Rather, they work together.

Beyond the Pleasure Principle is a book by Sigmund Freud that marks a major turning point in his theoretical approach. Previously, Freud attributed most human behavior to the sexual instinct (Eros or libido). With this book, Freud went "beyond" the simple pleasure principle, developing his theory of drives with the addition of the death drive (often referred to as Thanatos). The book describes humans as struggling between two opposing drives: Eros, which produces creativity, harmony, sexual connection, reproduction, and self-preservation; and Thanatos, which brings destruction, repetition, aggression, compulsion, and self-destruction. With Beyond the Pleasure Principle, Freud also introduced the question of violence and destructiveness in humans. These themes play an important role in some later writings, when Freud suggested that civilization's major function is to repress the death instinct. Sigmund Freud (1856-1939) was an Austrian neurologist and the father of psychoanalysis, a clinical method for treating psychopathology through dialogue between a patient and a psychoanalyst. In creating psychoanalysis, Freud developed therapeutic techniques such as the use of free association and discovered transference, establishing its central role in the analytic process. Freud's redefinition of sexuality to include its infantile forms led him to formulate the Oedipus complex as the central tenet of psychoanalytical theory. His analysis of dreams as wish-fulfillments provided him with models for the clinical analysis of symptom formation and the mechanisms of repression as well as for elaboration of his theory of the unconscious.

How does motivation work? Scientific research shows that people are motivated by more than the pursuit of pleasure and the avoidance of pain. Higgins argues that people are motivated by the pursuit of value, truth, and control, but the central story to motivation lies in how these elements work together.

In this volume, G. Marian Kinget's classic work, On Being Human, can be read for the first time in light of a second, previously unpublished work, Pleasure And Pain. Taken together, these two works offer a new generation of readers a comprehensive picture of the insights, principles, and goals of humanistic psychology. On Being Human, Kinget's pioneering work, which arose from the original humanistic revolution in psychology, systematically describes the characteristics that make human beings different from all other forms of life. In this work, Kinget explores man in his full nature not solely as a biological organism modified by experience and culture. She presents a person as a symbolic entity capable of pondering his existence, and lending it meaning and direction. Man is the only animal who knowingly exists in space and time, manifesting transcendental and metaphysical concern throughout history and culture. On Being Human presents the fundamentals of any valid approach to psychology as well as to other fields concerned with the individuality of the human being. It describes the specific human capacities for reflective thought and declarative language, and it discusses the unique ability of humans to devise culture and question origins. Pleasure and Pain considers the interdependence of human pleasure and pain. This idea, which leads to unnecessary fears and unwarranted expectations, goes unrecognized in a contemporary western society focused on the accumulation of pleasure without any awareness of the duality of the pleasure-pain experience. Kinget refutes the widespread fallacy that fun lies in the means, when it actually lies in the subject, and she discusses the human potential for autonomous "management" of the pleasure-pain dimension of human existence.

Beyond the Pleasure Principle is Freud’s most philosophical and speculative work, exploring profound questions of life and death, pleasure and pain. In it Freud introduces the fundamental concepts of the “repetition compulsion” and the “death drive,” according to which a perverse, repetitive, self-destructive impulse opposes and even trumps the creative drive, or Eros. The work is one of Freud’s most intensely debated, and raises important questions that have been discussed by philosophers and psychoanalysts since its first publication in 1920. The text is presented here in a contemporary new translation by Gregory C. Richter. Appendices trace the work’s antecedents and the many responses to it, including texts by Plato, Friedrich Nietzsche, Melanie Klein, Herbert Marcuse, Jacques Derrida, and Judith Butler, among many others.