Welcome to Burden Hill — a picturesque little town adorned with white picket fences and green, green grass, home to a unique team of paranormal investigators. Beneath this shiny exterior, Burden Hill harbors dark and sinister secrets, and it's up to a heroic gang of dogs — and one cat — to protect the town from the evil forces at work. These are the Beasts of Burden Hill — Pugs, Ace, Jack, Whitey, Red and the Orphan — whose early experiences with the paranormal (including a haunted doghouse, a witches' coven, and a pack of canine zombies) have led them to become members of the Wise Dog Society, official animal agents sworn to protect their town from evil. This turns out to be no easy task, as they soon encounter demonic cannibal frogs, tortured spirits, a secret rat society, and a bizarre and deadly resurrection in the Burden Hill cemetery — events which lead to fear and heartbreak as our four-legged heroes discover that the evil within Burden Hill is growing and on the move. Can our heroes overcome these supernatural menaces? Can evil be bested by a paranormal team that doesn't have hands? And even more importantly, will Pugs ever shut the hell up? Adventure, mystery, horror, and humor thrive on every page of Beasts of Burden — a comic-book series that will capture readers' hearts and haunt their dreams. Award-winning comics creators Evan Dorkin (Milk and Cheese) and Jill Thompson (Scary Godmother) first introduced these very special investigators in The Dark Horse Book of Hauntings and the other Dark Horse Book of . . . anthologies, for which they won coveted Eisner Awards for Best Short Story and Best Painter. Those first tales are collected here, along with the comic series Beasts of Burden issues #1–#4.

2018 American Book Award Winner A beautifully written, deeply provocative inquiry into the intersection of animal and disability liberation—and the debut of an important new social critic How much of what we understand of ourselves as “human” depends on our physical and mental abilities—how we move (or cannot move) in and interact with the world? And how much of our definition of “human” depends on its difference from “animal”? Drawing on her own experiences as a disabled person, a disability activist, and an animal advocate, author Sunaura Taylor persuades us to think deeply, and sometimes uncomfortably, about what divides the human from the animal, the disabled from the nondisabled—and what it might mean to break down those divisions, to claim the animal and the vulnerable in ourselves, in a process she calls “cripping animal ethics.” Beasts of Burden suggests that issues of disability and animal justice—which have heretofore primarily been presented in opposition—are in fact deeply entangled. Fusing philosophy, memoir, science, and the radical truths these disciplines can bring—whether about factory farming, disability oppression, or our assumptions of human superiority over animals—Taylor draws attention to new worlds of experience and empathy that can open up important avenues of solidarity across species and ability. Beasts of Burden is a wonderfully engaging and elegantly written work, both philosophical and personal, by a brilliant new voice.

This eight-time Eisner Award-winning comic book series blending fantasy and humor features the adventures of paranormal pets investigating the monsters of Burden Hill. The dogs and cats protecting Burden Hill from supernatural harm find themselves facing new threats and mysteries, including a vengeful demon, an invisible killer and an enigmatic flock of lost sheep. As a growing evil threatens to overwhelm their town, the animals find themselves some unlikely allies, most notably a seasoned paranormal investigator named...Hellboy. This volume collects the comic-book series Beasts of Burden: Sacrifice, Beasts of Burden: Neighborhood Watch, Beasts of Burden: Hunters and Gatherers, Beasts of Burden: What the Cat Dragged In, and Beasts of Burden: The Presence of Others #1 and #2.

Modernism's Inhuman Worlds explores the centrality of ecological precarity, species indeterminacy, planetary change, and the specter of extinction to modernist and contemporary metamodernist literatures. Modernist ecologies, Rasheed Tazudeen argues, emerge in response to the enigma of how to imagine inhuman being—including soils, forests, oceans, and the earth itself—through languages and epistemologies that have only ever been humanist. How might (meta)modernist aesthetics help us to imagine (with) inhuman worlds, including the worlds still to be made on the other side of mass extinction? Through innovative readings of canonical and emergent modernist and metamodernist works, Tazudeen theorizes inhuman modernism as a call toward further receptivity to the worlds, beings, and relations that tend to go unthought within Western humanist epistemologies. Modernist engagements with the figures of enigma, riddle, and metaphor, according to the book's central argument, offer a means toward what Franz Kafka calls an "otherwise" speaking, based on language's obliqueness to inhuman and planetary being. Drawing on ecocriticism, decolonial and feminist science studies, postcolonial theory, inhuman geography, and sound studies, Tazudeen analyzes an inhuman modernist lineage—spanning from Darwin, Carroll, and Flaubert, through Joyce, Kafka, and Woolf, to contemporary poetic works—as both part of a collaborative rethinking of modernism's planetary and inhuman aesthetics, as well as occasions for imagining new modes of livingness for the extinctions to come.

This fully revised and expanded second edition of the Routledge Handbook of Disability Studies takes a multidisciplinary approach to disability and provides an authoritative and up-to-date overview of the main issues in the field around the world today. Adopting an international perspective and arranged thematically, it surveys the state of the discipline, examining emerging and cutting-edge areas as well as core areas of contention. Divided in five parts, this comprehensive handbook covers: Different models and approaches to disability. How key impairment groups have engaged with disability studies and the writings within the discipline. Policy and legislation responses to disability studies and to disability activism. Disability studies and its interaction with other disciplines, such as history, philosophy, sport, and science and technology studies. Disability studies and different life experiences, examining how disability and disability studies intersects with ethnicity, sexuality, gender, childhood and ageing. Containing 15 revised chapters and 12 new chapters from an international selection of leading scholars, this authoritative handbook is an invaluable reference for all academics, researchers, and more advanced students in disability studies and associated disciplines such as sociology, health studies and social work. Chapter 6 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

In Embracing the Nonhuman in the Gospel of Mark, Dong Hyeon Jeong approaches the Gospel of Mark through the lens of nonhuman studies with an eye toward ecological consciousness. Drawing on the fields of nonhuman studies and postcolonial ecocriticism, Jeong disrupts nthropocentric readings of Mark by engaging animality, vegetality, and animacy theories in light of (colonized) ethnicity. His intersectional reading of Mark highlights the importance of engaging nonhuman biblical interpretation while being sensitive to the issue of racism arising from animalizing the other. By doing so, this book reimagines the Markan Jesus as the colonized messiah who embraces the nonhuman. Jeong encourages readers to consider the interconnectedness of humans, animals, and the environment, while also addressing issues of power, oppression, and marginalization.

Uses literature to understand and remake our ethics regarding nonhuman animals, old human beings, disabled human beings, and cloned posthumans Literary Bioethics argues for literature as an untapped and essential site for the exploration of bioethics. Novels, Maren Tova Linett argues, present vividly imagined worlds in which certain values hold sway, casting new light onto those values; and the more plausible and well rendered readers find these imagined worlds, the more thoroughly we can evaluate the justice of those values. In an innovative set of readings, Linett thinks through the ethics of animal experimentation in H.G. Wells’s The Island of Doctor Moreau, explores the elimination of aging in Aldous Huxley’s Brave New World, considers the valuation of disabled lives in Flannery O’Connor’s The Violent Bear It Away, and questions the principles of humane farming through reading Kazuo Ishiguro’s Never Let Me Go. By analyzing novels published at widely spaced intervals over the span of a century, Linett offers snapshots of how we confront questions of value. In some cases the fictions are swayed by dominant devaluations of nonnormative or nonhuman lives, while in other cases they confirm the value of such lives by resisting instrumental views of their worth—views that influence, explicitly or implicitly, many contemporary bioethical discussions, especially about the value of disabled and nonhuman lives. Literary Bioethics grapples with the most fundamental questions of how we value different kinds of lives, and questions what those in power ought to be permitted to do with those lives as we gain unprecedented levels of technological prowess.

"This book investigates rabbinic treatises relating to animals, humans, and other lifeforms. Through an original analysis of creaturely generation and species classification by late ancient Palestinian rabbis and other thinkers in the Roman empire, Rafael Rachel Neis shows how rabbis blurred the lines between the human and other beings. This they did even as they were intent on classifying creatures and delineating the contours of the human. Recognizing that life proliferates via multiple mechanisms beyond sexual copulation between two heterosexual 'male' and 'female' individuals of the same species, the rabbis produced intricate alternatives. This expansive view of generation included humans. Likewise, in parsing the variety of creatures, the rabbis attended to the overlaps and resemblances across seemingly distinct species, upsetting in turn unmitigated claims of human distinctiveness. Intervening in conversations in animal studies, queer theory, trans theory, and feminist science studies, When a Human Gives Birth to a Raven provincializes sacrosanct ideals of reproduction in favor of a broader range of generation, kinship, and species offering powerful historical alternatives to the paradigms associated with so-called traditional ideas"--

A landmark publishing achievement on the subject, the new edition of this acclaimed encyclopedia is expanded to two volumes, covering the full range of issues related to animal protection. Expanded to two volumes, the comprehensively updated new edition, Encyclopedia of Animal Rights and Animal Welfare: Second Edition is an extraordinary publishing event. It remains the only reference to cover the entire scope of animal rights and welfare from a global interdisciplinary perspective, with an international team of contributors assembled by Marc Bekoff covering animal treatment issues in the United States, China, India, Kenya, Australia, and many other nations. With a focused emphasis on fairness and justice for animals evident on every page, Encyclopedia of Animal Rights and Animal Welfare: Second Edition offers clear explanations of hot-button topics like puppy mills, endangered species in zoos, no-kill shelters, dog fighting, factory farming and disease, veganism, conservation ethics, wildlife contraception, and more. The encyclopedia also explores a range of religious, ethical, and philosophical views on using animals, as well as the latest research on animal cognition and sentience. The work helps readers understand the different viewpoints of animal welfare advocates who want to improve conditions for animals and animal rights activists who don't want animals used at all.

If eugenics -- the science of eliminating kinds of undesirable human beings from the species record -- came to overdetermine the late 19th century in relation to disability, the 20th century may be best characterized as managing the repercussions for variable human populations. A Cultural History of Disability in the Modern Age provides an interdisciplinary overview of disability as an outpouring of professional, political, and representational efforts to fix, correct, eliminate, preserve, and even cultivate the value of crip bodies. This book pursues analyses of disability's deployment as a wellspring for an alternative ethics of living in and alongside the body different while simultaneously considering the varied social and material contexts of devalued human differences from World War I to the present. In short, this volume demonstrates that, in Ozymandias-like ways, the Western Project of the Human with its perpetuation of body-mind hierarchies lies crumbling in the deserts of failed empires, genocidal furies, and the rejuvenating myths of new nation states in the 20th century. An essential resource for researchers, scholars and students of history, literature, culture, philosophy, rehabilitation, technology, and education, A Cultural History of Disability in the Modern Age explores such themes and topics as: atypical bodies; mobility impairment; chronic pain and illness; blindness; deafness; speech; learning difficulties; and mental health while wrestling with their status as unreliable predictors of what constitutes undesirable humanity.