Once again this teller of tales has assembled a collection, and what a collection! Included here is his 1,000th Poem entitled 'The Terror', a look back into childhood paranoia. But there is humour here as well, and riveting scenes of horror that will make your hair stand on end, (if you have any left, which he doesn't). There are sixty-four different scenarios here that will keep your imagination titivated, and your heart perpetually halted in expectation of the worst that can happen, only to discover he has fooled you yet again. It is the twist in his endings that readers have come to love and anticipate, and the driving rhythms that force each story along to its eventual conclusion. Oh yes, this is poetry at its finest, rhyme, metre, all executed with a nonchalance that makes the reader smile in approbation. It would be advisable to read only one poem per night, but of course, you won't be able to, because once begun on that dark ride, you will find yourself pushing on inevitably to the end. Enjoy!

A great deal of scholarship has focused on Joss Whedon's television and film work, which includes Buffy the Vampire Slayer, Firefly, Doctor Horrible's Sing-Along Blog, The Cabin in the Woods and The Avengers. But Whedon's work in the world of comics has largely been ignored. He created his own dystopian heroine, Fray, assembled the goofy fannish heroes of Sugarshock, and wrote arcs for Marvel's Astonishing X-Men and Runaways. Along with The Avengers, Whedon's contributions to the cinematic Universe include: script doctoring the first X-Men film, writing a ground-shaking Wonder Woman screenplay, and co-creating ABC's Agents of S.H.I.E.L.D. Today, Whedon continues the Buffy and Firefly stories with innovative comics that shatter the rules of storytelling and force his characters to grow through life-altering conflicts. This collection of new essays focuses on Whedon's comics work and its tie-ins with his film and television productions, emphasizing his auteurism in crossing over from panel to screen to panel. Essays focus on the comic inspirations and subversive tropes of the Whedonverse, as well as character changes and new interpretations.

INDEX THE GREY WOMAN. CURIOUS IF TRUE. (Extract from a Letter from Richard Whittingham, Esq.) SIX WEEKS AT HEPPENHEIM. LIBBIE MARSH'S THREE ERAS. ERA I. VALENTINE'S DAY. ERA II. WHITSUNTIDE. ERA III. MICHAELMAS. CHRISTMAS STORMS AND SUNSHINE. HAND AND HEART. BESSY'S TROUBLES AT HOME. DISAPPEARANCES.