Life is never easy for Texas Sheriff Dan Rhodes. When he is called in the middle of the night to investigate gunshots at a haunted house, Rhodes finds the body of meth dealer Neil Foshee. Recently released from jail, Foshee has his fair share of potential murderers, including former girlfriend Vicki, her new boyfriend, the nephew of Clearview's mayor, and Foshee's criminal cousins Earl and Louie. Complicating matters is Seepy Benton, the community college math professor who has a new summer job. He's founded Clearview Paranormal Investigations and wants to solve the murder by communing with Foshee's ghost. But when he connects with something else instead and a second body is found, Rhodes is left with more questions than ever. Who's the dead person? How long has the body been hidden? Is Benton really able to communicate with ghosts? And most importantly: What, if anything, does the body have to do with Neil Foshee's death? Between the Living and the Dead, Bill Crider's latest installment in the critically-acclaimed Sheriff Dan Rhodes mystery series, finds Rhodes dealing with ghost hunters, runaway bulls, and assorted low-level crimes, including prosecuting people who don't use their turn signals. It's all in a day's work in Clearview, Texas.

Explores the social treatment of death in South Asian religions, including Hinduism, Buddhism, Islam, and other traditions. Includes material on women and marginalized groups.

Remembering the dead is a topic which connects various cultures and traditions. The reception of the African tradition of ancestorship is a theological enrichment in the ecumenical discussions all over the world. In our time, the exchange of gifts plays a great role in promoting unity of the Churches. Especially the concepts of African theology with the incomparable special position of Jesus Christ as "proto ancestor" are important for the interconfessional dialogues. The veneration of the ancestors in Africa can be a help to begin ecumenical discussions in this regional context on the question of the veneration of the saints. According to African tradition the ancestors also have influence on the process of purification. Therefore, the veneration of the ancestors contributes to providing answers to the ecumenical controversies about the understanding of the eschatological purification. Sentus Francis Dikwe SDS, born in 1980 in Morogoro, Tanzania, ordained priest of the Salvatorian Congregation. He attained doctorate in theology 2020 in Munster, Germany.

Reprint of the original, first published in 1845.

This book explores the moral place of the dead in our lives and in our afterlives. It argues that our lives are saturated by the past intentions and values of the dead, and that we offer the dead a form of modest immortality by fulfilling our obligations to remember them. In the first part of the book, the author examines the scope and limits of our obligations to the dead. Our obligations to respect the wishes of the dead are more substantial than commonly acknowledged, but they can be overridden in a range of cases when they conflict with the vital interests of the living, such as in organ donation and wealth inheritance. By contrast, the author contends that the obligation to remember, at least collectively, cannot be completely overridden. In the second part of the book, the author argues that tradition offers the dead a form of modest immortality—the dead live on insofar as we enact those intentional states with which they most identified. He draws on the Confucian view of ritual to argue that ritual absorption "reincarnates" the dead in the actions of the living. Finally, the author defends a Jamesian account of a pluralistic self that is consistent with the view that we have obligations to the individual dead and that the selves of the dead are pragmatic constructions. Living with the Dead will appeal to scholars and students interested in the philosophy of death, ethics, and cross-cultural philosophy.

Deliberately considering relevant theories put forward by earlier writers and examining them in the light of the research for this particular book, the author spent over 100 days attending funeral ceremonies and he attended 25 burial services. First published in 1962.

For the Romans, much of life was seen, expressed and experienced as a form of theatre. In their homes, patrons performed the lead, with a supporting cast of residents and visitors. This sumptuously illustrated book, the result of extensive interdisciplinary research, is the first to investigate, describe and show how ancient Roman houses and villas, in their décor, spaces, activities and function, could constitute highly-theatricalised environments, indeed, a sort of 'living theatre'. Their layout, purpose and use reflected and informed a culture in which theatre was both a major medium of entertainment and communication and an art form drawing upon myths exploring the core values and beliefs of society. For elite Romans, their homes, as veritable stage-sets, served as visible and tangible expressions of their owners' prestige, importance and achievements. The Roman home was a carefully crafted realm in which patrons displayed themselves, while 'stage-managing' the behaviour and responses of visitor-spectators.

The Visible Human Project examines how the VHP provides visual access to every organ of the body, viewable from every angle and capable of being manipulated to simulate living processes like respiration.

Examining the compelling and often poignant connection between women and the material culture of death, this collection focuses on the objects women make, the images they keep, the practices they use or are responsible for, and the places they inhabit and construct through ritual and custom. Women?s material practices, ranging from wearing mourning jewelry to dressing the dead, stitching memorial samplers to constructing skull boxes, collecting funeral programs to collecting and studying diseased hearts, making and collecting taxidermies, and making sculptures honoring the death, are explored in this collection as well as women?s affective responses and sentimental labor that mark their expected and unexpected participation in the social practices surrounding death and the dead. The largely invisible work involved in commemorating and constructing narratives and memorials about the dead-from family members and friends to national figures-calls attention to the role women as memory keepers for families, local communities, and the nation. Women have tended to work collaboratively, making, collecting, and sharing objects that conveyed sentiments about the deceased, whether human or animal, as well as the identity of mourners. Death is about loss, and many of the mourning practices that women have traditionally and are currently engaged in are about dealing with private grief and public loss as well as working to mitigate the more general anxiety that death engenders about the impermanence of life.