What is Beyond Beauty? The author’s ambition is to persuade all women, but especially younger women, to reach beyond goals of to realize the power of our inner beauty to overcome the limits society places on us. Gen-Y women face a terrible predicament of maturing in a world where media bombards us with information and images that distort our perception of the meaning of beauty, self-confidence, and self-love. If we misunderstand our reality, we can easily turn to outmoded cultural paradigms that convince us that we must behave like men to be valuable to society, or that our hair or waistline determines our success, or that finding the right man is the key to happiness. As a millennial, Ms. Abrego believes modern women must learn to look beyond their physical selves and search for a deeper purpose for life and existence. She aims to take us on a journey of self-awakening to become our best self and unleash our feminine power to follow our dreams of a good life. Beyond Beauty is designed to facilitate and encourage women of this generation to improve every aspect of their lives, starting with their own selves. The message of Beyond Beauty is needed more than ever. The author can inspire and empower the women of Generation Y to want more, to be more, and live “beyond beauty.”

Traces the decline of beauty as an ideal from early German romanticism to the twentieth century. The American abstract expressionist painter Barnett Newman famously declared in 1948 that the impulse of modern art is to destroy beauty. Not long after that, Andy Warhol was reconciling the world of art with the world of everyday life, painting soup cans and soda bottles. In this book, Federico Vercellone provides an account of the decline of beauty as a Platonic ideal from early German Romanticism to the twentieth century. He traces this intellectual trajectory from Goethe, Dilthey, and Nietzsche, through modernism and the avant-garde movement, to the work of Adorno and Heidegger. Rather than the death or destruction of beauty, Vercellone argues instead that beauty in the twentieth century came back to live in reality and everyday life. He suggests this is a new edition of the classical ideal rather than an abandonment of it, and further makes the case for the ecological significance of this orientation and outlook.

"The greatest luxury my family had were some tiles that my father had laid down for my mother. My father was a manual laborer. He had taken all of us to one of the tile factories on a family trip. My father couldn't afford the tiles, so he had us sort through the rejects, the broken and imperfect shards so that we could have something beautiful. I remember how he got on his hands and knees for my mother and for us children. I remember how he concentrated intently as he placed together a work of art for us. It may seem odd to walk across a work of art, but those tiles were our flying carpet and a reminder of his love for us. All these years later, I understand that love and beauty are inseparable." Behind every smile and success, there is a story and a journey. Ferial Youakim, internationally known as an image consultant, reveals, for the first time, the tragedy that shaped her life. Born in a refugee camp, she would overcome a lack of education, poor self-esteem, and a crippling fear of public speaking, and create a global company. Her spirit and passion to help people, the love and support of her family, and her unending faith have all been her driving force. Ferial believes that beauty goes beyond more than a word, it's a way of living the life one deserves. Click HERE to see the author being interviewed by Netanel Semrik about her publisher journey. Click HERE to see the author summarizing her interview with Netanel Semrik.

Beyond Beauty is the story of a remarkable journey that Bill Terry and his wife, Rosemary, undertook when they joined a party of Dutch and British alpine plant hunters intent on botanizing on the roof of the world. The expedition travelled in a convoy of eight jeeps over roads that were rarely paved and occasionally terrifying. They crossed fifteen passes, some as high as 5,000 metres (16,500 feet), where even in midsummer, the wind scoured exposed skin. They braved days at high altitude, panting in the thin air of the Tibetan plateau, and were rewarded with collages of rock, moss, lichen, flower, and foliage so sublime they might be imagined as "perfect gardens," though no gardener or landscape architect had a hand in their creation. As the journey unfolds, Terry sketches the history of the region and observes life for Tibetans under direct Chinese rule and the ever-alert People's Liberation Army. He reflects on the potential threat of a massive hydroelectric development to the wellbeing of the millions of people living downstream in Southeast Asia. Terry also contrasts the hardships suffered and dangers faced by pioneer plant hunters a century ago with the relative comfort and safety of modern travel in these remote and exotic lands. Throughout the book, the author's distinctive photography portrays local custom and culture and celebrates the wildflowers in all their profusion, especially the almost heartbreaking beauty of the Asiatic Poppies.

This book,in short,is a book to explore your known yourself and nature wearing in the shoes of a kid. This books wants to show the familiarity of every person to see the world like a wondering small kid;we all have gone through that age and some are going.It doesn't necessarily needs to interpret the nature in a complex way but in the simplest possible way. With this book,he wants to reintroduce the world throuh the eyes,with the thoughts roaming around the mind of a 10 year old kid...

The enigma of life and death, God and mysteries of life has bothered mankind. In this short work the writers share the secrets hidden in their mind, heart and spirit. In nature, the good, the evil co-exist. In our hearts too we have these elements. How we compound them is in our hands. In this work the potential of good is elevated to ride over the evil to reach a supreme destination.

A film-by-film introduction to Taiwan cinema and cultures

Amid enormous changes in higher education, audience and music listener preferences, and the relevant career marketplace, music faculty are increasingly aware of the need to reimagine classical music performance training for current and future students. But how can faculty and administrators, under urgent pressure to act, be certain that their changes are effective, strategic, and beneficial for students and institutions? In this provocative yet measured book, Michael Stepniak and Peter Sirotin address these questions with perspectives rooted in extensive experience as musicians, educators, and arts leaders. Building on a multidimensional analysis of core issues and drawing upon interviews with leaders from across the performing arts and higher education music fields, Stepniak and Sirotin scrutinize arguments for and against radical change, illuminating areas of unavoidable challenge as well as areas of possibility and hope. An essential read for education leaders contemplating how classical music can continue to thrive within American higher education.

The influence of the plastic arts, especially painting and sculpture, upon the Hispanic literary movement known as Modernismo is well-documented. Although numerous studies have referred to gems, Beyond the Glitter focuses upon the significance of gems and jewels in elaborating Modernismo's complex aesthetics. The role of gems and jewelry is discussed in the poetics of three prominent Modernista writers: Ruben Dario, Ramon del Valle-Inclan, and Jose Asuncion Silva. The conclusion underscores how the rich and varied symbolism associated with jewelry and precious gems enriched the poetics of Modernista writers because it enabled them to articulate their quest for ideal beauty, expressive of a sublime state of mind and spirit.

Using the historical-materialist method to unravel the promise and limits of critical practice since the Revolutionary Age, John E. O’Brien investigates the problems and prospects of cultural criticism for the 21st century through absorbing studies of the contested perspectives of Voltaire, Friedrich Schiller, Jean Baudrillard, Michel Foucault, Terry Eagleton and Hayden White. In spite of recurrent crises due to a flawed Western political-economy, why is there so much critical intellectual activity with so little effect? Framing his study with the early work by Max Horkheimer, Luc Boltanski and Teresa Ebert, O’Brien's investigation of resistance in America and Europe challenges the bourgeois philosophy of history, pointing to the urgency of critique as mode of analysis and intervention.