A study of the sitcom Bewitched that examines its entire run to discover the show’s numerous interlocking themes, tensions, and innovations. The classic situation comedy Bewitched chronicled the everyday lives of Samantha, a witch, and Darrin Stephens, her mortal husband, dramatizing the often-humorous troubles caused by their "mixed marriage." For much of its eight-year run, Bewitched enjoyed strong popularity because of its broad appeal. A parade of magical characters, animals, special effects, and gimmickry used to portray witchcraft ensured that the series appealed strongly to children, while its domestic tensions, feminist undertones, and hints at gay and lesbian subculture grabbed the attention of adult viewers. Bewitched also participated in industrial innovations, like the shift from black-and-white to color television production, and found itself caught in the political shift from Lyndon Johnson’s Great Society to Richard Nixon’s staunch conservatism. With all of these factors in mind, Walter Metz considers the series an important touchstone in 1960s and 1970s culture. Previous academic criticism on Bewitched only considers a handful of episodes. This book considers the Bewitched series as a whole, demonstrating that the show can look very different depending upon which of its episodes are being examined. Metz draws several interlocking themes from the series, including the political identity conflicts that arise from the Stephenses’ marriage, the significance of history raised by characters popping in and out of the past, the postwar surveillance culture represented by the fear of discovery of Samantha’s secret, and the show’s self-reflexive stance toward television itself. In addition, Metz situates Bewitched in television history, examining the ways that its production techniques, storylines, and characters both borrowed from the past and contributed their own innovations to the medium. A cult favorite that continues to air regularly more than forty years after it first premiered, Bewitched has claimed a prominent place in television history. Scholars of film and television studies, along with fans of the show, will appreciate Metz’s careful look at the show’s appeal and the serious issues raised by this beloved and deceptively simple sitcom.

Salem Bewitched stands as a seminal collection in the study of the Salem witch trials, offering readers an unparalleled exploration of this historical episode's complexities through varied lenses of theology, law, psychology, and sociology. The anthology weaves an intricate tapestry of perspectives, ranging from firsthand accounts to scholarly analyses, encapsulating the diverse literary styles and methodologies employed by its contributors. Of particular note are texts that provide critical examinations of the trials' sociopolitical underpinnings, contributing to a nuanced understanding of their place within the broader context of 17th-century Puritan New England. The contributing authors, including noted historians and clergymen like Charles Wentworth Upham, Increase Mather, and Cotton Mather, bring to the collection a rich amalgamation of backgrounds. Their writings demonstrate a deep engagement with the cultural, religious, and intellectual currents of their time, offering insights into how the Salem witch trials were both a product and a reflection of these turbulent periods. This collective endeavor enriches the anthology, making it a critical resource for understanding the multifaceted nature of one of America's most infamous historical events. Salem Bewitched presents an invaluable opportunity for scholars, students, and general readers to engage with the Salem witch trials in all their complexity. Through its diverse range of texts, the collection encourages a deeper, more interdisciplinary approach to studying this fraught moment in history. Readers are invited to traverse the myriad narratives and analyses contained within, fostering a comprehensive understanding central not only to American history but also to the dynamics of power, belief, and social panic. This anthology proves essential for anyone seeking to grasp the full breadth of perspectives on the Salem witch trials.

America Bewitched is the first major history of witchcraft in America - from the Salem witch trials of 1692 to the present day. The infamous Salem trials are etched into the consciousness of modern America, the human toll a reminder of the dangers of intolerance and persecution. The refrain 'Remember Salem!' was invoked frequently over the ensuing centuries. As time passed, the trials became a milepost measuring the distance America had progressed from its colonial past, its victims now the righteous and their persecutors the shamed. Yet the story of witchcraft did not end as the American Enlightenment dawned - a new, long, and chilling chapter was about to begin. Witchcraft after Salem was not just a story of fire-side tales, legends, and superstitions: it continued to be a matter of life and death, souring the American dream for many. We know of more people killed as witches between 1692 and the 1950s than were executed before it. Witches were part of the story of the decimation of the Native Americans, the experience of slavery and emancipation, and the immigrant experience; they were embedded in the religious and social history of the country. Yet the history of American witchcraft between the eighteenth and the twentieth century also tells a less traumatic story, one that shows how different cultures interacted and shaped each other's languages and beliefs. This is therefore much more than the tale of one persecuted community: it opens a fascinating window on the fears, prejudices, hopes, and dreams of the American people as their country rose from colony to superpower.

An original selection of short fiction by Nikolai Gogol, “the Russian Dickens,” translated by the great Constance Garnett and curated by Natasha Randall, that captures the genius of one of the most daring, inventive writers of the nineteenth century. A wounded solider vanishes into notoriety. A nose is found in a loaf of bread. Places—like the Nevesky Prospect—are not what they seem. Nikolai Gogol was one of the nineteenth century’s greatest and most influential Russian writers, a realist whose acerbic observations and taste for the absurd give his writing its strange, comic voice. In this edition of A Place Bewitched and Other Stories, Natasha Randall presents a new, curated collection of Gogol’s short fiction, selected from the work of Constance Garnett, one of Gogol’s earliest translators. Randall has lightly revised Garnett’s essential translations and frames the collection with a new foreword. Full of the wit of Gogol’s work, this edition is the perfect introduction to a great writer and a must for the enthusiast.

Situé aux frontières linguistique et politique entre la France et le Saint-Empire, l'état tampon de la Lorraine a maintenu une neutralité précaire depuis la défaite de Charles le téméraire en 1477 jusqu'à la Guerre de Trente Ans. Entravée par le cardinal de Richelieu pendant les années 1630, l'autonomie politique de la Lorraine ne fut perdue qu'un siècle plus tard et le dernier duc de Lorraine se réfugia chez les Habsbourg. A Bewitched Duchy est la première histoire de Lorraine en langue anglaise.

Narratives of possession have survived in early English medical and philosophical treatises. Using ideas derived from cognitive science, this study moves through the stages of possession and exorcism to describe how the social, religious, and medical were internalized to create the varied manifestations of demon possession in early modern England.

Even though sorcery is forbidden in Oz, Zerie Greenapple is determined to use her magic. When the Flying Monkeys find Zerie and her friends using magic, one of their gang is captured. Three friends go on the run through the wild landscapes of Oz to try and find Glinda the Good, who they hope will save them from the evil Princess Ozma. But will magic be enough to lead these three friends to safety? This exciting tale of adventure and fantasy will surround readers in a world of complexity, where the truth is always shifting and the integrity of friendship is constantly questioned.

This book, written in plain language by an experienced, psychoanalytically-orientated therapist, is aimed at lay readers who wish to understand how couples consciously and unconsciously operate in successful and unsuccessful partnerships. It covers the central concepts involved, illustrated by (disguised) case material. The book will also be invaluable for trainers, trainees, and individual counsellors/psychotherapists wishing to extend their work into a fresh clinical area namely couple therapy. The style is lively and accessible, covering a complete range of couple issues from early union till death.By means of real people's stories it clearly demonstrates how internal and external experiences throughout development from birth to adolescence shape the style, quality, and progress of a committed pair bond. Not all couples require therapy, of course. A careful reading of this book could be sufficient to start off a change in a couple's way of thinking, such that impending problems are prevented or better managed. A summary of who might and might not need help is presented in the concluding section of the book.

In a true story of a man bewitched, set against the turbulent backdrop of contemporary Soweto, Ashforth shows that witchcraft is not simply superstition but a complex response to spiritual insecurity in a troubling time of political and economic upheaval.