An account of German literature and publishing in the 1920s and early 30s, focussing on Baum and her milieu.

This bibliography lists selected fiction books for the enjoyment of visually or physically disabled sixth through ninth graders. The books extend the literary experience of young teens, while allowing them to glimpse life as it is lived by others and find greater understanding of themselves. The bibliography lists books available on disc, on cassette, and in braille in network library collections provided by the National Library Service for the Blind and Physically Handicapped of the Library of Congress. The books are categorized into 17 sections: fantasy and folklore; family life; friends and school; fitting in; poetry and music; historical fiction; frontier and pioneer life; romance; humor; short stories; tales of mystery; adventure; science fiction; sports, pets, and amusements; winter readings; spring and summer readings; and autumn readings. Each entry contains a brief description of the story, an indication of reading level, and a publication date. The guide also contains descriptions of other bibliographies which list materials for individuals with visual impairments. An author-title index and an order form complete the volume. (JDD)

Anna Quindlen, the #1 New York Times bestselling author, has an unmatched eye for the essential relationships in our lives—the powerful bonds between mothers and children, husbands and wives, sisters and brothers. This eBook bundle pairs two of Quindlen’s most acclaimed novels—Rise and Shine and Every Last One. With her mesmerizing prose and deeply felt storytelling, Anna Quindlen “captures both the beauty and the breathtaking fragility of family life” (People). EVERY LAST ONE “Spellbinding.”—The New York Times Book Review Mary Beth Latham has built her life around her family, around caring for her three teenage children and preserving the rituals of their daily life. When one of her sons becomes depressed, Mary Beth focuses on him, only to be blindsided by a shocking act of violence. What happens afterward is a testament to the power of a woman’s love and determination, and to the invisible lines of hope and healing that connect one human being to another. RISE AND SHINE “Superb . . . The book seduces.”—Chicago Tribune It’s an otherwise ordinary Monday when Meghan Fitzmaurice’s perfect life hits a wall. The host of Rise and Shine, the country’s highest-rated morning television talk show, Meghan cuts to a commercial break—but not before she does something that, in an instant, marks the end of an era, not only for Meghan, who is unaccustomed to dealing with adversity, but also for her younger sister, Bridget. A social worker in the Bronx, Bridget has always looked up to Meghan while living in her long shadow. What follows is a story about how the Fitzmaurice sisters adapt, survive, and manage to bring the whole teeming city of New York to heel by dint of their smart mouths, quick wits, and powerful connection that even the worst tragedy cannot shatter. More praise for Anna Quindlen “Packs an emotional punch . . . Quindlen succeeds at conveying the transience of everyday worries and the never-ending boundaries of a mother’s love.”—The Washington Post, on Every Last One “[Quindlen] welcomes us into her fictional world with open arms. . . . We fall into this novel as if it were an easy chair, comforted by a writer who knows her craft.”—Los Angeles Times, on Every Last One “Anna Quindlen’s writing is like knitting: prose that wraps the reader in the warmth and familiarity of domestic life. . . . Then, as in her novels Black and Blue and One True Thing, Quindlen starts to pull at the world she has knitted, and lets it unravel across the pages.”—The Seattle Times, on Every Last One “Stands on its own as a writerly achievement, [Quindlen’s] best so far . . . Sentence by sentence Ms. Quindlen is the soul of brevity.”—The New York Times, on Rise and Shine “The dialogue sparkles, the insights are right on . . . and the characters are appealing. . . . [It] has humor, heartbreak and drama. . . . [A] pleasure read.”—The Charlotte Observer, on Rise and Shine “New friends await readers . . . characters you will delight in getting to know and miss once you’ve finished the book.”—St. Louis Post-Dispatch, on Rise and Shine

February issue includes Appendix entitled Directory of United States Government periodicals and subscription publications; September issue includes List of depository libraries; June and December issues include semiannual index

This book charts the publishing industry and bestselling fiction from 1900, featuring a comprehensive list of all bestselling fiction titles in the UK. This third edition includes a new introduction which features additional information on current trends in reading including the rise of Black, Asian and LGBTQIA+ publishing; the continuing importance of certain genres and up to date trends in publishing, bookselling, library borrowing and literacy. There are sections on writing for children, on the importance of audiobooks and book clubs, self- published bestsellers as well as many new entries to the present day including bestselling authors such as David Walliams, Peter James, George R R Martin and far less well known authors whose books s sell in their thousands. This is the essential guide to best-selling books, authors, genres, publishing and bookselling since 1900, providing a unique insight into more than a century of entertainment, and opening a window into the reading habits and social life of the British from the death of Queen Victoria to the Coronavirus Pandemic.

Imelda Whelehan provides an overview of popular women's writing from the late 1960s to the present, looking at how key feminist texts such as The Women's Room, Kinflicks and Fear of Flying have influenced popular contemporary fiction such as Bridget Jones' Diary and Sex and the City. Whelehan reconsiders the links between the politics of feminist thought, action and writing and creative writing over the past 30 years and suggests that even so-called 'post feminist' writing owes an enormous debt to feminism's second wave.