This book is a ground-breaking exploration of everyday life as experienced through the lens of Black British cultural history and creative practice, through a multiplicity of voices and writing styles. The structure of Black Everyday Lives, Material Culture and Narrative examines life through a personal study of the family home – room by room, object by object – as a portal through which to examine the intricacies and nuances of daily considerations of African heritage people living in Britain in the modern era (post-1950). Using Small Anthropology methodology, this book foregrounds the experiences of Black British lives by bringing the threads of history and culture into the relevancy of the present day and demonstrates how the personal sphere directly links to wider public and political concerns. This book will be of interest to a wide range of disciplines, including Black studies, anthropology, cultural studies, history, visual culture, photography, media communication, sociology, community development, art and design, and by any course that studies ethnographic methodologies, material culture, migration, everyday life, and British society.

"This book is a ground-breaking exploration of everyday life as experienced through the lens of Black British cultural history and creative practice, through a multiplicity of voices and writing styles. The structure of Black Everyday Lives, Material Culture and Narrative examines life through a personal study of the family home - room by room, object by object - as a portal through which to examine the intricacies and nuances of daily considerations of African heritage people living in Britain in the modern era, (post 1950). Using Small Anthropology methodology, this book foregrounds the experiences of Black British lives by bringing the threads of history and culture into the relevancy of the present day, and demonstrates how the personal sphere directly links to wider public and political concerns. This book will be of interest to a wide range of disciplines, including Black Studies, Anthropology, Cultural Studies, History, Visual Culture, Photography, Media Communication, Sociology, Community Development, Art and Design, and by any course that studies ethnographic methodologies, material culture, migration, everyday life, and British society"--

Focusing on the technoculture of everyday life, this book attempts to zero in on the simplicity and the habitual character of the interaction between humans and material objects, which is often assumed or taken for granted. Because objects are always meaningful in the pragmatic use to which they are directed, the material world of everyday life can be seen as a technoculture of its own - one made of behaviors as simple, and yet as significant, as using a lawnmower, or decorating one's body. In discussing the unique methodological components of the ethnography of the technoculture of everyday life, this book begins a dialogue on how we can examine - from the participants' perspective - the interconnections between social agents, their technological/material practices, their material objects or technics, and their social and material environment.

Black feminist thought has developed in various parts of the academy for over three decades, but has made only minor inroads into archaeological theory and practice. Whitney Battle-Baptiste outlines the basic tenets of Black feminist thought and research for archaeologists and shows how it can be used to improve contemporary historical archaeology. She demonstrates this using Andrew Jackson‘s Hermitage, the W. E. B. Du Bois Homesite in Massachusetts, and the Lucy Foster house in Andover, which represented the first archaeological excavation of an African American home. Her call for an archaeology more sensitive to questions of race and gender is an important development for the field.

The Routledge Handbook of Global Islam and Consumer Culture is an outstanding inter- and transdisciplinary reference source to key topics, problems, and debates in this challenging research field. The study of Islam is enriched by investigating religion and, notably, Islamic normativity (fiqh) as a resource for product design, attitudes toward commodification, and appropriated patterns of behavior. Comprising 35 chapters (including an extended Introduction) by a team of international contributors from chairholders to advanced graduate students, the handbook is divided into seven parts: Guiding Frameworks of Understanding Historical Probes Urbanism and Consumption Body Manipulation, Vestiary Regimes, and Gender Mediated Religion and Culture Consumer Culture, Lifestyle, and Senses of the Self through Consumption Markets These sections examine vibrant debates around consumption, frugality, Islamic jurisprudence and fatwas in the world economy, capitalism, neoliberalism, trade relations, halalization, (labor) tourism and travel infrastructure, body modification, fashion, self-fashioning, lifestylization, Islamic kitsch, urban regeneration, heritage, Islamic finance, the internet, and Quran recitation versus music. Contributions present selected case studies from countries across the world, including China, Indonesia, Malaysia, Morocco, Nigeria, Qatar, Pakistan, and Turkey. The handbook is essential reading for students and researchers in Islamic studies, Near and Middle Eastern studies, religious studies, and cultural studies. The handbook will also be very useful for those in related fields, such as politics, area studies, sociology, anthropology, and history.

This book reflects the broad reception of cosmopolitan thought in a variety of disciplines and across international borders.

Introducing all the key ideas and major theorists of consumption in a lively and engaging manner, this book draws on theories of everyday life and aspects of sociology, cultural geography and cultural studies, and presents a comprehensive exploration of the central themes in consumption and consumer culture. Readily accessible case studies describe familiar forms of consumption from areas of everyday life, grounding the debates and ideas discussed. Key topics covered include: the semiotics of branding and advertising the representation of 'nature' and the environment the relations between consumer and producer ethical consumption the tensions between local spaces of consumption and globalized markets. While each of the chapters crystallize the debate in a specific subject area, they also lie within a larger argument concerning the ethics, the poetics and the politics of consumption in everyday life, making this essential reading for undergraduates on cultural studies, sociology and cultural geography courses.

Reviewing key contemporary issues and debates about consumption, this accessible textbook portrays and assesses the varied and complex intersections of consumption and everyday life. The rich and idiosyncratic nature of local consumption practices is illustrated through cases from different parts of the world. The contributors show the varying balance between constraint and creativity, links between consumption and production, and the patterns which shape access to symbolic and material resources.

The Encyclopedia of African Cultural Heritage in North America provides an accessible ready reference on the retention and continuity of African culture within the United States. Our conceptual framework holds, first, that culture is a form of self-knowledge and knowledge about self in the world as transmitted from one person to another. Second, that African people continuously create their own cultural history as they move through time and space. Third, that African descended people living outside of Africa are also contributors to and participate in the creation of African cultural history. Entries focus on illuminating Africanisms (cultural retentions traceable to an African origin) and cultural continuities (ongoing practices and processes through which African culture continues to be created and formed). Thus, the focus is more culturally specific and less concerned with the broader transatlantic demographic, political and geographic issues that are the focus of similar recent reference works. We also focus less on biographies of individuals and political and economic ties and more on processes and manifestations of African cultural heritage and continuity. FEATURES: A two-volume A-to-Z work, available in a choice of print or electronic formats 350 signed entries, each concluding with Cross-references and Further Readings 150 figures and photos Front matter consisting of an Introduction and a Reader’s Guide organizing entries thematically to more easily guide users to related entries Signed articles concluding with cross-references