Battlefield Emotions in Late Antiquity is the first work to offer a comprehensive analysis of morale and fear. Różycki examines Roman military treatises to illustrate the methods of manipulating the human psyche.

What do the mysterious Roman author Vegetius, the Byzantine emperor Leo VI, and the Chinese general Li Jing all have in common? They are three of the dozens of authors across the medieval Mediterranean world and beyond who wrote works of military literature, sometimes called military handbooks, manuals, or treatises. This book brings together a multidisciplinary international team of scholars who present cutting edge essays on diverse aspects of medieval military literature. While some chapters offer novel approaches to familiar authors like Vegetius, some present research on under-valued topics like Byzantine military illustrations, and others provide holistic studies on subjects like early modern treatises, they all move the discussion of medieval military literature forward. Contributors are Michael B. Charles, Georgios Chatzelis, Pierre Cosme, Maxime Emion, Immacolata Eramo, Michael Fulton, David Graff, John Haldon, Catherine Hof, John Hosler, Savvas Kyriakidis, Łukasz Różycki, Katharina Schoneveld, Georgios Theotokis, Conor Whately, Michael Whitby, and Nadya Williams.

Byzantinists entered the study of emotion with Henry Maguire’s ground-breaking article on sorrow, published in 1977. Since then, classicists and western medievalists have developed new ways of understanding how emotional communities work and where the ancients’ concepts of emotion differ from our own, and Byzantinists have begun to consider emotions other than sorrow. It is time to look at what is distinctive about Byzantine emotion. This volume is the first to look at the constellation of Byzantine emotions. Originating at an international colloquium at Dumbarton Oaks, these papers address issues such as power, gender, rhetoric, or asceticism in Byzantine society through the lens of a single emotion or cluster of emotions. Contributors focus not only on the construction of emotions with respect to perception and cognition but also explore how emotions were communicated and exchanged across broad (multi)linguistic, political and social boundaries. Priorities are twofold: to arrive at an understanding of what the Byzantines thought of as emotions and to comprehend how theory shaped their appraisal of reality. Managing Emotion in Byzantium will appeal to researchers and students alike interested in Byzantine perceptions of emotion, Byzantine Culture, and medieval perceptions of emotion.

This book examines the lasting impact of war on individuals and their communities in pre-modern Europe. Research on combat stress in the modern era regularly draws upon the past for inspiration and validation, but to date no single volume has effectively scrutinised the universal nature of combat stress and its associated modern diagnoses. Highlighting the methodological obstacles of using modern medical and psychological models to understand pre-modern experiences, this book challenges existing studies and presents innovative new directions for future research. With cutting-edge contributions from experts in history, classics and medical humanities, the collection has a broad chronological focus, covering periods from Archaic Greece (c. sixth and early fifth century BCE) to the British Civil Wars (seventeenth century CE). Topics range from the methodological, such as the dangers of retrospective diagnosis and the applicability of Moral Injury to the past, to the conventionally historical, examining how combat stress and post-traumatic stress disorder may or may not have manifested in different time periods. With chapters focusing on combatants, women, children and the collective trauma of their communities, this collection will be of great interest to those researching the history of mental health in the pre-modern period.

This volume explores a broad range of perceptions, receptions and constructions of the soldierly body in the ancient world, putting the notion of embodiment at the forefront of its engagement with ancient warfare. The 10 chapters presented here respond directly to the question of how war was embodied in antiquity by drawing on detailed case studies to examine the sensory and bodily experience of combat across wide-ranging time periods and geographies, from classical Greece and Rome to Roman Britain and Persia. Together they illustrate how the body in war is a vital universal element that unites these vastly different contexts. Although the centrality of the human body in war-making was recognized in antiquity, a body-centric approach to combat has yet to be widely adopted in modern Classical Studies. This collection brings together new research in ancient history, classical literature, material culture, bioarchaeology and art history within a theoretical framework drawn from recent developments in War Studies that places the body front and centre. The new perspectives it offers on brutality in battle, the physical expression of warrior identity, and post-combat remembrance and recovery challenge readers to re-assess and expand their existing ideas as part of a broader ongoing 'call to arms' to revolutionize the study of ancient warfare in the 21st century.