An Eric Banyon fantasy.

Eleven short stories and a poem that show us what comes after the end of all we know. This is the fourth volume of the collected short stories of Joe Vasicek. It includes: The Manchurian Paradox We have met our timeline's enemy and he is us. A Fatal Rebirth Nothing in this world should live forever—not even civilization itself. The Final Turning This is how the world ends: not with a bang, but with a whimper—thanks to me. The New Covenant To restore a fallen America, an ancient and terrible covenant must be renewed. Hearken and Behold (by J.M. Wight) "Hearken, oh ye hypocrites, and behold the desolation that is already come upon you!" The End of Elysium For the promise of paradise, the last civilization will surrender to the apocalypse. The Promise of King Washington When the aliens came, it wasn't a military invasion: it was an economic one. (Again, Hazardous Imaginings, December 2020) Lord of the Slaves "Everyone secretly wants to be a slave. Those who deny it simply haven't found the right master." The Other Side of Reality What if your future self came back to give you advice, and all it did was confuse you? Schrödinger's Diaper “Stays clean and dry until you’re free to change it!” …except not quite. (Bards and Sages Quarterly, April 2022) Two Hours Ago A time machine without paradoxes, so long as it's not abused. Welcome to Our Crazy Family Two genderqueer lesbians and a tranny have a rebellious daughter who does the unthinkable and decides to marry a Christian.

In Beyond the World's End T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including John Akomfrah's cinematic entanglements of racial capitalism with current environmental threats, the visual politics of climate refugees in work by Forensic Architecture and Teddy Cruz and Fonna Forman, and moving images of Afrofuturist climate justice in projects by Arthur Jafa and Martine Syms. Demos considers video and mixed-media art that responds to resource extraction in works by Angela Melitopoulos, Allora & Calzadilla, and Ursula Biemann, as well as the multispecies ecologies of Terike Haapoja and Public Studio. Throughout Demos contends that contemporary intersections of aesthetics and politics, as exemplified in the Standing Rock #NoDAPL campaign and the Zad's autonomous zone in France, are creating the imaginaries that will be crucial to building a socially just and flourishing future.

The epic fantasy novel that defined the genre, now in one volume As the youngest son of a king, Ralph of Upmeads is expected to forsake adventure for the safety of home. But the call of the Well at the World's End is too powerful to resist, and Ralph disobeys his parents in order to seek out his true destiny in its magical waters. The journey is long and arduous as the well lies on the far side of a distant mountain range and the lands beyond Upmeads are full of treacherous characters. With the help of a beautiful maiden and an ancient hermit, Ralph completes his quest and raises the cup of immortality and wisdom to his lips. The question is, what will he do with his newfound powers? Widely recognized as the forerunner to modern fantasy, The Well at the World's End is a magnificent tale of romance and adventure and a major influence on the works of J. R. R. Tolkien and C. S. Lewis.