Each volume of this series contains all the important Decisions and Orders issued by the National Labor Relations Board during a specified time period. The entries for each case list the decision, order, statement of the case, findings of fact, conclusions of law, and remedy.

This is the story of immigrant copper workers and their attempts to organize at the turn of the century in Arizona, New Mexico, Nevada, Utah, and El Paso, Texas. These Mexican and European laborers of widely varying backgrounds and languages had little social, economic, or political power. Yet they achieved some surprising successes in their struggles - all in the face of a racist society and the unbridled power of the mine owners. Mellinger discusses towns, mines, camps, companies, and labor unions, but this book is largely about people. In order to reconstruct the lives of those in mining communities, Mellinger has used little-known union and company records, personal interviews with old-time workers and their families, and a variety of regional sources that together have enabled him to reveal a complex and significant pattern of social, economic, and political change in the American West.

Political satire has been a primary weapon of the press since the eighteenth century and is still intimately associated with one of the most important values of western democratic society: the right of individuals to free speech. This study documents one of the most important moments in the history of printed political imagery, when political print became what we would recognise as modern political satire. Contrary to conventional historical and art historical narratives, which place the emergence of political satire in the news-driven coffee-house culture of eighteenth-century London, Meredith M. Hale locates the birth of the genre in the late seventeenth-century Netherlands in the contentious political milieu surrounding William III's invasion of England known as the 'Glorious Revolution'. The satires produced between 1688 and 1690 by the Dutch printmaker Romeyn de Hooghe on the events surrounding William III's campaigns against James II and Louis XIV establish many of the qualities that define the genre to this day: the transgression of bodily boundaries; the interdependence of text and image; the centrality of dialogic text to the generation of meaning; serialized production; and the emergence of the satirist as a primary participant in political discourse. This study, the first in-depth analysis of De Hooghe's satires since the nineteenth century, considers these prints as sites of cultural influence and negotiation, works that both reflected and helped to construct a new relationship between the government and the governed.