The tenth and eleventh centuries in medieval Europe are commonly seen as a time of uncertainty and loss: an age of lawless aristocrats, of weak political authority, of cultural decline and dissolute monks, and of rampant superstition. It is a period often judged from its margins, compared (mostly negatively) to what came before and what would follow. We impose upon it both a sense of nostalgia and a teleology, as they somehow knowingly foreshadow what is to come. Seeking to complicate this mischaracterisation, which is primarily the invention of nineteenth and early twentieth century historiography, this book maps the movement between two intellectual stances: a shift from prophetic to apocalyptic thinking. Although the roots of this change lay in Late Antiquity, the fulcrum of this transition lies in the tenth and eleventh centuries. Biblical commentators in the fourth and fifth centuries enforced a particular understanding of sacred time that held until the ninth century, when exegetes of the ninth century found in their commentaries a different plan for God's new chosen people. This came into stark relief as the new kingdom of Israel (the Frankish empire under the Carolingians) had splintered in the 840s. God was manifesting his displeasure with the chosen people by fire and sword. What was perhaps unforeseen was that these commentaries that were written in the specific context of the Carolingian Civil War would be heavily copied and read for the next 200 years. Ideas that formed in a world that actively lamented the loss of empire had to be translated to a world that could only dream of that empire. As they spread across Europe, these ideas became the basis for monastic educational practices, and bled into other types of textual production, such as supposedly "secular" histories. Between Prophecy and Apocalypse charts an intellectual transformation triggered when the prescriptions laid out towards the end of the Carolingian empire began to be "realized" in subsequent centuries. Nostalgia entwined with an attentiveness to possible futures and spun together so tightly as to become a double helix. Ultimately, this book will offer a way to understand the central Middle Ages, a period of dynamic intellectual ferment when ideas could inspire action and (seemingly banal) conceptions of time and history could inspire moments of dramatic transformation and horrific violence.

Much study has taken place of the prophetic and apocalyptic writings in recent decades, but the relationship between the two has been little explored. A major explicit debate on the question is very much needed and is now provided. This collection of essays addresses the subject from a variety of points of view, including studies on the issues of definitions, ancient Near Eastern "prophecies", social anthropology and modern apocalyptic movements. In the introduction, Lester Grabbe argues that many scholars operate with subconscious assumptions about how apocalyptic writings relate to the prophetic writings, but that many of these assumptions now need to be questioned in the light of the essays in this volume. Such a comprehensive attempt to tackle the main theoretical issues arising from the study of the prophetic and the apocalyptic has not been attempted for some time. This volume brings fresh questions and insights that both specialists and students will want to consider.

What if the Bible prophecies are true? What if the anti-Christ is among us now? What if the end of the world is at hand? Are you prepared? Paul Crouch, minister, television personality, and cofounder of Trinity Broadcasting Network, provides answers as he reveals shattering truths found in the hidden prophecies of the Bible. As the most overwhelming and frightening Last-Day prophecies are beginning to cast their shadows on an unsuspecting world, Crouch offers an opportunity to find meaning in current world events and reminds us that everything ultimately leads to the Second Coming of Jesus Christ. “Reading The Shadow of the Apocalypse is like reading tomorrow’s news headlines. Read this book today!”—Dr. Jack Van Impe, author of Revelation Revealed “This book is about an alarming topic, and yet Paul Crouch infuses it with the eternal promise from Christ.”—Tim LaHaye, co-author of Left Behind

This book contains a collection of nineteen essays by Marvin A. Sweeney, some previously unpublished, that focus on the role of literary form and intertextuality in the study of prophetic and apocalyptic literature. The volume includes five major parts: Isaiah; Jeremiah; Ezekiel; The Book of the Twelve Prophets; and Apocalyptic Literature. Selected topics include the Book of Isaiah as Prophetic Torah; the role of Isaiah 65-66 as conclusion of the Book of Isaiah; the interpretation of the Masoretic and Septuagint forms of the book of Jeremiah; Jeremiah 2-6 and 30-31 in relation to Josiah's reform; Ezekiel's role as Zadokite priest and visionary prophet; the problems of theodicy and holiness in Ezekiel 8-11 and 33-39; the interpretation of the Masoretic and Septuagint sequences of the Book of the Twelve; Micah's Debate with Isaiah; Zechariah's Debate with Isaiah; the priestly background of the Book of Daniel; the conceptualization of the war between the Sons of Darkness and the Sons of Light in the War Scroll from Qumran; Rabbi Akiba's journey to Pardes in Talmudic tradition; and others.

This book revives questions of religious and political authority in poetic prophecy. It argues that modern prophecy operates within a dynamic of continuity and estrangement that combines immanent and transcendent modes of representation, creating a poetry that revises the very tradition that authorizes it.

A highly regarded expert on the Jewish apocalyptic tradition, John J. Collins has written extensively on the subject. Nineteen of his essays written over the last fifteen years, including previously unpublished contributions, are brought together for the first time in this volume. Its thematic essays organized in five sections, Apocalypse, Prophecy, and Pseudepigraphy complements and enriches Collins's well-known book The Apocalyptic Imagination.