Poetry that captures your imagination and paints murals of tormented souls, haunting pasts, and enlightened spirits. Whether it be the fascinating tales of the Evil Easter Bunny or the dark, twisted, and sorrowful mournings of beings, you will be transported vividly into a world where the pictures are as perverse as the words.

Sailor Carlson comes back to Boston to make amends with her dad, only to find he passed away, and his bar, the Alibi, now belongs to a bearded, grumpy hottie. Mr. Hottie liked her enough for a night of nameless sex on the kitchen counter, but he wants nothing to do with her now he knows who she is. Ryan Edwards has been running the Alibi for seven years. Being in a bar night after night means he's no stranger to one-night stands. But when the quirky, beautiful blonde he spent a hot night with shows up at his bar claiming it used to belong to her father, his guard goes right up. Ryan's desperate for a waitress, and Sailor wants a chance to work in the place that meant so much to her dad. If only the tenuous trust they establish were as strong as the pesky attraction simmering between them. Each book in the Boston Alibi series is a standalone story that can be enjoyed out of order. Series Order: Book #1 A Moment of Weakness Book #2 A Moment of Madness

As a woman of the Shadow Family, my only worth is in my ability to breed. Wanting me to create the next generation of soldiers to fight the werewolves and vampires of St Augustine, my father marries me off to a powerful witch called Caden Davenport. But on our wedding day, we're attacked by the werewolves, and I'm kidnapped by the alpha for killing his mate. Can I survive my punishment? Or will he break me before my husband can save me? Although this is called the soft edition, this is a very DARK read. It's brutal with very little light in it.

It happened on the second day of the summer term. Was it caused by the smell of lilac, the droning of the bees, or the French incense which Lane-Perkins had set alight? Nobody knew, but that spring afternoon following a heated exchange with a pupil, Sebastian Sermon, a forty-nine-year-old schoolmaster, experiences a brainstorm. Dissatisfied with his life, he leaves his job, wife and children, and takes to the road. In the months that follow, Sebastian discovers that excitement and romance are not only for the young. He does things he has never done before and finds that he has talents which no one, least of all himself, had ever suspected . . .

This book reveals Islam's hypocrisy, illiteracy, and enumerates the many contradictions littered throughout their 'Holy Book', the Qur'an.

When madness stalks the streets of London, no one is safe...

I was born during the winter of 1944 by an unwed, seventeenyear old, frightened Norwegian girl on the war-torn soil of Germany. Unknowingly, she became part of Heinrich Himmler’s plan, known as the Lebensborn Program, a master design for cultivating an Aryan race. The unfolding story is both revealing and touching. Over time slivers of buried history surfaced into the mainstream of my thinking. An orphan’s journey is revealed transforming the story into enlightened self-discovery. It wasn’t until I found the courage to face the unknown mysteries woven together by people, places and programs that healing could eventually take place. All the intertwining circumstances influenced my life, opened my eyes and helped me make peace with my inner spirit.

Madness at the Theatre studies the theatrical representation of madness from the classical Greek period through to the 21st century. Professor Oyebode charts the portrayal of madness by the world's great playwrights across the centuries and argues that whereas acts of madness are described but unseen in Greek drama, Shakespeare brought these behaviours to centre stage. In the nineteenth and early twentieth centuries aberrant behaviour was portrayed in domestic settings by Ibsen - theatrical madness became a family drama. Tennessee Williams and Eugene O'Neill drew on their own families for their explorations of madness and addiction. Pinter's masterful use of the ambiguity of language finds strong echoes in the psychiatric clinic. Soyinka emphasised the social context - the personal malady as reflection of a greater malaise in society. Finally, Sarah Kane created plays that were the physical embodiment of her inner world. This book will be essential reading for anyone interested in the language of drama, the depiction of mental illness, and in the wider place of madness as a concept within society.

This edition includes: The Social Contract (Jean-Jacques Rousseau) The Crowd: A Study of the Popular Mind (Gustave Le Bon) The Psychology of Revolution (Gustave Le Bon) Extraordinary Popular Delusions and the Madness of Crowds (Charles Mackay) Instincts of the Herd in Peace and War (Wilfred Trotter) The Behavior of Crowds: A Psychological Study (Everett Dean Martin) Crowds: A Moving-Picture of Democracy (Gerald Stanley Lee) The Group Mind: A Sketch of the Principles of Collective Psychology (William McDougall) Jean-Jacques Rousseau was a Francophone Genevan philosopher, writer, and composer of the 18th century. Jean-Jacques Rousseau was a Francophone Genevan philosopher, writer, and composer of the 18th century. Gustave Le Bon was a French polymath whose areas of interest included anthropology, psychology, sociology, medicine, invention, and physics. Wilfred Trotter was an English surgeon, a pioneer in neurosurgery. He was also known for his concept of the herd instinct. Everett Dean Martin was an American minister, writer, journalist, instructor, lecturer and social psychologist. Gerald Stanley Lee was an American Congregational clergyman and the author of numerous books and essays. William McDougall was an early 20th century psychologist who spent the first part of his career in the United Kingdom and the latter part in the USA. Charles Mackay was a Scottish poet, journalist, author, anthologist, novelist, and songwriter.