At a time when local traditions across the world are forcibly colliding with global culture, Beyond Primitivism explores the future of indigenous religions as they encounter modernity and globalisation.

The volume Religion beyond its Private Role in Modern Society aims at contributing to the debate on the distinction between public and private spheres with regard to the role of religion in modern societies. This issue which is inherent to many conceptions regarding social order, modernity, freedom of conscience, and the changing role and function of religion is discussed not only from a social scientific but also from a historical and philosophical point of view. The articles dwell on several aspects of the role of religion in different societies in modern times, and the overall theme is explored from the perspective of various religious traditions and groups, both institutional and non-institutional. It turns out that the distinction made is difficult to maintain. Contributors include: Bart Labuschagne, Linda Woodhead, Niek Brunsveld, Dick Douwes, Mohammed Ghaly, Heleen Murre-van den Berg, David Novak, Alexandros Sakellariou, Matthew Tennant, Bruno Verbeek, Ernestine G.E. van der Wall, William Arfman, Stef Aupers, Jeroen Boekhoven, Meerten B. ter Borg, and Kees de Groot.

The academic study of Indigenous Religions developed historically from missiological and anthropological sources, but little analysis has been devoted to this classification within departments of religious studies. Evaluating this assumption in the light of case studies drawn from Zimbabwe, Alaska and shamanic traditions, and in view of current debates over 'primitivism', James Cox mounts a defence for the scholarly use of the category 'Indigenous Religions'.

"In works of silver and wool, the Navajos have established a unique brand of American craft. And when their artisans were integrated into the American economy during the late nineteenth century, they became part of a complex cultural and economic framework in which their handmade crafts conveyed meanings beyond simple adornment." "Bsumek unravels the layers of meaning that surround the branding of "Indian-made." When Navajo artisans produced their goods, collaborating traders, tourist industry personnel, and even ethnologists created a vision of Navajo culture that had little to do with Navajos themselves. And as Anglos consumed Navajo crafts, they also consumed the romantic notion of Navajos as "primitives" perpetuated by the marketplace. These processes of production and consumption reinforced each other, creating a symbiotic relationship and influencing both mutual Anglo-Navajo perceptions and the ways in which Navajos participated in the modern marketplace." "Ultimately, Bsumek shows that the sale of Indian-made goods cannot be explained solely through supply and demand. It must also reckon with the multiple images and narratives that grew up around the goods themselves, integrating consumer culture, tourism, and history to open new perspectives on our understanding of American Indian material culture."--BOOK JACKET.

The first survey of writings on nineteenth-century Trinidad and Tobago; When V. S. Naipaul received the Nobel Prize for Literature in 2001, the award marked the culmination of a literary tradition that was almost two hundred years in the making. The island nation of Trinidad and Tobago has produced such important writers and thinkers as C. L. R. James, J. J. Thomas, Eric Williams, Oliver Cromwell Cox, Sylvester Williams, George Padmore, Earl Lovelace, Arnold Rampersad, and Merle Hodge. Yet this literary legacy is not well known, particularly with respect to works dating from the nineteenth century. Beyond Boundaries traces the development of the country's literary and intellectual history from the Narrative of Louisa Calderon (1803) to Stephen Cobham's Rupert Gray: A Tale of Black and White (1907). Selwyn R. Cudjoe examines a wide range of narratives by and about the people of Trinidad and Tobago, from treatises in the natural sciences, to journals and memoirs, histories, slave narratives, travelers' accounts, poems, stories, novels, theatrical works, and writings in the popular press. Along the way, he discusses such seminal works as Jean Baptiste Philippe's Free Mulatto (1824)