In addition to his stellar Necroscope series, Brian Lumley is highly regarded for his short fiction, for which he has won the British Fantasy Award. Beneath the Moors and Darker Places, a companion to The Whisperer and Other Voices, collects nine lengthy exemplars of the best of Lumley's short works, many of them unavailable for decades in any form. The Cthulhu Mythos of the immortal H.P. Lovecraft provides inspiration for much of Lumley's work, including "Dagon's Bell" and "Big C," both included here. The explosive creation of a new volcanic island off Iceland in 1967 led to "Rising with Surtsey," a homage not just to Lovecraft but to the great August Derleth. "David's Worm"--which takes an interesting view of "you are what you eat"--was published in a Year's Best Horror Stories and later adapted for radio in Europe. The collection also includes the macabre "The Second Wish," published here for the first time with the author's original, intended ending, and "The Fairground Horror," first published in The Disciples of Cthulhu twenty-five years ago and not seen since save for a small press edition. The title tale, Beneath the Moors, a complete short novel, has been unavailable in the United States since its first publication by Arkham House in the early 1970s. It is considered to be one of Lumley's strongest short works; Tor is proud to restore this and the other pieces in this volume to Lumley's growing readership. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Classic Lovecraftian horror from one of the masters of the form, British Fantasy Award-winner Brian Lumley. Sorcery in Shad Pity the poor lamia! Mighty Orbiquita, she who damned to death countless men for merely looking at her, she who slew with impunity any who dared breach the walls of her fabled castle . . . Orbiquita has fallen in love—and with a barbarian Hrossak! Tarra Khash, he is, who saved a lamia's life and made her long to be human again. Tarra Khash, who with the help of the last survivors of an alien race, overthrew a god and saved an entire city thereby. Tarra Khash, who has adventured far and wide through the Primal Land, searching for treasure, for wine, women, and song. Tarra Khash, who has fallen into the clutches of the slave Cush Gemal, who was once an ordinary man but who has become the foulest of sorcerers, Black Yoppaloth. Like all sorcerers, Black Yoppaloth craves immortality, and believes he stands on the brink of achieving it. Then his evil power will be unrivaled and he will control all of the Primal Land. Only Tarra Khash stands in his way. Tarra Khash—and, though he does not know it, his friends and allies: she who was once the lamia Orbiquita; the alien Amyr Arn; a slumbering, ponderous yet powerful moon god; and the magician Teh Atht, who must choose between immortality and saving the Primal Land! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The packed cruise ship is a terrific nesting ground for a Lord and Lady of the Wamphyri on the run from E-Branch and the new Necroscope, Jake Cutter. By the time the ship is reported missing, the few beings still living on board will no longer be human . . . and the Wamphyri will be long fled to their next conquest. Korath, the vampire who lurks in Jake Cutter's mind, is determined to gain control of Jake's life, and Jake is equally determined not to let him have it. But to win this struggle Jake must confide in Ben Trask-and Trask, the head of E-Branch, is likely to want Jake dead the minute he learns of Jake's intrusive passenger! The spore garden planted under London by the third Wamphyri, Lord Swartz, is bearing bitter fruit indeed as a mysterious sleeping sickness-with a vampiric taint-slowly spreads among the population of Great Britain. E-Branch action teams have more on their plates than they can handle. They must locate terrorists who threaten the world with nuclear homicide; permanently close the Gate between the Wamphyri world and Earth; analyze the spore plague; and locate and destroy the three Wamphyri. In Brian Lumley's Necroscope: Avengers, even the powers of Harry Keogh, the original Necroscope, summoned from the Great Beyond via the combined powers of E-Branch's strongest agents, may not be enough to defeat the monsters who have brought Earth to the brink of total destruction. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Edited by Brian Lumley and multiple Bram Stoker Award winner Stanley Wiater, The Brian Lumley Companion is an indispensable guide to the life and works of Brian Lumley. The Companion is illustrated with photographs from the author's private collection and full-color reproductions of Hugo Award–winning artist Bob Eggleton's eye-catching cover art for Lumley's works. Contributors to The Brian Lumley Companion include some of today's most noted experts on horror fiction, including W. Paul Ganley, founder of Weirdbook Press and two-time winner of the World Fantasy Award; Stephen Jones, coeditor of Horror: 100 Best Books and winner of multiple World Fantasy, British Fantasy, and Bram Stoker Awards; Robert M. Price, author of H. P. Lovecraft and the Cthulhu Mythos and one of the most respected analysts of Lovecraftian fiction; Robert G. Weinberg, an acknowledged specialist in weird fiction, and Stanley Wiater, host of the TV series "Dark Dreamers." In The Brian Lumley Companion, Lumley aficionados will find an overview of Lumley's career, from his first short fiction up to the present day; essays comparing Lumley and H. P. Lovecraft, a lengthy interview with the author that delves into the heart of Lumley's relationship with the writers and editors who inspired him and the fans who support him, and analyses of Lumley's short fiction and novels. An interview with Bob Eggleton gives insight into the development of his striking covers for the Necroscope series and other Lumley works. This companion also includes complete listings of the first publications of each of Lumley's novels, short fiction, and poetry. Major attractions are the detailed concordances that focus on individual novels and series, including the three Psychomech titles, the Dreamlands and Primal Lands series, and each volume in the Necroscope series. As a special treat, The Brian Lumley Companion includes three short short stories by Brian Lumley, works that have never before appeared in book form. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This two-volume set offers comprehensive coverage of horror literature that spans its deep history, dominant themes, significant works, and major authors, such as Stephen King, Edgar Allan Poe, and Anne Rice, as well as lesser-known horror writers. Many of today's horror story fans—who appreciate horror through movies, television, video games, graphic novels, and other forms—probably don't realize that horror literature is not only one of the most popular types of literature but one of the oldest. People have always been mesmerized by stories that speak to their deepest fears. Horror Literature through History shows 21st-century horror fans the literary sources of their favorite entertainment and the rich intrinsic value of horror literature in its own right. Through profiles of major authors, critical analyses of important works, and overview essays focused on horror during particular periods as well as on related issues such as religion, apocalypticism, social criticism, and gender, readers will discover the fascinating early roots and evolution of horror writings as well as the reciprocal influence of horror literature and horror cinema. This unique two-volume reference set provides wide coverage that is current and compelling to modern readers—who are of course also eager consumers of entertainment. In the first section, overview essays on horror during different historical periods situate works of horror literature within the social, cultural, historical, and intellectual currents of their respective eras, creating a seamless narrative of the genre's evolution from ancient times to the present. The second section demonstrates how otherwise unrelated works of horror have influenced each other, how horror subgenres have evolved, and how a broad range of topics within horror—such as ghosts, vampires, religion, and gender roles—have been handled across time. The set also provides alphabetically arranged reference entries on authors, works, and specialized topics that enable readers to zero in on information and concepts presented in the other sections.

Prof. Ewart Masters spends his convalescence, following a car accident, at the home of his nephew Jason Masters, pursuing his studies of ancient civilizations, during which he makes startling discoveries about the hidden city beneath the Yorkshire moors. His search to unravel the mystery of the green figurines, his efforts to assess the implications of Robert Krug's manuscript, lead ultimately to Devil's Pool and the surviving world of Lh'yib, culminating in a series of dream-like adventures as he wanders through the nightmare corridors of his new environment. Beneath the Moors is primarily Gothic in atmosphere, its brooding mystery and stark terror occasionally relieved by bits of quiet charm and subtle humor. And the author's straightforward "autobiographical" technique possesses an element of immediacy seldom achieved in this type of narrative.

Brian Lumley, author of the bestselling Necroscope and Vampire World series of novels, has for many years been a devotee' of H. P. Lovecraft’s Cthulhu Mythos, by such nightmare fables as Dagon, The Call of Cthulhu The Shadow Over Innsmouth, Lovecraft’s legendary Deep Ones have taken their place in terror fiction alongside the vampire and the werewolf. Now they are given the Lumley treatment in—RETURN OF THE DEEP ONES! But the Mythos was not restricted to tales of oceanic horror; nightmares out of space and time—and inner earth—abound in Lovecraft’s fiction. Thus, with the addition of Beneath the Moors, Inception, and the novella, Lord of the Worms, Brian Lumley offers his latest homage to Lovecraft the Master. Now, from forbidden depths of dream and ocean, the RETURN OF THE DEEP ONES! In the field of no-holds-barred terror fiction, there’s Brian Lumley—and then there’s the rest …

Few historical relics have exerted such a hold on our imaginations as the mummy. In 1834, Thomas J. Pettigrew's A History of Egyptian Mummies was the first scholarly work wholly devoted to the subject, providing, for its time, a remarkable analysis of the different mummification techniques used by the ancient embalmers. Such volumes of serious nonfiction have been supplemented over the years by additional works, both scholarly and otherwise, as well as works of fiction that incorporate and expand upon mummy lore. Indeed, the popular concept of the mummy as a malevolent monster dates back to the nineteenth century, when stories about mummies rising from the dead to terrify the living first captured the imagination of the reading public and set the revivified corpse on the path to becoming a major horror icon. In The Essential Guide to Mummy Literature, Brian J. Frost provides the first in-depth survey and bibliography of works of fiction featuring mummies. In this comprehensive volume, Frost traces the development of the mummy story, paying particular attention to works by Victorian authors and pulp fiction writers, as well as stories from the American pulp magazines. The annotated bibliography provides synopses of all the key works of fiction in the mummy canon, as well as others not so well known. Full publication details for each entry, with plot summaries of more than 500 works of fiction and abridged descriptions of 250 nonfiction books, are provided. Additionally, a filmography is included, along with listings of young adult novels, children's storybooks, and reference works for both adults and children. Well-organized and comprehensive, The Essential Guide to Mummy Literature will appeal to devotees of the horror genre and students of popular literature, as well as researchers and librarians.

Take a journey to the darker places you would rather not go, but are unable to resist. Places where reality and fantasy cease to be seperate entities. Here is a collection of stories that sometimes twist and turn until the final outcome. Stories of love and undying devotion, exploration and exploitation, greed and dark horror. Stories that lead across borders and into areas few of us ever have to travel. Take a journey into Dark Places.