Weird fiction with a darkly sensual twist. BLACK PROPAGANDA delves deep into the dark, twisted roots of human nature and human sexuality. Using desire to dissect the delusions and dilemmas of will, choice and identity, this collection challenges genre boundaries and social conventions. Transgressive, confrontational, passionate, poignant, these sinister stories touch on every shade of black, from noir to the Lovecraftian cosmic abyss. Readers may be horrified, touched, tempted - never unmoved. This is the first short story collection from noted British poet and weird fiction writer Paul StJohn Mackintosh. Few British writers have dared trace the borderlines between lust, insanity and terror so graphically since Clive Barker and J.G. Ballard.

"A fascinating story....Essential to an understanding of America's use of propaganda". -- Warren F. Kimball, author of The Juggler: Franklin Roosevelt as Wartime Statesman. "Lively and revealing. There is much that is new and important in this book. All students of the war, as well as of intelligence, will benefit from it". -- Robin W. Winks, author of Cloak and Gown. "A 'must' acquisition for anyone with any interest in espionage, intelligence, and propaganda". -- Dennis Showalter, author of Tannenburg: Clash of Empires.

Pre-University Paper from the year 2014 in the subject Communications - Movies and Television, grade: 1+, , language: English, abstract: When I was to decide for a topic to be dealt with in my ‘Facharbeit’, the decision was clear: Including my interest in the history and pop culture of the United States of America, Disney’s World War 2 cartoons offer a great potential to be researched intensively as one can find a lot of background knowledge, regarding the history of the Disney studios and the general historical context. Also, there is a broad mass of cartoons to be analyzed and looked at closely. Questioning the justification for family cartoons to be used as propaganda material, I further have a firm opinion. However, in order not to go beyond the scope, I must, unfortunately, leave out several relevant and interesting aspects to the topic and do not make any claims for completeness. In the following, I would like to elucidate my approach towards the issue: To begin with, I focus on general, historical facts about the US-American World War 2 propaganda and Disney’s contribution to the war effort, giving basic background information, in order to understand and interpret two war-time cartoons which perfectly exemplify the convincing way most propaganda cartoons worked and appealed to the citizens. Being two of the most popular shorts during World War 2 (one of them even honored with an Oscar) and rather focusing on entertainment, instead of war instructions, both Der Fuehrer’s Face and Reason and Emotion are great fun to watch and very suitable for a detailed interpretation. Eventually, I comment on the general justification of those cartoons and sum up my results.

As well as the open propaganda of the British Government produced during the Second World War, like the foreign language radio broadcasts of the BBC and the aerial propaganda leaflets dropped by the RAF over Occupied Europe, a secret underground propaganda battle was also fought. ‘The Black Art’ documents this history of Britain’s clandestine psychological warfare conducted against the Nazi’s Third Reich. This black propaganda was the work of several secret intelligence organisations including the Political Warfare Executive and Special Operations Executive. Using previously undiscovered primary source material ‘The Black Art’ charts the progress of and catalogues the range of propaganda leaflets covertly distributed across Occupied Europe and beyond to subvert the morale of German soldiers and civilians. The propaganda included such ruses as malingering instructions to fake the symptoms of illness, tips for desertion to neutral countries, parody postage stamps, advice on sabotaging a U-boat, counterfeit ration coupons, identity documents and newspapers plus numerous other falsely attributed leaflets and stickers. Over 350 illustrations are included.

Osgood focuses on major campaigns such as Atoms for Peace, People-to-People, and cultural exchange programs. Drawing on recently declassified documents that record U.S. psychological operations in some three dozen countries, he tells how U.S. propaganda agencies presented everyday life in America to the world: its citizens living full, happy lives in a classless society where economic bounty was shared by all. Osgood further investigates the ways in which superpower disarmament negotiations were used as propaganda maneuvers in the battle for international public opinion. He also reexamines the early years of the space race, focusing especially on the challenge to American propagandists posed by the Soviet launch of Sputnik.

In this revised and expanded edition of the bestselling textbook, Jowett and O'Donnell examine the age-old art of propaganda and a related form of communication - persuasion - from a communication perspective. They present an overview of the history of propaganda, a review of the social scientific research on its effects, and an examination of its applications. New material included covers the Middle East conflict, the Cold War and glasnost, as well as propaganda as it relates to women.