Why are chickens funnier than ducks? Can humor help us cope with tragedy? And what makes funny, well, funny? To answer such questions we look back at some of the most humorous moments from The Infinite Mind, with guests including stand-up comedians, humor columnists, and a surprise visit from Jonathan Katz, the voice of Dr. Katz: Professional Therapist and Dr. Harold Stein on the new IFC TV series ?Hopeless Pictures.' We listen to past interviews with star comedians Robert Klein, Lewis Black, and Margaret Cho as they relate their experiences in the comedy industry, and the knowledge they've gleaned. We hear a clinical explanation of how humor can help assuage fear and pain from Stanford University's Dr. David Spiegel, and humorist Al Franken relates a very sobering example of this and its relevance during the aftermath of September 11th. Other guests include author, columnist, and professional hypochondriac, Gene Weingarten, BrainBanker and singer, Dr. Jill Bolte Taylor, and two of the original members of the Firesign Theater, Phil Proctor and Peter Bergman. With commentary by John Hockenberry.

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With crisp dialog, outrageous characters, and an absurd sense of humor, it's no wonder British sitcoms are so well-loved! Best of the Britcoms covers the most noteworthy situation comedies ever to cross the pond. Each entry combines a show summary with descriptions of standout episodes and behind-the-scenes details, plus gives you production data and full cast listings. And now, the revised edition of this Britcom classic contains seven new chapters on programs that have aired in the U.S. since the original edition was published, such as The Office, Extras, and My Family. Fans of old-school Britcoms won't be disappointed either, as the revised edition also includes the later developments of older series' storylines and detailed information on specials and cast reunions that have occurred in the intervening years. Pick up this book, kick back, and get to know a Britcom!

Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.

Despite the stodgy stereotypes, libraries and librarians themselves can be quite funny. The spectrum of library humor from sources inside and outside the profession ranges from the subtle wit of the New Yorker to the satire of Mad. This examination of American library humor over the past 200 years covers a wide range of topics and spans the continuum between light and dark, from parodies to portrayals of libraries and their staffs as objects of fear. It illuminates different types of librarians--the collector, the organization person, the keeper, the change agent--and explores stereotypes like the shushing little old lady with a bun, the male scholar-librarian, the library superhero, and the anti-stereotype of the sexy librarian. Profiles of the most prominent library humorists round out this lively study.