda's radio broadcasts to American servicemen comprise the appendix.

The life of Madame Claude, the brilliant and complicated and utterly amoral woman behind the most glamorous and successful escort service in the world. In post-WWII Paris, Madame Claude ran the most exclusive finishing school in the world. Her alumnae married more fortunes, titles and famous names than any of the Seven Sisters. The names on her client list were epic—Kennedy, Rothschild, Agnelli, Onassis, Niarchos, Brando, Sinatra, McQueen, Picasso, Chagall, Qaddafi, the Shah, and that's just for starters. By the 1950s, she was the richest and most celebrated self-made woman in Europe, as much of a legend as Coco Chanel. Born Fernande Grudet, a poor Jewish girl in the aristocratic chateau city of Angers, the future Madame led a life of high adventure—resistance fighter, concentration camp survivor, gun moll of the Corsican Mafia and erstwhile streetwalker—before becoming the ultimate broker between beauty and power. She harnessed the emerging postwar technology of the telephone to create the concept of the call girl. But Madame Claude wasn't just selling sex—she was the world's ultimate matchmaker, the Dolly Levi of the Power Elite. She was also one of the most controversial—and most wanted—women in the world. Now, through his own conversations with the woman herself and interviews with the great men and remarkable women on whom she built her empire, social historian and biographer William Stadiem pierces the veil of Claude’s secret, forbidden universe of pleasure and privilege.

In Eco-Performance, Art, and Spatial Justice in the US, Courtney B. Ryan traces how urban artists in the US from the 1970s until today contend with environmental domestication and spatial injustice through performance. In theater, art, film, and digital media, the artists featured in this book perform everyday, spatialized micro-acts to contest the mutual containment of urbanites and nonhuman nature. Whether it is plant artist Vaughn Bell going for a city stroll in her personal biosphere, photographer Naima Green photographing Black urbanites in lush New York City parks, guerrilla gardeners launching seed bombs into abandoned city lots, or a satirical tweeter parodying BP’s response to the 2010 Deepwater Horizon oil spill, the subjects in this book challenge deeply engrained Western directives to domesticate nonhuman nature. In examining how urban eco-artists perform alternate ecologies that celebrate the interconnectedness of marginalized human, vegetal, and aquatic life, Ryan suggests that small environmental performances can expose spatial injustice and increase spatial mobility. Bringing a performance perspective to the environmental humanities, this interdisciplinary text offers readers stymied by the global climate crisis a way forward. It will appeal to a wide range of students and academics in performance, media studies, urban geography, and environmental studies.

The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.

In October 1958, Pan American World Airways began making regularly scheduled flights between New York and Paris, courtesy of its newly minted wonder jet, the Boeing 707. Almost overnight, the moneyed celebrities of the era made Europe their playground. At the same time, the dream of international travel came true for thousands of ordinary Americans who longed to emulate the “jet set” lifestyle. Bestselling author and Vanity Fair contributor William Stadiem brings that Jet Age dream to life again in the first-ever book about the glamorous decade when Americans took to the skies in massive numbers as never before, with the rich and famous elbowing their way to the front of the line. Dishy anecdotes and finely rendered character sketches re-create the world of luxurious airplanes, exclusive destinations, and beautiful, wealthy trendsetters who turned transatlantic travel into an inalienable right. It was the age of Camelot and “Come Fly with Me,” Grace Kelly at the Prince’s Palace in Monaco, and Mary Quant miniskirts on the streets of Swinging London. Men still wore hats, stewardesses showed plenty of leg, and the beach at Saint-Tropez was just a seven-hour flight away. Jet Set reads like a who’s who of the fabulous and well connected, from the swashbuckling “skycoons” who launched the jet fleet to the playboys, moguls, and financiers who kept it flying. Among the bold-face names on the passenger manifest: Juan Trippe, the Yale-educated WASP with the Spanish-sounding name who parlayed his fraternity contacts into a tiny airmail route that became the world’s largest airline, Pan Am; couturier to the stars Oleg Cassini, the Kennedy administration’s “Secretary of Style,” and his social climbing brother Igor, who became the most powerful gossip columnist in America—then lost it all in one of the juiciest scandals of the century; Temple Fielding, the high-rolling high priest of travel guides, and his budget-conscious rival Arthur Frommer; Conrad Hilton, the New Mexico cowboy who built the most powerful luxury hotel chain on earth; and Mary Wells Lawrence, the queen bee of Madison Avenue whose suggestive ads for Braniff and other airlines brought sex appeal to the skies. Like a superfueled episode of Mad Men, Jet Set evokes a time long gone but still vibrant in American memory. This is a rollicking, sexy romp through the ring-a-ding glory years of air travel, when escape was the ultimate aphrodisiac and the smiles were as wide as the aisles. Praise for Jet Set “Aeronautics history, high times from the 1950s and ’60s, incredibly versatile name-dropping (from Mrs. John Jacob Astor to Christine Keeler of the Profumo scandal) and Sinatra’s ‘Come Fly With Me’ as a kind of theme song [all] connected to the glamorous days of air travel.”—Janet Maslin, The New York Times “What a book William Stadium has written. . . . The Kennedys, the Rat Pack, Frank Sinatra, and early financiers like Eddie Gilbert are dealt with in depth. . . . I lived intimately through it all in the ’50s, ’60s, ’70s, ’80s, and ’90s and I am yet to find a mistake in author Stadiem’s amazing book. Order it now. All the players are here.”—Liz Smith, syndicated columnist “William Stadiem sexes up the glory days of aviation in Jet Set. Fly me!”—Vanity Fair “William Stadiem’s Jet Set takes you where no modern airliner can: to a time . . . when the means of travel was as exotic as the destination, and sometimes more so.”—Town & Country