This witty and fascinating study reminds us that there was animation before Disney: about thirty years of creativity and experimentation flourishing in such extraordinary work as Girdie the Dinosaur and Felix the Cat. Before Mickey, the first and only in-depth history of animation from 1898-1928, includes accounts of mechanical ingenuity, marketing and art. Crafton is equally adept at explaining techniques of sketching and camera work, evoking characteristic styles of such pioneering animators as Winsor McCay and Ladislas Starevitch, placing work in its social and economic context, and unraveling the aesthetic impact of specific cartoons. "Before Mickey's scholarship is quite lively and its descriptions are evocative and often funny. The history of animation coexisted with that of live-action film but has never been given as much attention."—Tim Hunter, New York Times

The untold story of ten critical, formative years in the great producer's life

The last installment of the acclaimed Behind the Silver Screen series, Animation explores the variety of technologies and modes of production throughout the history of American animation. Drawing on archival sources to analyze the relationship between production and style, this volume provides also a unique approach to understanding animation in general.

Is there life after death? For Mickey and Nadika, theres not only life, but love. After inheriting his favorite uncles Jaguar and beach house, Mickey decides to give up on love, hide from the world and try to fathom his telekinetic abilities. But Special Agent Nadika and the Torin Council have other plans. Sent back in time to rescue Mickey from a fatal car accident, Nadika needs Mickeys telekinesis for a matter of universal importance. She expects Mickey to help; she doesnt expect to fall in love. When Nadika sends Mickeys car hurtling over a cliff, he has no choice but to join her in chasing after a space creature 300 years in the future. Along the way, they encounter gamblers, slave traders, pesky aliens, zombies, a nefarious thief, a megalomaniac, and assorted bombs and bombshells. Their secret weapon: Mickeys telekinesis.

"A definitive biography of the iconic actor and Hollywood legend Mickey Rooney (1920-2014) and his extravagant, sometimes tawdry life, drawing on never-before-seen excerpts from Rooney's diary and exclusive interviews with Mickey, and with those who knew him best, including his heretofore unknown mistress of sixty years"--

"When it comes to sports memorabilia, Mantle is king. No other sports athlete has been covered more or is more popular than Mantle, bar none. No one comes close." —T.S. O'Connell, editor of Sports Collector's Digest Mickey Mantle is one of the most beloved sports figures of all times. Playing brilliantly for the New York Yankees, Mantle won three American League Most Valuable Player Awards and was named to 16 All Star games. He played on 12 pennant winners and seven World Series Championship clubs with the Yankees. He still holds records for most World Series home runs, RBIs, runs, walks, extra-base hits, and total bases, all topped off by his induction in the Baseball Hall of Fame in 1974. Fifteen years after his death, his memorabilia is still the most sought after of any sports figures past or present. Mickey Mantle: Memories and Memorabilia highlights the life, memories, and memorabilia of one of American sports' all time greatest heroes. With over 600 images of fantastic photography and artwork, no book on the market captures the history, nostalgia, memories, and memorabilia of the man they call "The Mick."

A working-class vato looks for love, lust, and meaning in the Southwest in this “highly evocative” New York Times Book Review Notable Book of the Year (Publishers Weekly). Mickey Acuña is a man suspended between a shrouded past and an uncertain future. Emerging from the landscape of the Southwest, buffeted by life and licking his wounds, he moves into a YMCA to wait for a check that is coming to save him—a check that demands an address. As days and then weeks pass without its arrival, Mickey picks up work; odd jobs at first, then shifts at the Y’s cash register. He hangs out with his neighbors, plays handball, drinks coffee, shoots pool, gets drunk, and falls in love with the women he meets, works with, and passes on the street. In the vacuum of the Y, Mickey unwittingly finds himself becoming the center of a community starved for meaning: Sarge, with his fast-food coupons; Omar, with his drunken rages and obsession with the vanished Lucy; Rosemary, whose abundant physical presence both attracts and repels him. Mickey fights to maintain his distance and his freedom, until the narrative converges abruptly around him in a profound and shocking conclusion. “Gilb buoys his tale with sensitivity, acuity, and humor.” —Library Journal “His characterizations of the underemployed, mentally ill and abandoned men and women who congregate there are vibrant.” —Publishers Weekly

What do Tom Jones, Nick Cave, Joan Baez, John Denver, Ray Charles, Del Shannon, Keith Richards, B.B. King, Roy Orbison, Johnny Cash, Carol Channing, Manowar and Linda Ronstadt... have in common? Mickey Newbury. They recorded his songs. Matter of fact, Newbury's material has been covered by over 1,230 artists. That is just about everybody. His inspirational ballad "An American Trilogy" has been recorded by more than 550 artists. It was Elvis' showstopper. His "Just Dropped In (To See What Condition My Condition Was In)" is the rocker that launched Kenny Rogers' career into the stratosphere. Newbury, who grew up on Houston's tough North side, is the only songwriter to place four top hits on four different charts... simultaneously. The train hopper was also instrumental in mentoring Kris Kristofferson, who says, "God, I learned more about songwriting from Mickey than I did any other single human being. He was my hero and still is." Shotgun Willie Nelson adds, "He was one of the best writers we've ever had and one of the best friends I've ever had." And that is not all. Newbury's albums enjoy an extensive cult following. Peers consider him among the best of the best, and many artists refer to his albums as "perfect." Some call him a modern day Stephen Foster. Why then is Newbury known mainly to insiders? A well-kept secret? Too good for the masses? Two truths can be stated: The man cannot be pigeonholed, and he refused to sell out. Like crystal and stone, Newbury's fascinating story is clearly and solidly laid out. It may even change a few truths. As he wrote, Time has a way of changing everything Truth has a way of changing all the time.

4th publication of this world-class novel. A highly recommended novel, written by one who lived it! Lucy & Mickey portrays gay life in the late 1950's, early '60s; and a powerful romance & sexual drama between two females, Lucy & Mickey. Gay bar raids, street scenes, underclass women. Street prostitution as it intersects the gay life. Drugs incursion into their lives, from hardcore addicts. Chicago, New York.

Examines the translation of classical Hollywood into Disneys feature films from a Deleuzian perspectiveSpecial Affects retells the emergence of Disney animation and classical Hollywood cinema from the perspective of affect and the embodied modes of generating affection. The emergence of these media enables new modes of perception that create aspecial sensations of wonder, astonishment, marvel and the fantastic. Such affections subsequently become mined by consumer industries for profit, thereby explaining the connection between media and consumerism that today seems inherent to the culture industry. Such modes and their affections are also translated into ideology, as American culture seeks to make sense of the sociocultural changes accompanying these new media, particularly as specific versions of American Dream narratives.Special Affects is the first extended exploration of the connection between media and consumerism, and the first book to extensively apply Deleuzian film theory to animation. Its exploration of the connection between the animated form and consumerism, and its re-examination of twentieth-century animation from the perspective of affect, makes this an engaging and essential read for film-philosophy scholars and students.