Black Music, Black Poetry offers readers a fuller appreciation of the diversity of approaches to reading black American poetry. It does so by linking a diverse body of poetry to musical genres that range from the spirituals to contemporary jazz. The poetry of familiar figures such as Paul Laurence Dunbar and Langston Hughes and less well-known poets like Harryette Mullen or the lyricist to Pharaoh Sanders, Amos Leon Thomas, is scrutinized in relation to a musical tradition contemporaneous with the lifetime of each poet. Black music is considered the strongest representation of black American communal consciousness; and black poetry, by drawing upon such a musical legacy, lays claim to a powerful and enduring black aesthetic. The contributors to this volume take on issues of black cultural authenticity, of musical imitation, and of poetic performance as displayed in the work of Paul Laurence Dunbar, Langston Hughes, Sterling Brown, Amiri Baraka, Michael Harper, Nathaniel Mackey, Jayne Cortez, Harryette Mullen, and Amos Leon Thomas. Taken together, these essays offer a rich examination of the breath of black poetry and the ties it has to the rhythms and forms of black music and the influence of black music on black poetic practice.

Essays on African-American poets whose works helped to shape a contemporary literature, but also helped to reclaim, recapture, and reshape a culture, through their inventiveness and wisdom and have invigorated Afro-American and American literature in language, style, form, and substance.

Seminar paper from the year 1998 in the subject American Studies - Miscellaneous, grade: 1,7, Johannes Gutenberg University Mainz (American Studies Department), course: American Modernism, language: English, abstract: How did Langston Hughes shape music into poetry, what were the items of his jazz poetry and what message did he want to mediate? Concerning the items and message of jazz poetry, secondary literature offers no help. Reading Hughes' jazz poems and combining it with the status of jazz music and Hughes' view of art, the following assumptions are plausible: Hughes’ jazz poetry tries with literary devices to imitate jazz music. This poetry reflects to reflect modern, urban black poplar culture. His poems transmit a new black self- confidence. The aim of this paper is to give reasons for those assumptions by analyzing a jazz poem closely. The poem that is to be analyzed is called „Railroad Avenue“ and was published first in 1926.

Winner of the Dartmouth Medal for Outstanding Reference Publication of 1994, the first edition of Black Women in America broke ground - pulling together for the first time all of the research in this vast but underrepresented field to provide one of the strongest building blocks of Black Women's Studies. Hailed by Eric Foner of Columbia University (for a Lingua Franca survey) as "one of those publishing events which changes the way we look at a field," it simultaneously filled a void in the literature and sparked new research and concepts regarding African American women in history. Since the first edition was published, a new generation of American black women has flourished, demanding this landmark reference be brought up to date. Women such as Venus and Serena Williams, Condoleezza Rice, Carol Mosley-Braun, Ruth Simmons, and Ann Fudge have become household names for their remarkable contributions to sports, politics, academia, and business. In three magnificent volumes, Black Women in America, Second Edition celebrates the remarkable achievements of black women throughout history, highlights their ongoing contributions in America today, and covers the new research the first edition helped to generate. Features: * Includes more than 150 new entries, plus revisions and updates to all previous entries * Contains 500 illustrations, many published here for the first times * Includes over 335 biographies, many newly prepared for this publication * Offers sidebars on interesting aspects of the history and culture of black women * Provides a bibliography for each entry, plus a major bibliographical essay * Features a chronology and a comprehensive index For a complete listing of contents, visit www.oup.com/us/bwia