Uncover the fascinating story of Greece's unwavering quest for European belonging. This thought-provoking book explores the intersection of geopolitics and political myth, tracing Greece's enduring determination to align with Europe and the West. From the early days of European integration to the challenges of the Eurocrisis, Greece's commitment remains steadfast. By analyzing the geopolitical myths that shape its identity, the book illuminates the multifaceted factors driving Greece's pro-European strategy and foreign policy. By introducing and using Analytical Geopolitics as a pioneering approach, the book provides a historical-structural framework and expands the role of myth in understanding international relations.

Turning to a region of South Italy associated with Greater Greece and the geographies of Homer's Odyssey, Marco Benoît Carbone delivers a historical and ethnographic treatment of how places defined in public imagination and media by their associated histories become sites of memory and identity, as their landscape and mythologies turn into insignia of a romanticised antiquity. For the ancient Greeks, Homer had set the marine monsters of the Odyssey in the Strait between Calabria and Sicily. Since then, this passage has been glowing with the aura of its mythological landmarks. Travellers and tourists have played Odysseus by re-enacting his journey. Scholars and explorers have explained the myths as metaphors of whirlpools and marine fauna. The iconic Strait and village of Scilla have turned into place-myths and playgrounds, defined by the region's heritage. Carbone observes the enduring impact of Hellas on the real Strait today. The continuous rekindling of cultural and visual traditions of place in the arts, media, travel, and tourism have intersected with philhellenic historiographies, shaping local policies, public histories, views of development, and forms of Hellenicist identitarianism. Elements of society have celebrated the landscape of the Odyssey, appropriated Homer as their imagined heirs, and purported themselves as the original Europeans–pandering to outdated ideological appropriations of 'classical' antiquity and exclusionary, West-centric views of the Mediterranean.

This new updated edition of Introduction to Geopolitics presents the overarching themes of geopolitical structures and agents in an engaging and accessible manner, which requires no previous knowledge of theory or current affairs. Using new pertinent case studies and guided exercises the title explains the contemporary global power of the United States and the challenges it is facing, the persistence of nationalist conflicts, migration, cyberwar, terrorism, and environmental geopolitics. Case studies of the rise of the so-called Islamic State, the South China Sea disputes, the Syrian civil war, the Korean conflict, and Israel-Palestine emphasize the multi-faceted nature of conflict. The book raises questions by incorporating international and long term historical perspectives and introduces readers to different theoretical viewpoints, including feminist contributions. The new edition features expanded sections on network geopolitics and non-state actors, a new section on geopolitics of transnational business, cyberwar, an interpretation of ISIS within historical geopolitical trends, as well as expanded discussion of the relevance of Boserup and neo-Malthusians to environmental geopolitics. Introduction to Geopolitics will provide its readers with a set of critical analytical tools for understanding the actions of states as well as non-state actors acting in competition over resources and power. Both students and general readers will find this book an essential stepping-stone to a deeper and critical understanding of contemporary conflicts.

*A BBC RADIO 4 Book of the Week* 'A fantastic achievement' Peter Frankopan, author of The Silk Roads 'Bright, expansive, and iconoclastic, this deliciously witty book has the potential to upset the applecart of "Western Civilisation" itself... Magnificent' Prof. Suzannah Lipscomb _________________ A radical new account of how the idea of the West has shaped our history, told through the stories of fourteen fascinating lives. We tend to imagine Western Civilisation as a golden thread stretching from classical antiquity to the countries of the modern Western world. But what if this is wrong? Told through the lives of fourteen fascinating historical figures - including a formidable Roman matriarch, an unconventional Islamic scholar, an enslaved African American poetess and a British prime minister with Homeric aspirations – archaeologist and historian Naoíse Mac Sweeney charts how the idea of the West was invented, how it has been used to justify imperialism and racism, and why it is no longer ideologically fit for purpose today. The result is a bold and empowering new story of the people and ideas who made us who we are today.

Ancient Greek Myth in World Fiction since 1989 explores the diverse ways that contemporary world fiction has engaged with ancient Greek myth. Whether as a framing device, or a filter, or via resonances and parallels, Greek myth has proven fruitful for many writers of fiction since the end of the Cold War. This volume examines the varied ways that writers from around the world have turned to classical antiquity to articulate their own contemporary concerns. Featuring contributions by an international group of scholars from a number of disciplines, the volume offers a cutting-edge, interdisciplinary approach to contemporary literature from around the world. Analysing a range of significant authors and works, not usually brought together in one place, the book introduces readers to some less-familiar fiction, while demonstrating the central place that classical literature can claim in the global literary curriculum of the third millennium. The modern fiction covered is as varied as the acclaimed North American television series The Wire, contemporary Arab fiction, the Japanese novels of Haruki Murakami and the works of New Zealand's foremost Maori writer, Witi Ihimaera.

This book makes a significant contribution to advancing post-geographic understandings of physical and virtual boundaries. It brings together the emergent theory of ‘border thinking’ with innovative thinking on design, and explores the recent discourse on decoloniality and globalism. From a variety of viewpoints, the topics engaged show how design was historically embedded in the structures of colonial imposition, and how it is implicated in more contemporary settings in the extension of ‘epistemological colonialism’. The essays draw on perspectives from diverse geo-cultural and theoretical positions including architecture, design theory and history, sociology, critical theory and cultural studies. The authors are leading and emergent figures in their fields of study and practice, and the geographic scope of the chapters ranges across Europe, the Middle East, Africa, South America, Asia, and the Pacific. In recognition of the complexity of challenges that are now determining the future security of humanity, Design in the Borderlands aims to contribute to ‘thinking futures’ by adding to the increasingly significant debate between design, in the context of the history of Western modernity, and decolonial thought.

This comprehensive volume observes how, after 25 years of transition and uncertainty in the countries that constituted the former Soviet Union, their political geographies remain in a state of flux. The authors explore the fluid relationship between Russia, by far the dominant economic and military power in the region, and the other former republics. They also examine new developments towards economic blocs, such as membership in the European Union or the competing Eurasian Economic Union, as well as new security arrangements in the form of military cooperation and alliance structures. This book reflects the broad range of changes across this important world region by engaging in insightful analysis of current developments in Central Asia, Ukraine, Russia, the Caucasus, and separatist regions. The authors explore new state alliances and the evolving cultural and geopolitical orientations of former Soviet citizens. Some chapters also examine the dynamics of wars that have occurred in the post-Soviet space, as well as how local political developments are reflected in electoral preferences and struggles over control of public spaces. The chapters in this book were originally published in the journal Eurasian Geography and Economics.

This book examines the transnational phenomenon of Japonisme in the exoticist and “autoexoticist” literature of the late nineteenth century. Focusing on the way in which reciprocal processes of transcultural acquisition – by Japan and from Japan – were portrayed in the medium of literature, the book illustrates how literary Japonisme and the wider processes whereby Japan, with its alien exotic culture and unique refined aestheticism, was absorbing Western civilization in its own way in the late nineteenth century at the same time as the phenomenon of Japonisme was occurring in Western fine arts, which were inspired by traditional Japanese artistic practices. Specifically, the book focuses on the literary works of Lafcadio Hearn and Pierre Loti, who travelled from France and America, respectively, to Japan, and Mori Ōgai and Natsume Sōseki, who in turn went, respectively, to Germany and England from Japan. Exploring the eclectic hybridity of Japan’s modernization during the late nineteenth century, this book will appeal to students and scholars of Japanese Studies, Postcolonial Studies and Comparative Literature.

As Edin Hajdarpasic shows, formative contestations over Bosnia and the surrounding region began well the assassination that triggered World War I, emerging with the rise of new nineteenth-century forces—Serbian and Croatian nationalisms, and Ottoman, Habsburg, Muslim, and Yugoslav political movements—that claimed this province as their own. Whose Bosnia? reveals the political pressures and moral arguments that made Bosnia a prime target of escalating nationalist activity. Hajdarpasic provides new insight into central themes of modern politics, illuminating core subjects like "the people," state-building, and national suffering. Whose Bosnia? proposes a new figure in the history of nationalism: the (br)other, a character signifying the potential of being "brother" and "Other," containing the fantasy of complete assimilation and insurmountable difference. By bringing this figure into focus, Whose Bosnia? shows nationalism to be a dynamic and open-ended force, one that eludes a clear sense of historical closure.

"Jihad's New Heartlands: How The West Has Failed To Contain Islamic Fundamentalism" is a ground breaking book offering an insightful and thorough analysis of the most important territories where Islamic fundamentalism has taken a foothold. The author, Gabriel G Tabarani thanks to his combination of thorough research, wide-ranging travel and extensive experience in the field provides a thorough historical, political and social analysis of the key variables, historical events and most importantly their potential consequences. This extensive study, across many of the world's foremost and pertinent Islamic fundamentalist breeding grounds such as Afghanistan, Pakistan, Egypt, Saudi Arabia, Yemen, Somalia, The Levant, and The Maghreb, offers the reader an in depth look at the context of Islamic Fundamentalism's rise in prominence, profile and destabilising potential. This analysis is extended to Muslim populations living in Europe and America helping to explain the causes for the Wests failure to contain Islamic extremism both at home and abroad. "Jihad's New Heartlands", in addition to being written by one of the regions foremost experts, is a must read for any person wanting to understand the causes of Islamic Fundamentalisms rise and the consequences of its ascent in an increasingly globalised yet unstable world.