Bede and the Cosmos examines Bede’s cosmology—his understanding of the universe and its laws. It explores his ideas regarding both the structure and mechanics of the created world and the relationship of that world to its Creator. Beginning with On the Nature of Things and moving on to survey his writings in other genres, it demonstrates the key role that natural philosophy played in shaping Bede’s worldview, and explores the ramifications that this had on his cultural, theological and historical thought. From questions about angelic bodies and the destruction of the world at judgement day, to subtle arguments about free will and the meaning of history, Bede’s fascinating and unique engagement with the natural world is explored in this comprehensive study.

The definitive history of humanity's search to find its place within the universe. North charts the history of astronomy and cosmology from the Paleolithic period to the present day.

The Venerable Bede composed On the Nature of Things and On Times at the outset of his career in AD 703, shaping a mass of difficult and sometimes dangerous material on the mathematical and physical basis of time into a lucid and well-organized account that laid the framework for much of Carolingian and Scholastic scientific thought. (Barnes and Noble).

A cultural history of how Christianity was born from its martyrs. Though it promises eternal life, Christianity was forged in death. Christianity is built upon the legacies of the apostles and martyrs who chose to die rather than renounce the name of their lord. In this innovative cultural history, Kyle Smith shows how a devotion to death has shaped Christianity for two thousand years. For centuries, Christians have cared for their saints, curating their deaths as examples of holiness. Martyrs' stories, lurid legends of torture, have been told and retold, translated and rewritten. Martyrs' bones are alive in the world, relics pulsing with wonder. Martyrs' shrines are still visited by pilgrims, many in search of a miracle. Martyrs have even shaped the Christian conception of time, with each day of the year celebrating the death of a saint. From Roman antiquity to the present, by way of medieval England and the Protestant Reformation, Cult of the Dead tells the fascinating story of how the world's most widespread religion is steeped in the memory of its martyrs.

Integrating the brilliant biography of Bruno, Archbishop of Cologne (953-65) and brother of Emperor Otto I, by the otherwise obscure monk Ruotger, with the intellectual culture of Cologne Cathedral, this is a study of actual politics in conjunction with Ottonian ruler ethic. Our knowledge of Cologne intellectual activity in the period, apart from Ruotger, must be pieced together mainly from marginal annotations and glosses in surviving Cologne manuscripts, showing how and with what concerns some of the most important books of the Latin West were read in Bruno's and Ruotger's Cologne. These include Pope Gregory the Great's Letters, Prudentius's Psychomachia, Boethius's Arithmetic, and Martianus Capella's Marriage of Philology and Mercury. The writing in the margins of the manuscripts, besides enlarging our picture of thinking in Cologne in itself, can be drawn into comparison with the outlook of Ruotger. Exploring how distinctive Cologne was, compared with other centres, Henry Mayr-Harting brings out an unexpectedly strong thread of Platonism in the tenth-century intellect. The book includes a critical edition of probably the earliest surviving, and hitherto unpublished, set of glosses to Boethius's Arithmetic, with an extensive study of their content.

This book is a historical account of how natural philosophers and scientists have endeavoured to understand the universe at large, first in a mythical and later in a scientific context. Starting with the creation stories of ancient Egypt and Mesopotamia, the book covers all the major events in theoretical and observational cosmology, from Aristotle's cosmos over the Copernican revolution to the discovery of the accelerating universe in the late 1990s. It presents cosmology as a subject including scientific as well as non-scientific dimensions, and tells the story of how it developed into a true science of the heavens. Contrary to most other books in the history of cosmology, it offers an integrated account of the development with emphasis on the modern Einsteinian and post-Einsteinian period. Starting in the pre-literary era, it carries the story onwards to the early years of the 21st century.

From the early Christian era and throughout the Middle Ages, theologians exerted considerable effort to achieve a synthesis bringing together Greek cosmology and the Creation story in Genesis. In the construction of the medieval Empyrean, the dwelling place of the Blessed, Aristotle’s philosophy proved of critical importance. From the Renaissance on, largely in revolt against Aristotle, humanist Bible critics, Protestant reformers and astronomers set themselves to challenge the medieval synthesis. Especially effective in the ensuing dismantlement, from the 16th to 18th centuries, was the pagan concept of an infinite universe, resuscitated from Antiquity by the Italian philosophers Bruno and Patrizi. Indirectly inspired by the latter, the doctrines of the French pre-Enlightenment thinkers Descartes and Gassendi spread throughout Latin Catholic Europe in spite of considerable resistance. By the middle of the 18th century the Roman ecclesiastical authorities were brought to acknowledge an end to the medieval cosmos, allowing Catholics to teach the theory of heliocentrism.

In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states--the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, Cosmos and Community in Early Medieval Art illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history.

In City and Cosmos, Keith D. Lilley argues that the medieval mind considered the city truly a microcosm: much more than a collection of houses, a city also represented a scaled-down version of the very order and organization of the cosmos. Drawing upon a wide variety of sources, including original accounts, visual art, science, literature, and architectural history, City and Cosmos offers an innovative interpretation of how medieval Christians infused their urban surroundings with meaning. Lilley combines both visual and textual evidence to demonstrate how the city carried Christian cosmological meaning and symbolism, sharing common spatial forms and functional ordering. City and Cosmos will not only appeal to a diverse range of scholars studying medieval history, archaeology, philosophy, and theology; but it will also find a broad audience in architecture, urban planning, and art history. With more of the world’s population inhabiting cities than ever before, this original perspective on urban order and culture will prove increasingly valuable to anyone wishing to better understand the role of the city in society.

Addresses all possible questions relating to the world: its constitution and origin; the history of its treatment from cosmogonic myth to philosophical cosmologies; from Biblical cosmogenesis and anthropogenesis to the "primordial soup" and "big bang" theories; from "fallen world" and "fallen man" to apocalypse; from gnostic "alienation" to ecological utopian restoration; from magic to mysticism.