Sometimes surprising, always stimulating -- this book offers a snapshot of America’s complex sexual practices and mores as seen through Cleis’s unique lens. It is the best nonfiction sex journalism of the year in one unforgettable book. In a single generation, Cleis Press has fundamentally changed the way people talk -- and what they read -- about sex and gender. Founded by Felice Newman and Frédérique Delacoste in 1980, the press’s mission is to explore and celebrate sex in all its forms, with a decided tilt toward the queer and the subversive. For the first time, Cleis’s founders bring their own sex-positive sensibilities to bear on one of their most popular series. In Best Sex Writing 2006, they’ve collected the year’s most challenging and provocative nonfiction articles on this endlessly evocative subject. The essays here comprise a detailed, direct survey of the contemporary American sexual landscape, a landscape Newman and Delacoste helped shape with such ground-breaking books as Sex Work and The Good Vibrations Guide to Sex. Major commentators both in and out of Cleis’s stable of writers examine the many roles sex plays in our lives in these literate and lively essays.

In the spring of 2007, a brilliant computer programmer named Hans Reiser stands accused of murdering his estranged wife, Nina. Despite a mountain of circumstantial evidence against him, he proclaims his innocence. The case takes a twist when Nina's former lover, and Hans's former best friend, Sean Sturgeon, confesses to eight unrelated murders that no one has ever heard of.At the time of Sturgeon's confession, Stephen Elliot is paralyzed by writer's block, in the thrall of Adderall dependency, and despondent over the state of his romantic life. But he is fascinated by Sturgeon, whose path he has often crossed in San Francisco's underground S&M scene. What kind of person, he wonders, confesses to a murder he likely did not commit? One answer is, perhaps, a man like Elliott's own father.So begins a riveting journey through a neon landscape of false confessions, self-medication, and torturous sex. Set against the backdrop of a nation at war, in the declining years of the Silicon Valley tech boom and the dawn of Paris Hilton's celebrity, The Adderall Diaries is at once a gripping account of a murder trial and a scorching investigation of the self. Tough, tender, and unflinchingly honest, it is the breakout book by one of the most daring writers of his generation.

The writing in this book is so bad, it deserves its own taxonomy of suckitude. Gillian Flynn, Mary Roach, Dave Eggers, Rick Moody, Chuck Palahniuk, Amy Tan, A.J. Jacobs, Daniel Clowes, Jeff Greenwald, Po Bronson…the list goes on. They all sucked once, and they all have the guts to share some of their crappiest early work in Drivel: an uplifting bit of voyeurism, based on the sold-out “Regreturature” stage shows in San Francisco, and brought to you by Litquake and the San Francisco Writers’ Grotto. Within these pages you’ll find abstruse and esoteric poetry (bad); incoherent and illogical short stories (worse); bumfuzzling proto-journalism (shameful); and pretentious, overwrought journal entries (we’ll not speak of this again). Thanks to these courageous but foolhardy writers, the world now knows the real meaning of a work-in-progress.

Sadomasochism and the BDSM Community in the United States: Kinky People Unite chronicles the development of sadomasochistic sexuality and its communities in the United States from the post-war period to the present day. Having evolved from scattered networks of sadomasochists to a coherent body bound by shared principles of "safe, sane, consensual," activists worked to transform popular perceptions of their community, end its routine harassment by law enforcement and win inclusion in American society. Often paralleling the work of LGBTQ activists, people who engaged in BDSM (Bondage and Discipline, Dominance and Submission, and Sadism and Masochism) transformed both their own sexual practices and how outsiders perceived them, successfully changing popular perceptions of them from fascists, murderers, and outlaws to people living an alternative lifestyle. The development of this community highlights the interactions of people of different sexual orientations within a sexual community, the influence of various campaigns for sexual freedom, and the BDSM community's influence on popular perceptions of sexuality and sexual freedom. The text’s historical perspective gives depth and texture to a specific dimension of American history of sexuality. This book will be of interest to students and scholars in the history of sexuality. Its clear and direct approach offers an important and useful chronology of a movement that has long been neglected.

Sex for America takes us to the intersection of our desires and our political beliefs. These provocative stories by some of today's best writers, including Anthony Swofford, Jerry Stahl, Rick Moody, and Jonathan Ames, will inspire new discussions of sexual freedom and fascination. A surprising encounter between a lesbian and a young man shipping off to war, a liberal Hill staffer falling for the wife of a Republican senator, and Dick Cheney's duck hunt accident as jilted lover's revenge. See your government—and your most recent sex partners—as you've never seen them before.

A captivating collection of essays, Desire delves headfirst into its subject matter and explores the complexity of desire with essays about the things women want, crave, lust after, and covet. An extraordinary group of writers tackle difficult and taboo subjects, from Debra Magpie Earling’s desire to hurt someone, to New York Times writer S. S. Fair’s less than diminishing sensual and sexual desire, despite her increasing age, to Julia Serano’s strong emotional impulse to be a woman before she decided to transition from male to female. Many of these essayists examine the feelings and experiences which surround the things they want but can’t—or shouldn’t—have. The reasons such desires are taboo are often personal and range from social conventions and religious teachings to more concrete laws and rules. Desire makes the private public and illuminates the rich and varied desires women have.

Personal reflections on the vital role of the notebook in creative writing, from Dorianne Laux, Sue Grafton, John Dufresne, Kyoko Mori, and more. This collection of essays by established professional writers explores how their notebooks serve as their studios and workshops—places to collect, to play, and to make new discoveries with language, passions, and curiosities. For these diverse writers, the journal also serves as an ideal forum to develop their writing voice, whether crafting fiction, nonfiction, or poetry. Some include sample journal entries that have since developed into published pieces. Through their individual approaches to keeping a notebook, the contributors offer valuable advice, personal recollections, and a hearty endorsement of the value of using notebooks to document, develop, and nurture a writer’s creative spark.

Fifteen thought-provoking essays engage in an innovative dialogue between cultural studies of affect, feelings and emotions, and digital cultures, new media and technology. The volume provides a fascinating dialogue that cuts across disciplines, media platforms and geographic and linguistic boundaries.

The editors introduce the core areas of current debate within historical theory, bringing the reader as up to date with continuing debates and current developments as is possible. This important handbook brings together in one volume discussions of the role of modernity, empiricism, realism, post-modernity and deconstruction in the historian’s craft. Chapters are written by leading writers from around the world and cover a wide spread of historical sub-disciplines, such as social history, intellectual history, narrative, gender, memory, psycho-analysis and cultural studies, taking in, along the way, the work of thinkers such as Paul Ricouer, Michel Foucault and Hayden White.