A study of the role of Afro-Virginians in the Civil War.

It’s one of the last overlooked parts of American military history: the significant role African Americans played in the wars of America. Their story is more than just the 54th Massachusetts in the Civil War, more than just a tank battalion in World War II: African Americans contributed to every war in American history. Gene Bétit tells this important story with verve and gusto, as well as respect. By their brave deeds, African Americans have secured a place in American military history, and Bétit makes sure they receive their due. In the colonial wars, the Revolution, and the War of 1812, African Americans served as seamen, gunners, and marine sharpshooters in the Navy and served as 15 percent of the Continental Army. During the Civil War, blacks constituted nearly 200,000 soldiers of the Union Army and served in some of the war’s most celebrated regiments and toughest battles, and their service inspired the farthest-reaching of the Union’s emancipation policies. In the decades after the Civil War, Black soldiers formed an important part of the U.S. Army, fighting as Buffalo Soldiers in the Indian Wars of the 1870s, up through the Spanish-American War. In World War I, the segregated 92nd and 93rd Divisions fought hard and received the Croix de Guerre from France. In World War II, more than one million Blacks served the United States—and more than a hundred thousand were assigned to combat duty, not only in the Black Panther tank battalion and the Tuskegee Airmen, but in other combat units and units that kept the American war effort supplied. In the years since World War II, Truman integrated the military during the Korean War, but the African-American soldiers remain a class apart—during Korea, during Vietnam, and beyond. This is a story with importance not only for military history, but for all of American history. And Gene Bétit does it careful, exciting justice.

How did the American western feature film genre rebrand itself in the late seventies and respond to the fury of global and domestic political affairs? In Hold It Real Still, Lawrence Jackson examines Clint Eastwood's influence on the western film while also exploring how that genre continues to operate into the twenty-first century as an ideological channel for ideas about race and imperialism. Jackson argues that the western genre pivoted from an initial doctrine of racial liberalism, albeit a clumsy one, during the John Wayne years to a motile agenda of substitution, exclusion, and false equivalency during the Clint Eastwood period. The book traces how Eastwood, an actor first associated with the avant-garde, anti-colonialist discourse of "spaghetti" western cinema, reversed himself in the second half of the 1970s with The Outlaw Josey Wales—a film that had at its heart the fantasy of Black erasure from American life. Jackson situates Eastwood's work as a response to massive social and political upheavals in America: defeat in Vietnam, riots in northern cities, the civil rights movement and associated legislation, and the Great Migration, which made possible a degree of mixed-race public interaction that was impossible even as late as the 1960s. Hinged by a close reading of four blockbuster films which continue to shape discourses in cinematic arts, American liberalism, the westerns, and race relations today—The Good, the Bad and the Ugly, Josey Wales, Ride with the Devil, and Django Unchained—Jackson's unique critique flashes on the contradictory symbolic structures at work in these masterpieces. Juxtaposing the films' motifs, tropes, and hidden Black figures with historicist readings lays bare the containment strategies of the 1970s and beyond used to stymie civil rights progress and racial equity in the United States. Tackling the rise of neoracism and the domestic apparatus of surveillance, control, and erasure, Hold It Real Still offers an astonishing revision of what audiences and critics thought they understood about a uniquely American genre of film.

This is the most thorough study of Civil War POW camps, in which some 56,000 died. There are no villains here, though plenty of the inept, the shortsighted, the feebleminded, the sadistic. There is a chain of misperceptions leading to disaster, beginning with early expectations of few POWs and ending with both sides swamped with them and reduced to holding them in notorious pens like Andersonville in the south and Elmira in the north. Speer provides a history of each camp, however long it was in use; portraits of key figures and units; frequently grisly statistics and descriptions of camp life and conditions that are even grislier; and notes on the present condition of major campsites. No story for the weak-stomached, this is a telling indictment of how negligence led to mass death.

This ground-breaking book takes an insightful and close "New Look" at one of the most fascinating subjects of the Civil War--the long-overlooked battlefield contributions of the most forgotten fighting men of the Civil War, Black Confederates. With the release of the popular 1989 film Glory, the American public first learned about the heroism of the black troops of the 54th Massachusetts Volunteer Infantry and their courageous assault on Fort Wagner, South Carolina, in July 1863. But what the American public failed to learn in viewing this popular film was the equally compelling saga of Black Confederates, including at least one defender, a free black soldier of the 1st South Carolina Artillery who defended Fort Wagner in July 1863. Significantly, large numbers of Black Confederates, slave and free, had already been fighting on battlefields across the South for more than two years before the famous assault of the 54th Massachusetts on Fort Wagner, including the war's first major battle at Bull Run. Although the vast of majority blacks served the Confederacy in menial and support roles, Black Confederates, free and slave, fought from 1861 to 1865 in regiments (infantry, cavalry, and artillery) that represented every Southern state.

Compiles information and interpretations on the past 500 years of African American history, containing essays on historical research aids, bibliographies, resources for womens' issues, and an accompanying CD-ROM providing bibliographical entries.

Civil War scholars have long used soldiers’ diaries and correspondence to flesh out their studies of the conflict’s great officers, regiments, and battles. However, historians have only recently begun to treat the common Civil War soldier’s daily life as a worthwhile topic of discussion in its own right. The View from the Ground reveals the beliefs of ordinary men and women on topics ranging from slavery and racism to faith and identity and represents a significant development in historical scholarship—the use of Civil War soldiers’ personal accounts to address larger questions about America’s past. Aaron Sheehan-Dean opens The View from the Ground by surveying the landscape of research on Union and Confederate soldiers, examining not only the wealth of scholarly inquiry in the 1980s and 1990s but also the numerous questions that remain unexplored. Chandra Manning analyzes the views of white Union soldiers on slavery and their enthusiastic support for emancipation. Jason Phillips uncovers the deep antipathy of Confederate soldiers toward their Union adversaries, and Lisa Laskin explores tensions between soldiers and civilians in the Confederacy that represented a serious threat to the fledgling nation’s survival. Essays by David Rolfs and Kent Dollar examine the nature of religious faith among Civil War combatants. The grim and gruesome realities of warfare—and the horror of killing one’s enemy at close range—profoundly tested the spiritual convictions of the fighting men. Timothy J. Orr, Charles E. Brooks, and Kevin Levin demonstrate that Union and Confederate soldiers maintained their political beliefs both on the battlefield and in the war’s aftermath. Orr details the conflict between Union soldiers and Northern antiwar activists in Pennsylvania, and Brooks examines a struggle between officers and the Fourth Texas Regiment. Levin contextualizes political struggles among Southerners in the 1880s and 1890s as a continuing battle kept alive by memories of, and identities associated with, their wartime experiences. The View from the Ground goes beyond standard histories that discuss soldiers primarily in terms of campaigns and casualties. These essays show that soldiers on both sides were authentic historical actors who willfully steered the course of the Civil War and shaped subsequent public memory of the event.

"Shaffer chronicles the postwar transition of black veterans from the Union army, as well as their subsequent life patterns, political involvement, family and marital life, experiences with social welfare, comradeship with other veterans, and memories of the war itself. He draws on such sources as Civil War pension records to fashion a collective biography - a social history of both ordinary and notable lives - resurrecting the words and memories of many black veterans to provide an intimate view of their lives and struggles."--BOOK JACKET.

An encyclopedic reference of African American history and culture.

Winner of the Barondess/Lincoln Award from The Civil War Round Table of New York “Fascinating reading. . .this book eerily reflects some of today’s key issues.” – The New York Times Book Review From an award-winning historian, an engrossing look at how Abraham Lincoln grappled with the challenges of leadership in an unruly democracy An awkward first meeting with U.S. Army officers, on the eve of the Civil War. A conversation on the White House portico with a young cavalry sergeant who was a fiercely dedicated abolitionist. A tense exchange on a navy ship with a Confederate editor and businessman. In this eye-opening book, Elizabeth Brown Pryor examines six intriguing, mostly unknown encounters that Abraham Lincoln had with his constituents. Taken together, they reveal his character and opinions in unexpected ways, illustrating his difficulties in managing a republic and creating a presidency. Pryor probes both the political demons that Lincoln battled in his ambitious exercise of power and the demons that arose from the very nature of democracy itself: the clamorous diversity of the populace, with its outspoken demands. She explores the trouble Lincoln sometimes had in communicating and in juggling the multiple concerns that make up being a political leader; how conflicted he was over the problem of emancipation; and the misperceptions Lincoln and the South held about each other. Pryor also provides a fascinating discussion of Lincoln’s fondness for storytelling and how he used his skills as a raconteur to enhance both his personal and political power. Based on scrupulous research that draws on hundreds of eyewitness letters, diaries, and newspaper excerpts, Six Encounters with Lincoln offers a fresh portrait of Lincoln as the beleaguered politician who was not especially popular with the people he needed to govern with, and who had to deal with the many critics, naysayers, and dilemmas he faced without always knowing the right answer. What it shows most clearly is that greatness was not simply laid on Lincoln’s shoulders like a mantle, but was won in fits and starts.