No single book ever before has brought together the history, theory and practice of dreamwalking--entering into another's dreamspace, even though you may be physically at a great distance. Michelle Belanger, the author of Psychic Vampire Codex, takes readers on an adventure into the subconscious world of dreams, territory that no amount of psychology or research has fully charted. This absorbing account, beginning with the author's own first experience of dreamwalking in a school bus as a child, both explains the phenomenon and teaches the techniques of dreamwalking. Learn to set up a dream space and a dream gate. Harness your dreaming mind to visit distant family members, pass vital messages to friends, even start secret trysts with your lover! Nobody knows exactly what happens when we dream, but practicing dreamwalking can and will open a whole new world in which the connections between ourselves and our spirit selves and others, as well as the meaning of dreams and the relationship of dreaming to other energy work and magick become clear.

Prepared by renowned Howard scholar Paul Herman with the assistance of Glenn Lord, this is the first new bibliography of Robert E. Howard since 1976. This massive volume contains more than twice as much information as the preceding biblio, The Last Celt. Robert E. Howard is considered the Godfather of Sword and Sorcery, and the creator of the international icon, Conan the Cimmerian, yet wrote successfully in numerous genres. The Neverending Hunt lists every story, poem, letter and publication in which a Howard work has appeared. It's more than you might think . . .

This book partakes of a long tradition of dream interpretation, but, at the same time, is unique in its cross-cultural and interdisciplinary methods and in its mix of theoretical and analytical approaches. It includes a great chronological and geographical range, from ancient Sumeria to eighteenth-century China; medieval Hispanic dream poetry to Italian Renaissance dream theory; Shakespeare to Nerval; and from Dostoevsky, through Emily Brontë, to Henry James. Rupprecht also incorporates various critical orientations including archetypal, comparative, feminist, historicist, linguistic, postmodern, psychoanalytic, religious, reader response, and self-psychology.

The first three stories of the Von Star System, and the many fantastical worlds contained within. Worlds of magic, worlds of science, worlds of imagination, worlds dwelling at the crossroads of time. In "Dark Gatekeeper: Endings and Beginnings", a weary traveler finally reaches the Dark Gate. This mysterious Gate serves as the boundary between the known and the unknown. The one who watches over this Gate challenges the traveler. Does the wandering one seek the end of the story? Or the beginning of a new one? In "Gatekeeper Lecata: Rising Tide", a forensic scientist leads a comfortable life within a cutting-edge research laboratory. That is, until one minor discovery sends her entire world into a tailspin. As the danger rises and time runs short, Ophelia Ulliard finds herself on the run from alien forces that want her and her loved ones dead. But, why are the aliens willing to destroy her entire lab just to get to her? And what does this all have to do with the unknown crystal she was given so many years ago? In "Gatekeeper Trimas: Breaking Away", a high school Senior struggles with navigating social cliques, crushes, and the impending graduation. While most would look forward to this as their transition into adulthood, for Brittany Thornton, it's a never-ending nightmare. On the world of Trimas, graduation means moving into a phase of life where all is pre-determined. Whom you'll marry, what job you'll have, and where you'll live. That is the way of the Eternal Masquerade. A way of life Brittany wants nothing to do with. As the clock ticks to her confinement, Brittany must choose to surrender to the will of others, or defy them and fight for a life of freedom. This book also includes a prelude to the next story, "A Distant Thunder". As situations intensify on Lecata and Trimas, a whispered prayer is made to an ancient God. The answer, is a bolt of lightning and the return of a God's favorite servant. What will happen when all of these forces collide? Only one thing is for certain, everything is about to change.

This book tells the story of the early modern astronomer Johannes Kepler’s Somnium, which has been regarded by science historians and literary critics alike as the first true example of science fiction. Kepler began writing his complex and heavily-footnoted tale of a fictional Icelandic astronomer as an undergraduate and added to it throughout his life. The Somnium fuses supernatural and scientific models of the cosmos through a satirical defense of Copernicanism that features witches, lunar inhabitants, and a daemon who speaks in the empirical language of modern science. Swinford’s looks at the ways that Kepler’s Somnium is influenced by the cosmic dream, a literary genre that enjoyed considerable popularity among medieval authors, including Geoffrey Chaucer, Dante, John of Salisbury, Macrobius, and Alan of Lille. He examines the generic conventions of the cosmic dream, also studying the poetic and theological sensibilities underlying the categories of dreams formulated by Macrobius and Artemidorus that were widely used to interpret specific symbols in dreams and to assess their overall reliability. Swinford develops a key claim about the form of the Somnium as it relates to early science: Kepler relies on a genre that is closely connected to a Ptolemaic, or earth-centered, model of the cosmos as a way of explaining and justifying a model of the cosmos that does not posit the same connections between the individual and the divine that are so important for the Ptolemaic model. In effect, Kepler uses the cosmic dream to describe a universe that cannot lay claim to the same correspondences between an individual’s dream and the order of the cosmos understood within the rules of the genre itself. To that end, Kepler’s Somnium is the first example of science fiction, but the last example of Neoplatonic allegory.

Dreaming is vital to the human story. It is essential to our survival and evolution, to creative endeavors in every field, and, quite simply, to getting us through our daily lives. All of us dream. Now Robert Moss shows us how dreams have shaped world events and why deepening our conscious engagement with dreaming is crucial for our future. He traces the strands of dreams through archival records and well-known writings, weaving remarkable yet true accounts of historical figures who were influenced by their dreams. In this wide-ranging, visionary book, Moss creates a new way to explore history and consciousness, combining the storytelling skills of a bestselling novelist with the research acumen of a scholar of ancient history and the personal experience of an active dreamer.

"Some of the most witty, uncannily original short fiction in Western Literature."--The New Yorker

From the beautiful apsaras of Hindu myth to the swan maidens of European fairy tales, stories of flying women-some carried by wings, others by clouds, rainbows, floating scarves, and flying horses-reveal the perennial fascination with and ambivalence about female power and sexuality. In Women Who Fly, Serinity Young examines the motif of the flying woman as it appears in a wide variety of cultures and historical periods, in legends, myths, rituals, sacred narratives, and artistic productions. She considers supernatural women like the Valkyries of Norse legend, who transport men to immortality; winged deities like the Greek goddesses Iris and Nike; figures of terror like the Furies, witches, and succubi; airborne Christian mystics; and wayward, dangerous women like Lilith and Morgan le Fay. Looking beyond the supernatural, Young examines the modern mythology surrounding twentieth-century female aviators like Amelia Earhart and Hanna Reitsch. Throughout, Young demonstrates that female power has always been inextricably linked with female sexuality and that the desire to control it is a pervasive theme in these stories. This is vividly depicted, for example, in the twelfth-century Niebelungenlied, in which the proud warrior-queen Brünnhilde loses her great physical strength when she is tricked into surrendering her virginity. Even in the twentieth-century the same idea is reflected in the exploits of the comic book and film character Wonder Woman who, Young suggests, retains her physical strength only because her love for fellow aviator Steve Trevor goes unrequited. The first book to systematically chronicle the figure of the flying woman in myth, literature, art, and pop culture, Women Who Fly offers a fresh look at the ways in which women have both influenced and been understood by society and religious traditions throughout the ages and around the world.

H. P. Lovecraft was one of the greatest horror writers of all time. His seminal work appeared in the pages of legendary Weird Tales and has influenced countless writer of the macabre. This is one of those stories.