From the beautiful apsaras of Hindu myth to the swan maidens of European fairy tales, stories of flying women-some carried by wings, others by clouds, rainbows, floating scarves, and flying horses-reveal the perennial fascination with and ambivalence about female power and sexuality. In Women Who Fly, Serinity Young examines the motif of the flying woman as it appears in a wide variety of cultures and historical periods, in legends, myths, rituals, sacred narratives, and artistic productions. She considers supernatural women like the Valkyries of Norse legend, who transport men to immortality; winged deities like the Greek goddesses Iris and Nike; figures of terror like the Furies, witches, and succubi; airborne Christian mystics; and wayward, dangerous women like Lilith and Morgan le Fay. Looking beyond the supernatural, Young examines the modern mythology surrounding twentieth-century female aviators like Amelia Earhart and Hanna Reitsch. Throughout, Young demonstrates that female power has always been inextricably linked with female sexuality and that the desire to control it is a pervasive theme in these stories. This is vividly depicted, for example, in the twelfth-century Niebelungenlied, in which the proud warrior-queen Brünnhilde loses her great physical strength when she is tricked into surrendering her virginity. Even in the twentieth-century the same idea is reflected in the exploits of the comic book and film character Wonder Woman who, Young suggests, retains her physical strength only because her love for fellow aviator Steve Trevor goes unrequited. The first book to systematically chronicle the figure of the flying woman in myth, literature, art, and pop culture, Women Who Fly offers a fresh look at the ways in which women have both influenced and been understood by society and religious traditions throughout the ages and around the world.

Tells the stories of pioneering women who defied convention and made contributions to the field of aviation by becoming pilots and astronauts.

"Examines the motif of the flying woman as it appears in a wide variety of cultures and historical periods, in legends, myths, rituals, sacred narratives, and artistic productions. ... Throughout, Young demonstrates that female power has always been inextricably linked with female sexuality and that the desire to control it is a pervasive theme in these stories."--Jacket flap.

Tender, touching, and humorous, the novel takes the reader along on the plane ride to the funeral of the narrator's mother. The interaction on the journey proves to be a "Believe it!" experience, affirming that memories and loved ones are eternally connected. The dialog between Rebecca and the audience reminds us that there are no coincidences, that everything is connected. For the reader who wants to believe that love never dies, this story is for you. For anyone who has ever dreamed or loved flying, this novel is inspiring.

When Harriet Hall graduated from medical school in 1970 and entered the Air Force, she was in a distinct minority. As the second woman ever to do an Air Force internship, she had to fight for acceptance. Even a patient's 3 year old daughter proclaimed, "Oh, Daddy! That's not a doctor, that's a lady." She was refused a residency, paid less than her male counterparts, couldn't live on base, and couldn't claim her husband as a dependent because he wasn't a wife. After six years as a general medical officer in Franco's Spain, she became a family practice specialist and a flight surgeon, doing everything from delivering babies to flying a B-52. She earned her pilot's license despite being told "Women aren't supposed to fly," and eventually retired from the Air Force as a full colonel. She is witness to an era when society was beginning to accept women in traditionally male jobs but didn't entirely like the idea yet. A somewhat warped sense of humor kept her afloat, and it spices the stories she tells about her own experiences and the patients and colleagues she encountered.

'For fans of Margaret Atwood' Elle 'Thoughtful...wry, magical' Guardian 'brimming with wonder' Raven Leilani, author of Luster Josephine Thomas has heard every conceivable theory about her mother's disappearance. That she was kidnapped. Murdered. That she took on a new identity to start a new family. That she was a witch. This is the most worrying charge because in a world where witches are real, peculiar behaviour raises suspicions and a woman - especially a Black woman - can find herself on trial for witchcraft. Finally ready to let go of the past, Jo’s future is in doubt. The State mandates that all women marry by the age of 30 - or forfeit their autonomy by registering to be monitored. At 28, Jo is ambivalent about marriage, feeling she has never understood her mother more. When offered the opportunity to honour one last request from her mother's will, Jo leaves her regular life to feel connected to her one last time. Reminiscent of the works of Margaret Atwood, Deborah Harkness, and Octavia E. Butler, The Women Could Fly is a feminist speculative novel that speaks to our times – a piercing dystopian tale, set in a world in which magic is real and single women are closely monitored in case they are shown to be witches . . .

The seventh book in the popular adult fiction series, "An American Family Portrait, The Victors" follows the path of a new generation of the Morgan family. Four siblings are caught up in the events of World War II, and each will handle the challenge differently. Nat, Walt, Alex, and Lily must face life's worst before they find out what it really means to be "the victors".