Bringing together thirteen leading art historians, Beyond the Yellow Badge seeks to reframe the relationship between European visual culture and the many changing aspects of the Christian majority’s negative conceptions of Jews and Judaism during the Middle Ages and early modern periods.

Curtis Mozie, known on the streets as C-Webb is without a doubt a leader in Washington DC. He spends every waking moment trying to prevent gangs and gun violence on the streets of DC. With the creation of Tale of the Tape Foundation, Curtis produces films that document the lives and death of 65 of his friends murdered by gun violence. He has been a catalyst for positive change for over twenty years, earning the trust of both police officers and gang members having been a police officer himself, its incredible that gangs have allowed him to intimately explore their violent and brutal world. His video camera captures their day-to-day lives playing basketball and also their candidness in interviews at his apartment, which is known as the Safe House, a place where at risk youth come to be mentored on life skills, and to have someone hear their problems and concerns. When one of them gets killed or injured in gang violence, Curtis is there to mourn the lost with family members. He then creates a montage of their lives and deaths in a video tribute-lessons learned. Curtis without a doubt is a unique individual a community hero for DC Mothers, and Fathers. Hes appeared on numerous news media outlets across the world. His message is an unfaltering dedication and commitment to making the streets of DC safer for everyone. He now works at the Kennedy Recreation Center for the Department of Parks & Recreation working with youth and serving the community.

This volume aims to show through various case studies how the interrelations between Jews, Muslims and Christians in Iberia were negotiated in the field of images, objects and architecture during the Later Middle Ages and Early Modernity. . By looking at the ways pre-modern Iberians envisioned diversity, we can reconstruct several stories, frequently interwoven with devotional literature, poetry or Inquisitorial trials, and usually quite different from a binary story of simple opposition. The book’s point of departure narrates the relationship between images and conversions, analysing the mechanisms of hybridity, and proposing a new explanation for the representation of otherness as the complex outcome of a negotiation involving integration. Contributors are: Cristelle Baskins, Giuseppe Capriotti, Ivana Čapeta Rakić, Borja Franco Llopis, Francisco de Asís García García, Yonatan Glazer-Eytan, Nicola Jennings, Fernando Marías, Elena Paulino Montero, Maria Portmann, Juan Carlos Ruiz Souza, Amadeo Serra Desfilis, Maria Vittoria Spissu, Laura Stagno, Antonio Urquízar-Herrera.

Help bring combat veterans all the way back home. Over a half million combat veterans have returned from Iraq and Afghanistan. With thousands of military personnel still deployed, few communities escape the direct impact of solders returning from war. Yet their needs and the needs of their families are often hidden in plain sight in our congregations and communities. This book identifies specific needs of veterans and their families and gives creative and practical ways your church can minister to them. It is a “must have” for anyone serious about giving back to those who have given so much. "You [Thompson and Wetterstrom] are plowing very important ground, and I thank you for the reminder." - author Philip Yancey

A new approach to thinking about the representation of the Other in Western society, The Jew’s Daughter: A Cultural History of a Conversion Narrative offers an insight into the gendered difference of the Jew. Focusing on a popular narrative of “The Jew’s Daughter,” which has been overlooked in conventional studies of European anti-Semitism, this innovative study looks at canonical and neglected texts which have constructed racialized and sexualized images that persist today in the media and popular culture. The book goes back before Shylock and Jessica in TheMerchant of Venice and Isaac and Rebecca in Ivanhoe to seek the answers to why the Jewish father is always wicked and ugly, while his daughter is invariably desirable and open to conversion. The story unfolds in fascinating transformations, reflecting changing ideological and social discourses about gender, sexuality, religion, and nation that expose shifting perceptions of inclusion and exclusion of the Other. Unlike previous studies of the theme of the Jewess in separate literatures, Sicher provides a comparative perspective on the transnational circulation of texts in the historical context of the perception of both Jews and women as marginal or outcasts in society. The book draws on examples from the arts, history, literature, folklore, and theology to draw a complex picture of the dynamics of Jewish-Christian relations in England, France, Germany, and Eastern Europe from 1100 to 2017. In addition, the responses of Jewish authors illustrate a dialogue that has not always led to mutual understanding. This ground-breaking work will provoke questions about the history and present state of prejudiced attitudes in our society.

Andreas Loewe and Katherine Firth elucidate Luther’s theory and practice of the arts to reach audiences and convince them of his Reformation message using a range of strategies, including music, images and drama.

This book focuses on places and instances where Solomon’s legendary biography intersects with those of Jesus Christ and of Aristotle. Solomon is the axis around which this trio revolves, the thread that binds it together. It is based on the premise that there exists a correspondence, both overt and implied, between these three biographies, that has taken shape within a vast, multifaceted field of texts for more than two thousand years.

Addressing a strangely neglected key issue in the history of art, this volume engages the variety and complexity of medieval representations of the unclothed human body. The Meanings of Nudity in Medieval Art breaks ground by offering a variety of approaches to explore the meanings of both male and female nudity in European painting, manuscripts and sculpture ranging from the late antique era to the fifteenth century.

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Due to the scarcity of sources regarding actual Jewish and Muslim communities and settlements, there has until now been little work on either the perception of or encounters with Muslims and Jews in medieval Scandinavia and the Baltic Region. The volume provides the reader with the possibility to appreciate and understand the complexity of Jewish-Christian-Muslim relations in the medieval North. The contributions cover topics such as cultural and economic exchange between Christians and members of other religions; evidence of actual Jews and Muslims in the Baltic Rim; images and stereotypes of the Other. The volume thus presents a previously neglected field of research that will help nuance the overall picture of interreligious relations in medieval Europe.