The war stories and combat narratives of the 11th Armored Cavalry Regiment during five-and-a-half years of combat in Vietnam. When the U.S. Army went to war in South Vietnam in 1965, the general consensus was that counterinsurgency was an infantryman’s war; if there were any role at all for armored forces, it would be strictly to support the infantry. However, from the time the 11th Armored Cavalry Regiment arrived in the country in September 1966, troopers of the Blackhorse Regiment demonstrated the fallacy of this assumption. By the time of Tet ’68, the Army’s leadership began to understand that the Regiment’s mobility, firepower, flexibility, and leadership made a difference on the battlefield well beyond its numbers. Over the course of the 11th Cavalry’s five-and-a-half years in combat in South Vietnam and Cambodia, over 25,000 young men served in the Regiment. Their stories—and those of their families—represent the Vietnam generation in graphic, sometimes humorous, often heart-wrenching detail. Collected by the author through hundreds of in-person, telephone, and electronic interviews over a period of twenty-five-plus years, these “war stories” provide context for the companion volume, The Blackhorse in Vietnam. Amongst the stories of the Blackhorse troopers and their families are the tales of the wide variety of animals they encountered during their time in combat, as well as the variable landscape, from jungle to rice paddies, and weather. Blackhorse Tales concludes with a look at how the troopers dealt with their combat experiences since returning from Vietnam. “Without question, Donald Snedeker has paid a fitting tribute to this superb unit, its soldiers, and their families.” —Military Review

This insightful volume offers an analysis of land-based Diné and Dene imaginaries as embodied in their own cinematic, visual, and literary stories. Watchman uses literary and visual texts to explore how relations are restored, showing how literary linkages from land-based stories affirm kinship.

"...a deeply researched and comprehensive book, chronicles the battle in great detail, including all American and allied units involved and some of the enemy units of the NVA’s Sao Vong (Yellow Star) Division." — The VVA Veteran Operation Masher/White Wing targeted the regiments of the North Vietnamese Army Sao Vang Division operating in the Bong Son area in northeast Binh Dinh Province in central South Vietnam. The operation started on January 24, 1966, immediately after the Vietnamese New Year (Tet) and ended six weeks later. It was led by newly promoted Colonel Harold G. Moore, who as a lieutenant colonel commanded the 1st Battalion, 7th Cavalry in the battle of Landing Zone X-Ray in the Ia Drang Valley two months earlier. In 41 days of sustained fighting, the 1st Cav battled each of the three regiments of the Sao Vang Division, resulting in enemy losses of more than 3,000 KIA. This came at the cost of 199 Americans killed on the battlefield and 46 more who died in the crash of a U.S. Air Force C-123 aircraft en route to the battlefield, making it one of the deadliest battles of the entire Vietnam War. Operation Masher/White Wing was a success. The 1st Cav demonstrated that it had the firepower, mobility, and leadership to find the enemy and deliver a severe blow to it in terms of personnel and equipment losses and in forced evacuation from formerly “secure” base areas, seemingly proving the value of the search-and-destroy strategy. However within a few weeks, intelligence reports indicated that North Vietnamese soldiers were returning to the Bong Son area in small groups. By late April, the Sao Vang Division was back in the area in force. Operation Masher/White Wing proved to be the start of a very long and deadly struggle between the 1st Cav and North Vietnamese for control of Binh Dinh Province—multiple search & destroy operations eventually resulted in more than 9,000 enemy KIA and 2,358 enemy detained, with friendly losses of more than 1,200 KIA, 5,775 WIA, and 27 MIA. While Masher/White Wing demonstrated that search & destroy operations were very effective at the tactical level but without a high-level strategy to stop the unabated flow of fresh Communist troops and supplies into South Vietnam, it wasn’t clear just how they contributed to overall victory. At the start of 1968, General Westmoreland ordered the 1st Cav to terminate its operations in the Bong Son area, bringing the battle to a close.

More Celtic Fairy Tales is part of a series written by the Australian born folklorist Joseph Jacobs. In this book feature over two dozen stories taken from popular oral tradition and united with John D. Batten's black and white drawings, full of movement and energy. Stories include: 'The Fate of the Children of Lir', 'Jack the Cunning Thief', 'Morraha', 'The Farmer of Liddesdale', 'The Legend of Knockgrafton', 'How Cormac Mac Art went to Faery' and many others. Heavily influenced by the Brothers Grimm and the romantic nationalism ubiquitous in his contemporary folklorists, Jacobs was responsible for introducing English fairy tales to English children, who had previously chiefly enjoyed those derived from French and German folklore. Beautifully illustrated by John D. Batten, these timeless fairy tales make for ideal bedtime reading and are not to be missed by collectors. John Dickson Batten (1860-1932) was a British painter, illustrator and print maker who was a leading light in the Art Nouveau movement. He illustrated a number of of fairy tale books written by Joseph Jacobs including, English Fairy Tales (1890), Indian Fairy Tales (1912), and European Folk and Fairy Tales (1916). Presented alongside the text of Celtic Fairy Tales, his illustrations further refine and elucidate Joseph Jacob’s enchanting narratives. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s classics and fairy tales – a period of unparalleled excellence in book illustration. We publish rare and vintage Golden Age illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight both young and old.

The third seal of the Book of Revelation opens, forcing famine upon the ragtag characters as they deal with aliens and dinosaurs inside the planet of Mars. (Book 3) Sarah, Jack, Max, Willis, Georgie, Miss Foo, Father Mitch, and prepper Randy are captured by the half-breeds and are to be fed to the alien bioship. While onboard the spaceship, they end up inside Mars where dinosaurs from the Mesozoic Era roam and creatures are jailed. However, to get back to Earth they need to rescue an ISS astronaut, Ray Barber, from the reptilian corral so that he can fly the Pegasus capsule when they return to Earth orbit. To accomplish this, they must avoid being eaten by dinosaurs, survive a waterfall, and fight alien creatures, all while Randy shows signs of double-crossing them. If they manage to rescue the astronaut before the bioship leaves, they just might make it home. Suspenseful, optimistic, and awash in Prehistoric and Egyptian symbolism, this apocalyptic series continues to follow its ragtag characters as the third seal of the Book of Revelation opens.

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Primitive Country is a coming of age story about a young man searching for his roots. It is also the chronicle of a town and the tales that lie within it. The two accounts come together and become a single story of love and legend. The car cooled, and Nick, equipped with several jugs of water in the trunk, filled the radiator and continued on. In the next twenty minutes, he thought of how the journal entries sounded to him like a movie script. There was drama and mystery and death. Sadly, the main character was a dud. A twenty-five-year-old perpetual student, afraid of an aging grandfather, afraid to try anything on his own, afraid of life. Not the kind of character that movies are made of. In his head, he composed until the steam came up through the radiator. He pulled into a gravel parking lot with a small gas station and store planted at one end and wrote: I have written in here since I was sixteen. Until now, not missing more than three days in the last nine years. It has been two weeks since my last entry

DigiCat presents to you this meticulously edited collection of the greatest novels and stories written in the aftermath of the Civil War, trying to show the truth in disguise of fiction, the trauma, the turmoil, the massacre and the heroism of all people involved: Stephen Crane: The Red Badge of Courage The Little Regiment The Veteran The Private History of a Campaign That Failed & A Curious Experience (Mark Twain) Ambrose Bierce: An Occurrence at Owl Creek Bridge A Horseman in the Sky Chickamauga Joseph A. Altsheler: The Guns of Bull Run The Guns of Shiloh The Scouts of Stonewall The Sword of Antietam The Star of Gettysburg The Rock of Chickamauga The Shades of the Wilderness The Tree of Appomattox The Crisis (Winston Churchill) Miss Ravenel's Conversion from Secession to Loyalty (John William De Forest) With Lee in Virginia (G. A. Henty) Who Would Have Thought It? (María Ruiz de Burton) The Long Roll (Mary Johnston) Cease Firing (Mary Johnston) The Victim: A Romance of the Real Jefferson Davis (Thomas Dixon Jr.) Kincaid's Battery (George Washington Cable) The Border Spy (Harry Hazelton) The Battle Ground (Ellen Glasgow) Who Goes There? (B. K. Benson) Ailsa Paige (Robert W. Chambers) Special Messenger (Robert W. Chambers) How Private George W. Peck Put Down the Rebellion (George W. Peck) Raiding with Morgan (Byron A. Dunn) Mohun; Or, the Last Days of Lee and His Paladins (John Esten Cooke) Brother Against Brother (John R. Musick) The Last Three Soldiers (W. H. Shelton) A War-Time Wooing (Charles King) The Iron Game (Henry F. Keenan) The Blockade Runners (Jules Verne) The Lost Despatch (Natalie Sumner Lincoln) My Lady of the North (Randall Parrish) Uncle Daniel's Story of "Tom" Anderson (John McElroy) The Red Acorn (John McElroy) Winning His Way (Charles Carleton Coffin) A Daughter of the Union (Lucy Foster Madison) Chasing an Iron Horse (Edward Robins) The Man Without a Country (Edward Everett Hale) History of the Civil War, 1861-1865 (James Ford Rhodes)