The global beauty business permeates our lives, influencing how we perceive ourselves and what it is to be beautiful. The brands and firms which have shaped this industry, such as Avon, Coty, Estée Lauder, L'Oréal, and Shiseido, have imagined beauty for us. This book provides the first authoritative history of the global beauty industry from its emergence in the nineteenth century to the present day, exploring how today's global giants grew. It shows how successive generations of entrepreneurs built brands which shaped perceptions of beauty, and the business organizations needed to market them. They democratized access to beauty products, once the privilege of elites, but they also defined the gender and ethnic borders of beauty, and its association with a handful of cities, notably Paris and later New York. The result was a homogenization of beauty ideals throughout the world. Today globalization is changing the beauty industry again; its impact can be seen in a range of competing strategies. Global brands have swept into China, Russia, and India, but at the same time, these brands are having to respond to a far greater diversity of cultures and lifestyles as new markets are opened up worldwide. In the twenty first century, beauty is again being re-imagined anew.

The Will to Imagine completes J. L. Schellenberg's trilogy in the philosophy of religion, following his acclaimed Prolegomena to a Philosophy of Religion and The Wisdom to Doubt. This book marks a striking reversal in our understanding of the possibility of religious faith. Where other works treat religious skepticism as a dead end, The Will to Imagine argues that skepticism is the only point from which a proper beginning in religious inquiry—and in religion itself—can be made. For Schellenberg, our immaturity as a species not only makes justified religious belief impossible but also provides the appropriate context for a type of faith response grounded in imagination rather than belief, directed not to theism but to ultimism, the heart of religion. This new and nonbelieving form of faith, he demonstrates, is quite capable of nourishing an authentic religious life while allowing for inquiry into ways of refining the generic idea that shapes its commitments. A singular feature of Schellenberg's book is his claim, developed in detail, that unsuccessful believers' arguments can successfully be recast as arguments for imaginative faith. Out of the rational failure of traditional forms of religious belief, The Will to Imagine fashions an unconventional form of religion better fitted, Schellenberg argues, to the human species as it exists today and as we may hope it will evolve.

Why are we artists? How does God experience art? What is the artist’s calling in relation to God, the church, and the world? Drawing from his experiences performing Mozart, playing “dive bars", and leading worship and the arts in the church, author Manuel Luz seeks to answer the questions that artists often ask. Laced with humorous and sometimes poignant anecdotes, Imagine That is a thought-provoking journey through the convergence of art and faith. Luz has been a working musician, writer, pastor, and even amateur cartoonist for more than 40 years, and in Imagine That he lays out his case for a uniquely Christian approach to the vocation of artist, using theologically rich and artist-friendly language. In the end, Imagine That affirms and equips Christian artists for the special kind of ministry that only they can do.

We are the dangerous, problematic and troubled species threatening the health and equilbrium of the whole Earth. We are the bearers of heroic myths and legends of explanation and survival of a complex, bloody past – which, as William Faulkner said “is not even past.” We are the oblivious couriers of indecipherable ancient messages, speakers of lonely lives of the spirit we cannot share. Meanwhile there are individual lives to be led, being born, growing, thriving, loving, surviving and dying to be negotiated, dreams to pursue in a world of change coming at us at the speed of light. So what remains of We Am, if We ever was ? Can it be recreated ?

A witty, wise and truthful beauty handbook for real women on what works in real life from Sali Hughes, beloved journalist and broadcaster.