The Conference on Baseball in Literature and American Culture has consistently produced a strong body of scholarship since its inception in 1995. Essays presented at the 2008 and 2009 conferences are published in the present work. Topics covered include religion; class and racial dichotomies in the literature of cricket and baseball; re-reading The Natural in the 21st century; the feminist movement; Don DeLillo's Game 6; baseball in Seinfeld; Robert B. Parker; Harry Stein's Hoopla; Negro league owner Tom Wilson's impact on Nashville; Major League Baseball's postwar boom; and overwrought baseball editorials, among others.

Since 1995, the Indiana State University Conference on Baseball in Literature and American Culture has provided a venue for scholars to present their research on baseball as literary subject matter and cultural institution. Nineteen essays presented at the 2002 and 2003 ISU conferences are published in this work. The essays demonstrate that baseball continues to engage scholars like no other sport, despite the game's supposed loss of stature as the national game. "A Field of Questions: W.P. Kinsella comes to Ithaca," reveals Kinsella as baseball fan and baseball writer. "'You don't play the angles, you're a sap': John Sayles, Eliot Asinof, Baseball Labor, and Chicago in 1919" examines Sayles' Eight Men Out in the context of both Asinof's historical account of the fix and Sayles' earlier and openly labor-oriented film Maetwan. "Is Baseball an American Religion?" considers three codified, sociological definitions of religion and demonstrates that to claim baseball is an American religion requires more than just a strong attraction to the game. "Baseball Immortals: Character and Performance On and Off the Field" analyzes how character and performance impact fan and media perceptions as well as in terms of a player's candidacy for the Hall of Fame. These are just a few of the essays, which cover a broad range of topics and take a variety of approaches to those topics.

This collection of fresh essays examines the intersection of baseball and social class, pointing to the conclusion that America's game, infused from its origins with a democratic mythos and founded on high-minded principles of meritocracy, is nonetheless fraught with problematic class contradictions. Each essayist has explored how class standing has influenced some aspect of the game as experienced by those who play it, those who watch it, those who write about it, and those who market it. The topic of class is an amorphous one and in tying it to baseball the contributors have considered matters of race, education, locality, integration, assimilation, and cultural standing. These elements are crucial to understanding how baseball creates, preserves, reinforces and occasionally assails class divisions among those who watch, play, and own the game.

This collection of nine essays examines some of baseball's most elusive mysteries. Topics include the discovery of the body of Ed Delahanty at the bottom of Niagara Falls, the suicide of Chick Stahl, the strange death of National League president Harry Pulliam, the case of a game that may never have been played, three gambling scandals (one involving Hall of Famers), the facts concerning the legendary matchup of Satchel Paige and slugger Josh Gibson, and the intrigue behind the Brooklyn Dodgers' move to Los Angeles.

This challenging new book looks at the current reinvention of American Studies: a reinvention that, among other things, has put the whole issue of just what is ‘American’ and what is ‘American Studies’ into contention. The collection focuses, in particular, on American mythology. The editors themselves have written essays that examine the connections between mythologies of the United States and those of either classical European or Native American traditions. William Blazek considers Louise Erdrich’s Love Medicine novels as chronicles combining Ojibwa mythology and contemporary U.S. culture in ways that reinvest a sense of mythic identity within a multicultural, postmodern America. Michael K Glenday’s analysis of Jayne Anne Phillips’ work and explores in it the contexts where myth and dream interact with each other. Betty Louise Bell is one of four essayists in this collection who focus their criticism on authors of Native American heritage. In the first part of ‘Indians with Voices’, Bell carefully argues that Roy Harvey Pearce’s seminal Native American studies text Savagism and Civilization fails to acknowledge its white elitist assumptions about what constitutes The American Mind and views Native Americans along a primitive-savage binary that helped to create a twentieth-century ‘national mythos of innocence and destiny’. Other essays include Christopher Brookeman’s study of the impact of Muhammad Ali on Norman Mailer’s non-fiction writing about heavyweight boxing.

William Weaks Morris was a writer defined in large measure by his Southern roots. A seventh generation Mississippian, he grew up in Yazoo City frequently reminded of his heritage. Spending his college years at the University of Texas and at Oxford University in England gave Morris a taste of the world and, at the very least, something to write home about. This volume is a comprehensive reference work dealing with Willie Morris' life and works. It is also a literary biography based on hundreds of primary sources such as letters, newspaper articles and interviews. The principal focus is on Morris' literary legacy, which includes works such as North Toward Home, New York Days and My Dog Skip.