A prestigious anthology series, Best American Fantasy is guest edited by Ann & Jeff VanderMeer, with Matthew Cheney serving as the series editor, showcasing the best North American fantasy short fiction from the preceding year.

Perhaps "Errata" is a metafictional narrative about a short story assigned to Jeff VanderMeer (or a fictional version of Jeff VanderMeer) by a now-defunct literary journal (or a fictional version of a now-defunct literary journal) explicitly for the purposes of determining THE FATE OF THE WORLD. Or perhaps it's just a story about a Siberian penguin. It is incumbent upon you, the reader, to decide which stream of reality we are lazily floating along in. The real Jeff VanderMeer's recent books include the acclaimed novels Finch and Shriek: An Afterward. His short fiction has appeared in several Year's Best anthologies and has been shortlisted for Best American Short Stories. VanderMeer has also edited or co-edited several anthologies, including the prestigious Leviathan fiction anthology series, The Thackery T. Lambshead Pocket Guide to Eccentric & Discredited Diseases, and the acclaimed Steampunk anthology. He has won the World Fantasy Award twice. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

“Cunningly crafted stories full of wonder and intelligence. VanderMeer proves again why he is so essential and why everybody should be reading him.” —Junot Diaz, Pulitzer Prize–winning author of The Brief Wondrous Life of Oscar Wao Featuring “The Situation,” a story set in the universe of VanderMeer’s bestseller, Borne. Compared by critics to Borges, Nabokov, and Kafka, contemporary fantasist Jeff VanderMeer (The Southern Reach Trilogy) continues to amaze with this surreal, innovative, and absurdist gathering of award-winning short fiction. Exotic beasts and improbable travelers roam restlessly through these darkly diverting and finely honed tales. In “The Situation,” a beleaguered office worker creates a child-swallowing manta-ray to be used for educational purposes (once described as Dilbert meets Gormenghast). In “Three Days in a Border Town,” a sharpshooter seeks the truth about her husband in an elusive floating city beyond a far-future horizon; “Errata” follows an oddly familiar writer who has marshaled a penguin, a shaman, and two pearl-handled pistols with which to plot the end of the world. Also included are two stories original to this collection, including “The Quickening,” in which a lonely child is torn between familial obligation and loyalty to a maligned talking rabbit. Chimerical and hypnotic, VanderMeer leads readers into a new literature of the imagination.

In a world where mysterious underground dwellers rule the state of Ambergris and control its residents with addictive drugs, internment camps and random acts of terror, John Finch and his partner, Wyte, must solve a double murder for their oppressive masters, all while trying to make contact with the scattered rebel resistance.

A wealth of practical advice to help writers enhance their career and engage with readers in the digital age.

In his debut collection How They Were Found, Matt Bell draws from a wide range of genres to create stories that are both formally innovative and imaginatively rich. In one, a 19th-century minister follows ghostly instructions to build a mechanical messiah. In another, a tyrannical army commander watches his apocalyptic command slip away as the memories of his men begin to fade and fail. Elsewhere, murders are indexed, new worlds are mapped, fairy tales are fractured and retold and then fractured again. Throughout these thirteen stories, Bell's careful prose burrows at the foundations of his characters' lives until they topple over, then painstakingly pores over the wreckage for what rubbled humanity might yet remain to be found.

From Lovecraft to Borges to Gaiman, a century of intrepid literary experimentation has created a corpus of dark and strange stories that transcend all known genre boundaries. Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature. Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here...but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon. The Weird is the winner of the 2012 World Fantasy Award for Best Anthology At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

From sinister plans of xenocide to speciesists who have taken it upon themselves to Off-World those unlike them; from simulations that memorialize stories obliterated by a book-burning world to the Master Pain Merchant who is always at hand to administer a dose of long-forgotten sensations; from genetically modified Glow Girls who can kill with a touch to a droid detective actively seeking out justice - this stellar volume of cutting-edge science fiction showcases, in prose and verse, 32 of the most powerful voices in the genre from the Indian Subcontinent. Taking forward the formidable task achieved to critical acclaim by the first volume of The Gollancz Book of South Asian Science Fiction, the present collection masterfully transports readers to worlds strangely familiar, raises crucial questions about the place of humans in the universe, and testifies to the astonishing range and power of the imaginative mind.

Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.

Now includes a subscription to NSSWM online (the fiction section of writersmarket.com). For 28 years, Novel & Short Story Writer's Market has been the only resource of its kind exclusively for fiction writers. Anyone who is writing novels and/or storiesâ€"whether romance or literary, horror or graphic novelâ€"needs this resource to help them prepare their submissions and sell their work. You'll have access to listings for over 1,100 book publishers, magazines, literary agents, writing contests and conferences, each containing current contact information, editorial needs, schedules and guidelines that save writers time and take the guesswork out of the submission process. NSSWM includes more than 100 pages of listings for literary journals alone and another 100 pages of book publishers (easily four times as many markets for fiction writers as Writer's Market offers). It also features over a 100 pages of original content: interviews with working editors and writers, how-tos on the craft of fiction, and articles on the business of getting published.